Standing bull, 1st millennium B.C., from Southwestern Arabia. Medium: Bronze
Bronze castings of large sculptures, as well as smaller objects, were made through most of the first millennium B.C. and the early centuries A.D. in southwestern Arabia. Among the types of animal images, bulls—a symbol of strength and potency—are the most common and can be found on funerary stelae, seals, and sculptures of the period.
Dharih’s Nabataean settlement can be roughly dated to around 100 CE. It flourished during a period of prosperity in times of the Roman annexation of the Nabataean Kingdom.
The temple (22 m x 16 m) consists of an unroofed vestibule to the south which opens to an almost square complex to the north, with a cultic platform in its center. The façade facing south was 15 meters high. It had two protruding pedestals that used to host statues on each side of the entrance door, and two large windows above them. The architrave was decorated with carved vines and animals, and had Medusa heads at the corners. The frieze above displayed figures of the Zodiac alternating with winged Victories, and the triangular pediment, sea centaurs crowned by flying Victories. Standing eagles guarded the central figures. While several of the mentioned figures can be seen at the Jordan Museum, the central couple of gods, Dushara and al-‘Uzza, can only be guessed from fragments.
The columned podium (7 x 7 m, height 1.40 m) in the center is accessed through two narrow stairways in the front. In the central slab of its pavement is a rectangular hole flanked by two small circular ones. Beneath the slab, a stone basin was found. The excavators interpret this as a system for sticking a betyl, and collecting the offering liquid after the ritual libations. It is not clear if this would have been wine, oil, or even blood. In a later phase, further two betyl holes were added in diagonal, which indicates a cult of a triad of gods.
A narrow U-shaped corridor surrounds the podium on three sides to circumambulate it in ritual processions. The hallway also gives access to two crypts situated under the platform and to the corner rooms. The northeast one encloses a staircase that used to lead to a terraced roof, and the two on the northwest side have large wall cupboards.
It is assumed that the craftsmen of the Dharih temple were the same who decorated the temple on the peak of Jabal et-Tannur.
@creatuanary Day 11, “Ghoul” . There’s a lot of description about these guys, but the route I went was the Arabian grave robber demon that takes the form of a hyena. Enjoy! . . #creatuanary #creatuanaryday11 #creatuanaryghoul #ghoul #hyena #creature #arabia #graverobber #demon #monster #dog #anthro #oc #gold #creatuanarychallenge #digitaldrawing #comicart #edensandersart #creativemechanics #edensanders https://www.instagram.com/p/CYnVdOdswlm/?utm_medium=tumblr
It’s not Finnish flag in every pillow or decorative item you’ll see. Finnish flag is commonly considered somewhat a sacred item. The Finnish flag has strict law how it is supposed to be flown and taken care of. Therefore items that have Finnish flags are not really common in Finnish homes. In Finnish home you’ll probably see Finnish flags usually only in small tourist memorabilia, or when people celebrate some national flag-raising day or have really formal family party, such as wedding.
Finns like to celebrate Finnishness by decorating their homes with Finnish design. If you spot furniture from Artek and Lundia, decorative items, curtains and sheets from Marimekko, plates, glasses and cups from Arabia and Iittala, kitchen equipment from Hackman and your quilt and pillow are made by Finlayson, you can be pretty sure you’re in a Finnish home.
But if you find a sauna and it’s warming up for you, then you can be 100% sure you’re in a Finnish home.
Welcome to my world of Nadir. This is the first personal painting I’m working on. Perspective is a little wonky (weeps) but I’m pretty happy with this piece. Enjoy :)