#grotesque

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 ‘So the boy whom the dark people called Menes smiled more often than he wept as he sate playing wit

‘So the boy whom the dark people called Menes smiled more often than he wept as he sate playing with his graceful kitten on the steps of an oddly painted wagon.’


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Legend tells that the Lincoln Imp was turned to stone after causing havoc in the cathedral. The city of Lincoln have adopted the grotesque as their mascot- Lincoln, UK

I rendered some characters of the Philippine Mythopoeia book in the style of Renaissance grotesque, with creeping flora, weird fauna, monsters, and deities.

nemfrog: Death as a weird demon.  Illustration from the article, “The grotesque.” Form, a quarterly

nemfrog:

Death as a weird demon.  Illustration from the article, “The grotesque.” Form, a quarterly of the arts. April 1916.

Heidelberg University


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nemfrog: Demonic figures cavorting.  Illustration from the article, “The grotesque.” Form, a quarter

nemfrog:

Demonic figures cavorting.  Illustration from the article, “The grotesque.” Form, a quarterly of the arts. April 1916.

Heidelberg University


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Lateral View of a Vigile in Hell / Study for Kerberos sculpture, 2020 Ink and bodycolour on paper

Lateral View of a Vigile in Hell / Study for Kerberos sculpture, 2020

Ink and bodycolour on paper


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Miniature decorative motif (illustration for Divine Comedy by Dante Alighieri/Purgatory, Canto 32),

Miniature decorative motif (illustration for Divine Comedy by Dante Alighieri/Purgatory, Canto 32), 2017

Acrylics on card, 11.4 x 11.4 cm

***

130   Then the ground, it seemed to me, opened up
         Between the two wheels, and I saw a dragon
         Come out and dash its tail up through the carriage;

         And, as a wasp retracts its sting, it drew
         Its poisoned tail back to itself, tore out
135    Part of the floor, and gloating wandered off.

         What was left was covered once again —
         As fertile land with grasses — with the feathers,
         Offered perhaps with true and kind intention.

         Both one wheel and the other and the pole-shaft
140    Were once more covered with them in less time
         Than it would take the mouth to heave a sigh.

         Transformed in this way, the sacred structure
         Sprouted heads upon its different parts,
         Three on the pole and one each at the corners.

145    The three were horned like oxen, but the four
         Had just a single horn upon their foreheads:
         Never was seen a monster like that rig!

         Seated there securely, like a fortress
         On a steep hill, a whore appeared to me,
150    Ungirt, with eyes agog to rove about.

         And I saw standing by her side a giant,
         As if he watched that no one take her from him,
         And they, time after time, kissed one another.

         But when she turned her lustful, roving eyes
155    On me, then that ferocious paramour
         Beat her unmercifully from head to foot.

         Then filled with jealousy and fierce with rage,
         He tore the monster loose, and dragged it off
         So far through the woods that just the trees

160    Screened me from the whore and that strange beast.

(trans. James Finn Cotter)


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Transfiguratio Mortis, by Emil Melmoth.

Aaron Johnson, 2009, Print, 70 x 50 cm

Aaron Johnson, 2009, Print, 70 x 50 cm


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 Drawings by Franz Kafka. The Literary Estate of Max Brod, National Library of Israel, Jerusalem,Pho

Drawings by Franz Kafka. 

The Literary Estate of Max Brod, National Library of Israel, Jerusalem,

Photos by Ardon Bar Hama


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