#vogue patterns

US Vogue June 1984❤️❤️❤️❤️❤️

Model Talisa Soto wears a wonderful “spaced” print silk jacquard dress with a bare midriff V and very soft button-down-the-back skirt. Vogue Pattern #8936.

Fabric, by Taub & Meister.
Hair, Hamid; makeup, Margaret Avery.

Photo Arthur Elgort

vogue archive

US Vogue June 1955❤️❤️❤️❤️❤️

Vogue Patterns | Paris Copies
Photo Karen Radkai
Models Ivy Nicholson, Anne Gunning

vogue archive

Pattern: Vogue v1643 view D

Fabric: Super 120 wool suiting. Trim: Vintage Petersham grosgrain ribbon.

Modification: Added lining. Waist band reshaped into yoke.

Notes: A beautiful classic pleated dress but the fit is a unforgiving. It features hard pleats that are sewn all the way below tummy so it could be unflattering after having a big meal. That said, I do think this is nice change from my usual style. The skirt is fairly easy by itself if you don’t need a lot of modification for the fit. Most challenging part is getting the pleats even. For that I simply forgo all the blasting stitch from the instructions and take the fabric straight to the ironing board. I found that easier and quicker but that could be just me. Adding lining could be a bit of work because you have to do all the pleating twice (that, or pleat with double layer, your choice). At the end you are rewarded with a beautiful skirt so it’s all worth it.

Possible improvement: I would consider reducing the pleat stitich by a couple inches so they don’t go below the tummy. The fit would be more forgiving but of course, the style would be different too.

Pattern: Butterick 5987 view B

Fabric: Italian digital printed silk charmeuse Interlining: silk organza. Lined with fashion fabric.

Modification: skirt is cut out of just 2 pieces (front and back) instead of 5 according to the pattern. Just because the fabric is wide enough. Have to take out quite a bit on the bodice side seam to get the neckline to hang right.

Notes:

This looks like a really easy pattern but getting the perfect fit is not so trivial. I attempted this same pattern very early in my sewing days and it was disastrous. Granted I used silk satin face chiffon that was fairly difficult to handle for a novice. This time around I am more equipped.(tons of silk pins and shiny new needles)

Possible improvements: none that I can think of. It’s a classic style that just can’t go wrong.

Pattern: McCall’s 7895 view D

Fabric: Silk Faille

Modification: Redraped and shaped shoulder seam.

Notes: This is a classic formal gown. Bodice is made of a base and an overlay piece which might not be obvious from the technique drawing. This view actually has no boning but the bodice seems to hold up pretty well due to the stiffness of the fabric. I think faille pairs really well with this pattern.

Hardest part was to get the neckline to fit without gaping. I had to rework the shoulder seam a bit to get the perfect fit. Hemline finished with horsehair as recommended and I believe it is a must for the look.

Pattern: Vogue v1643 view B

Fabric: Wool/Angora twill coating. Lining: Silk jacquard

Trims: Vintage Petersham grosgrain

Buttons: Vintage from 1930s

Modification: None

Notes:

This is a great coat pattern. It is fitted but hugs the body in a flattering way. Pattern is rated for average skill level which is fairly accurate. Nothing too difficult but lots of steps. I didn’t have any trouble following the instructions but I did wish there are more details on some of the finishing steps on hem and sleeves. Extra illustrations would be helpful too. I found it strange there weren’t more details on attaching the ribbon trim though. Depending on the ribbon you use, one would need to either curve it with heat or use a gathering stitch.

Fabric choose is important here. When working with thick fabric the front band and the pocket top could get a bit too thick.

Possible improvement: I will switch out the front interface to use lining fabric instead of coating fabric.

Pattern: Vogue v9357

Fabric: Stretch cotton sateen by Mood Fabrics

Modification: Pleated pockets

Notes:

This is a fun pattern to work on. There are so many possibilities with plaids and stripes. When I saw this fabric I know I wanted to showcase some of it in pleats. The oversized pockets in pattern is the perfect place for it.

Fabric cutting is the only tricky part. Everything else is very straightforward. For this dress I chose not to add lining as the fabric has enough weight and quite comfortable on the touch.

I love everything about this pattern. The fit is flattering and the style is versatile.

Possible improvement: I might consider changing the direction of the waist yoke pieces so the back stripes won’t just go vertical all the way.

Pattern: Vogue Pattern V9130

Fabric: Silk Georgette by Milly. Lining: Sandwashed silk twill

Notes:

What supposed to be a really easy dress turned into a true test of patience because of the fabric choice. Silk georgette needs to be handled with care and cutting needs to be done one layer at a time. At the end I don’t have too much problem with fabric shifting like my novice days but I really can’t say I am in love with the final product. The dress would have probably work just as well with a less flowy fabric. Lining choice is crucial here. I would not have used sand washed silk if I would redo this again. Georgette and sand washed twill just has too much friction together. Static is a problem here.

Possible improvement: Skip the pockets when using delicate sheer fabric as it affects the drape. Sand washed silk twill as lining is bad idea.

Pattern: Vogue V9345. View C

Fabric: Liberty London Tana Lawn cotton - Pick a Posy green prints. Lining: Black silk crepe de chine

Modification: Added pockets. Lined bodice and skirt.

Notes: I have never had any issues with Vogue’s easy options patterns and this one is no exception. The instructions are clear and the pattern is well drafted. This classic shirtdress with a smart notched collar really looks more difficult than it really is. Note that even if you are adding lining, the facing pieces are still essential for the integrity and shall not be removed.

Possible improvement: Add belt hoops on the sides and back.