#gothic victorian

LIVE

Memories of Autumn dreams among the bloody leaves and dark dreams…

Model - Mari Gohberg.

Natalie Ina Photography 2019.


NewInstagram.

Shop.

Behance.

Patreon.


For all questions, as well as for the purchase of photo prints and about the collaboration, please write to my mail: [email protected]

do NOT edit photos, cut, change colours, do not use as avatars, blog headings and other things like that. If you want to make a post with my photos, please include the authors name or a link to my page.

Poisonous crimson berries in the heart of the November forest.

Model - Natalie Nguyen.

Natalie Ina Photography.

October 2020.


NewInstagram.

Shop.

Behance.

Patreon.


For all questions, as well as for the purchase of photo prints and about the collaboration, please write to my mail: [email protected]

do NOT edit photos, cut, change colours, do not use as avatars, blog headings and other things like that. If you want to make a post with my photos, please include the authors name or a link to my page.

Autumn Melancholy.

Model - Katerina Agapova.

Natalie Ina Photography.

October 2020.


Instagram.

Shop.

Behance.

Patreon.


For all questions, as well as for the purchase of photo prints and about the collaboration, please write to my mail: [email protected]

do NOT edit photos, cut, change colours, do not use as avatars, blog headings and other things like that. If you want to make a post with my photos, please include the authors name or a link to my page.

The mourner of Autumn.

Model - Mari Gohberg.

Natalie Ina Photography 2019.


Instagram.

Shop.

Behance.

Patreon.


For all questions, as well as for the purchase of photo prints and about the collaboration, please write to my mail: [email protected]

do NOT edit photos, cut, change colours, do not use as avatars, blog headings and other things like that. If you want to make a post with my photos, please include the authors name or a link to my page.

The shadow of forest gloom.

Model - Katerina Agapova.

Natalie Ina Photography.

May 2021.


Instagram

Shop

Behance

Patreon


For all questions, as well as for the purchase of photo prints and about the collaboration, please write to my mail: [email protected]

do NOT edit photos, cut, change colours, do not use as avatars, blog headings and other things like that. If you want to make a post with my photos, please include the authors name or a link to my page.

January 20th, 2017I recently posted a photo of my Victorian mourning cape collection on my InstagramJanuary 20th, 2017I recently posted a photo of my Victorian mourning cape collection on my InstagramJanuary 20th, 2017I recently posted a photo of my Victorian mourning cape collection on my InstagramJanuary 20th, 2017I recently posted a photo of my Victorian mourning cape collection on my Instagram

January 20th, 2017

I recently posted a photo of my Victorian mourning cape collection on my Instagram account so I’ve decided to share it with those who follow me on Tumblr! These have been enhanced for your detail viewing pleasure of course.

I am a huge sucker for detail and intricate patterns. There is something about these pieces that made me fall in love with collecting these items in the first place.

(Please do not take these photos without my permission. Thank you!)


Post link

by REERA YOO

When Korean American novelistPatricia Park first read Charlotte Brontë’s Victorian novelJane Eyre at the age of 12, she was struck by how the titular heroine was scorned by society and her relatives solely because of her orphan status. “Orphan” was a word Park often heard her mother throw around whenever she misbehaved as a child.

“My mother used to say to me in her limited English, ‘You act like an orphan!’ This never made sense to me,” Park, 34, tells KoreAmvia email. “How do you actlike an orphan? You either are one or you aren’t.”

After reading Brontë’s 19th-century tale, Park realized that her mother’s generation of Koreans—those who grew up during the Korean War—perceived orphans as outcasts with questionable lineage, morals and manners. To “act like an orphan,” Park realized, meant you behaved in a shameful way that proved to others you didn’t receive a “good family education.”

“My mind drew the link between the Victorian construct of the orphan and the Korean post-war one, and ReJanewas born,” Park says.

Released in hardcover in May, Park’s debut novel is a modern retelling of Brontë’s classic tale, only set in New York’s sprawling outer boroughs and South Korea in the early aughts. Jane Re is a half-Korean, half-Caucasian recent college graduate who, since childhood, has lived with her strict uncle and his family in Flushing, a neighborhood Jane describes as “all Korean, all the time.”

Read full article here

loading