#hannah and her sisters

LIVE

Somewhere I have never travelled, gladly beyond

E. E. Cummings - 1894-1962

somewhere I have never travelled, gladly beyond

any experience, your eyes have their silence:

in your most frail gesture are things which enclose me,

or which i cannot touch because they are too near


your slightest look easily will unclose me

though I have closed myself as fingers,

you open always petal by petal myself as Spring opens

(touching skilfully,mysteriously) her first rose


or if your wish be to close me, I and

my life will shut very beautifully, suddenly,

as when the heart of this flower imagines

the snow carefully everywhere descending;


nothing which we are to perceive in this world equals

the power of your intense fragility: whose texture

compels me with the colour of it countries,

rendering death and forever with each breathing

(i do not know what it is about you that closes and opens; only something in me understands the voice of your eyes is deeper than all roses) nobody, not even the rain, has such small hands

Film enclosed - Hannah and her sisters

Short bare Analysis - “somewhere i have never travelled, gladly beyond” is one such poem. At its most immediate level, it is a poem that honors an inexplicable mystery: how, through the experience of love, one human being can awaken something in the beloved that nothing or no one else has ever managed to touch.

For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking & feeling my way through the edit. So today, I’d like to describe that process: how does an editor think & feel?

Written & edited by Taylor Ramos & Tony Zhou. Follow us through
Taylor’s Instagram: https://instagram.com/taylor.ramos/
Taylor’s Twitter: https://twitter.com/glassesattached
Tony’s Twitter: https://twitter.com/tonyszhou
Tony’s Facebook: https://www.facebook.com/everyframeapainting

loading