#book cover design

LIVE
We Have Always Lived in This Castle Cover Mock-UpImage description below the read more: [Image ID: A

We Have Always Lived in This Castle Cover Mock-Up

Image description below the read more:

[Image ID: An Illustrated book cover with the back on the left and the front on the right.

The Left side features a silver sugar bowl in the left corner with three silver dollars next to it and a golden watch chain with tight links in the right corner next to it is a large black book with a hole in the center. Over the book is a barcode with mock publisher information. The the Center of these objects is text that reads: “My Name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all, I could have been born a werewolf. because the two middle fingers on both my hands are the same length, but I had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in our family is dead.” Under these images is a wooden looking background.

In the middle is part of the black book and a gradient into a tree with the text: ‘We Have Always Lived in this Castle’ and ‘Shirley Jackson.’

The left side has a rectangular house. In the middle of the house is a section built outwards which has a small roof, a window with a silhouette of Merricat in it between the blue curtains with a gold-purple color in the background. Under the window is a porch with two columns with a brown door in between it. There are steps in front of the porch. On the top window to the right of Merricat is a silhouette of Constance shutting the curtains. In the back portion of the house are two windows on either side of the middle section, with the far window having a rectangular awning. Under these windows is a large rectangular window with shutters on each side of the house, It has dark yellow curtains that are mostly closed. On the far right side are two more windows. At the top of the house is a black roof with five chimneys with varying heights. Two are on the left side of the house and three are on the right side.

There are yellow reflections of the windows on the lawn and text that reads: ‘We Have Always Lived in This Castle.’ The lawn has a gradient that goes from grey-brown into green into navy blue.

In the bottom of the left side is a barbed fence, with three posts and a black cat’s tail over the far right post. In between the wires is text that reads: ‘Shirley Jackson.’

In the background there are several dark green trees, the moon, and the sky is violet. end ID]


Post link
Sharks in the Time of SaviorsKawai Strong Washburn Picador USA, 2021Design: Rodrigo CorralArt: Matt

Sharks in the Time of Saviors
Kawai Strong Washburn

Picador USA, 2021
Design: Rodrigo Corral
Art: Matt Buck
Lettering: Na Kim


Post link
Beautiful World, Where Are You Sally RooneyFaber Books, 2021Art direction: Donna PayneDesign: Jon GrBeautiful World, Where Are You Sally RooneyFaber Books, 2021Art direction: Donna PayneDesign: Jon GrBeautiful World, Where Are You Sally RooneyFaber Books, 2021Art direction: Donna PayneDesign: Jon GrBeautiful World, Where Are You Sally RooneyFaber Books, 2021Art direction: Donna PayneDesign: Jon GrBeautiful World, Where Are You Sally RooneyFaber Books, 2021Art direction: Donna PayneDesign: Jon Gr

Beautiful World, Where Are You
Sally Rooney

Faber Books, 2021
Art direction: Donna Payne
Design: Jon Gray
Illustration: Manshen Lo


Post link
See/Saw: Looking at PhotographsGeoff DyerCanongate Books, 2021Design: Rafi RomayaPhotography: Luigi See/Saw: Looking at PhotographsGeoff DyerCanongate Books, 2021Design: Rafi RomayaPhotography: Luigi See/Saw: Looking at PhotographsGeoff DyerCanongate Books, 2021Design: Rafi RomayaPhotography: Luigi See/Saw: Looking at PhotographsGeoff DyerCanongate Books, 2021Design: Rafi RomayaPhotography: Luigi See/Saw: Looking at PhotographsGeoff DyerCanongate Books, 2021Design: Rafi RomayaPhotography: Luigi

See/Saw: Looking at Photographs
Geoff Dyer

Canongate Books, 2021
Design: Rafi Romaya
Photography: Luigi Ghirri, Alex Webb/Rebecca Norris Webb


Post link
Blind Maps and Blue DotsThe Blurring of the Producer-user Divide in the Production of Visual InformaBlind Maps and Blue DotsThe Blurring of the Producer-user Divide in the Production of Visual InformaBlind Maps and Blue DotsThe Blurring of the Producer-user Divide in the Production of Visual InformaBlind Maps and Blue DotsThe Blurring of the Producer-user Divide in the Production of Visual InformaBlind Maps and Blue DotsThe Blurring of the Producer-user Divide in the Production of Visual InformaBlind Maps and Blue DotsThe Blurring of the Producer-user Divide in the Production of Visual InformaBlind Maps and Blue DotsThe Blurring of the Producer-user Divide in the Production of Visual Informa

Blind Maps and Blue Dots
The Blurring of the Producer-user Divide in the Production of Visual Information
Joost Grootens

Lars Müller Publishers, 2021
Design: SJG / Joost Grootens, Dimitri Jeannottat


Post link
Libro di disegniSimone Massiminimum fax, 2021Design: Patrizio Marini, Agnese PagliariniIllustrations

Libro di disegni
Simone Massi

minimum fax, 2021
Design: Patrizio Marini, Agnese Pagliarini
Illustrations: Simone Massi


Post link
Prigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoriPrigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoriPrigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoriPrigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoriPrigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoriPrigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoriPrigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoriPrigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoriPrigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoriPrigionieri della storiaChe cosa ci insegnano i monumenti della seconda guerra mondiale sulla memori

Prigionieri della storia
Che cosa ci insegnano i monumenti della seconda guerra mondiale sulla memoria e su noi stessi
Keith Lowe

UTET libri, 2021
Design: Xxy studio


Post link
Nessuna parola dice di noiGaia ManziniBompiani, 2021Design: Polystudio, Francesca ZucchiIllustration

Nessuna parola dice di noi
Gaia Manzini

Bompiani, 2021
Design: Polystudio, Francesca Zucchi
Illustration: Isabel Reitemeyer


Post link
bookcoverinspiration:Just saw this. The cover for John Gray’s new book, The Silence of Animals, us

bookcoverinspiration:

Just saw this. The cover for John Gray’s new book, The Silence of Animals, uses the eye-bogglingly wonderful Carnovsky artwork alluded to hitherto.


Post link
jimtierney:Drunk Tank Pink is a book about how everyday sensory input can cause unexpected and sub

jimtierney:

Drunk Tank Pink is a book about how everyday sensory input can cause unexpected and subconscious reactions in the brain. The title refers to a particular shade of bright pink that was used to paint the walls of police station holding cells, in order to subdue and weaken drunk and violent prisoners.

Art direction by Andrea D’Cruz at Oneworld Publications

And some of the initial sketches:

image


Post link
loading