#max von sydow

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gregorygalloway:Max von Sydow (born Carl Adolf von Sydow, 10 April 1929 - 8 March 2020)

gregorygalloway:

Max von Sydow (born Carl Adolf von Sydow, 10 April 1929 - 8 March 2020)


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Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”

Elliott Gould, Bibi Andersson & Max Von Sydow in Ingmar Bergman’s “The Touch”


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Ingmar Bergman directing Elliott Gould, Bibi Andersson & Max Von Sydow on the set of “The Touch”

Ingmar Bergman directing Elliott Gould, Bibi Andersson & Max Von Sydow on the set of “The Touch”


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max von sydow
Max von Sydow, Vancouver Hotel Sun Room, October 1992 — Photographs — Alex Waterhouse-Hayward

Max von Sydow, Vancouver Hotel Sun Room, October 1992 — Photographs — Alex Waterhouse-Hayward


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Max von Sydow (10 April 1929 - 8 March 2020)here in Ingmar Bergman’s “Skammen”Max von Sydow (10 April 1929 - 8 March 2020)here in Ingmar Bergman’s “Skammen”Max von Sydow (10 April 1929 - 8 March 2020)here in Ingmar Bergman’s “Skammen”

Max von Sydow (10 April 1929 - 8 March 2020)

here in Ingmar Bergman’s “Skammen”


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Hour of the Wolf (Vargtimmen), dir. Ingmar Bergman, 1968.Hour of the Wolf (Vargtimmen), dir. Ingmar Bergman, 1968.Hour of the Wolf (Vargtimmen), dir. Ingmar Bergman, 1968.

Hour of the Wolf (Vargtimmen), dir. Ingmar Bergman, 1968.


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 Max von SydowFoto Frederik BertinFrankrike född 1960Signerad och daterad på baksidan. Edición 15 ej

Max von Sydow
Foto Frederik Bertin
Frankrike född 1960
Signerad och daterad på baksidan. Edición 15 ej. Fotografía de gelatina de plata, 30 x 30 cm.
Firmado y fechado. Impresión en gelatina de plata. Edición 15.
Proveniens: Art Photo Collection, Lerum
http://auktionsverket.com/auction/contemporary/2012-05-22/344-frederick-bertin-max-von-sydow/


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The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly The Seventh Seal (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer“Is it so terribly

The Seventh Seal (1957)

Directed by Ingmar Bergman
Cinematography by Gunnar Fischer

“Is it so terribly inconceivable to comprehend God with one’s senses?”


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OBSADA SIÓDMEGO EPIZODU “GWIEZDNYCH WOJEN” UJAWNIONA W nowym filmie wystąpią John Boyega

OBSADA SIÓDMEGO EPIZODU “GWIEZDNYCH WOJEN” UJAWNIONA

W nowym filmie wystąpią John Boyega, Daisy Ridley, Adam Driver, Oscar Isaac, Andy Serkis, Domhnall Gleeson i Max von Sydow, a obok nich aktorzy z oryginalnej trylogii: Harrison Ford, Carrie Fisher, Mark Hamill, Anthony Daniels, Peter Mayhew i Kenny Baker.

Trudno mi, doprawdy, powiedzieć Wam, ileż to razy rozpoczynałem na nowo tworzenie tego wpisu. Po części wynika to prawdopodobnie z delikatnego zmęczenia, po części z będącej jego konsekwencją braku weny, przede wszystkim chyba jednak z potężnego ładunku emocjonalnego, towarzyszącego pierwszemu zapoznaniu się z treścią oficjalnego oświadczenia LucasFilm oraz The Walt Disney Company.

Poza tym - informacji na temat obsady spodziewałem się dopiero w niedzielę, 4 maja! Nie zmienia to jednak faktu, że tego dnia prawdopodobnie również trudno będzie nam narzekać na brak emocji oraz wrażeń.

Z dłuższymi wywodami oraz wyrażeniem swojej wielkiej, doprawdy trudnej do opisania słowami, radości, wstrzymam się do długiego weekendu. Tymczasem zaś ograniczę się do prostego przytoczenia faktów. Te są zaś następujące: “Gwiezdne Wojny” wracają dokładnie w takiej postaci, w jakiej sobie wymarzyłem.

Niech Moc będzie z Wami!


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“I can’t imagine a worse thing than getting old”

Ingmar Bergman's Wild Strawberries is (somewhat correctly) noted as being one of his most optimistic films, yet, as with much of the great Swedish director’s body of work, its themes are not entirely clear-cut. Wild Strawberries is, in this regard, one of Bergman’s more simplistic films, but it’s also one of the greatest works of his career.

The film follows Isak, a stubborn 78 year old doctor, as he travels across country to be given an honorary doctorate to mark his fifty year contribution to medicine. Along the way, he is confronted by the mistakes he made with his family and strives to change his ways.  

Wild Strawberries is a film set up much like Charles Dickens' A Christmas Carol. It follows the reaffirmation of a man who is respected but not loved. But the difference is that Bergman never explicitly shows Isak’s mistakes and flaws like Dickens does Ebenezer Scrooge. His parental failures are mentioned in passing, but only the good sides of his personality are placed on the screen, and this biased depiction of the character allows us to sympathise more with his plight.

It is this simple fact that makes Wild Strawberries a very different film to, say, The Seventh Seal, Bergman’s other film from 1957. Wild Strawberries opens with a man shrouded in bitterness, loneliness and resignation, and documents his reaffirmation of life; The Seventh Seal, on the other hand, opens with disillusioned yet shrewd man who believes he can save his own life by beating Death in a game of chess, which he cannot do. 

This is not to say that Wild Strawberries is a better film - both are extraordinary - but it is a film that shows Bergman in unusually optimistic spirits, and one that cements his status as one of cinema’s truest artists. 

Simultaneously depressing and uplifting, Wild Strawberries is not just an existential road movie, but the existential road movie, and justifiably one of Bergman’s most celebrated cinematic achievements. 

silveragelovechild: If Marvel movie were made in the 1960s when the comics were first introduced.D

silveragelovechild:

If Marvel movie were made in the 1960s when the comics were first introduced.

Dr. Donald Blake discovered he was actually the God of Thunder when he was trapped in Norway. With his powers he became a hero & an Avenger.
1st App: Journey into Mystery #82 - 08/1962
Created by: Lee, Lieber & Kirby
Actor: Max Von Sydow as Thor


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