#lgbt cinema

“Waters liked to give his friends new nicknames, and it was he who first began calling Milstead ‘Divine’… It was Waters who also began introducing Divine as "the most beautiful woman in the world, almost”, a description that would be widely repeated in ensuing years.“

John Waters and Divine

filmaticbby:

Pain and Glory (2019) dir. Pedro Almodóvar

riseswind:

Pain and Glory (2019) dir. Pedro Almodóvar 

Cinema [7/8]

FUNERAL PARADE OF ROSES

1969 - JAPAN

GENRE: Drama

DIRECTOR: Toshio Matsumoto
SOUNDTRACK: Joji Yuasa

CAST:  Pîtâ (Eddie)
            Osamu Ogasawara (Leda)
            Yoshio Tsuchiya(Gonda)
            Toyosaburo Uchiyama (Guevera)
            Koichi Nakamura  (Juju)
            Shōtarō Akiyama  (himself) 

Dylan Sprouse, Keiynan Lonsdale and Sarah Hyland in promo photo for new movie My Fake Boyfriend.

Blood Orgy of the Leather Girls (1988)

Directed by Meredith Lucas

Doomsy’s Rating: 93/100 (on my Great Films list!)

A radical, punk explosion of feminine rage. 

I don’t even know how to describe this, other than it being absolutely essential viewing for riot grrrls and punk rock girls everywhere. This is certainly not an easy sell to a lot of people, as some of the production values are unquestionably shaky, but director Meredith Lucas and producer Jon Jost (yes, Jon Jost!) make up for it with some aggressive and hyperkinetic cinematography and stream-of-consciousness editing, not to mention a BANGING score. Lucas is demonstrably a fan of the Russ Meyer school of empowerment, but with a firmly lesbian-gaze toward her protagonists. Everything about this film is caricatured to the point of becoming basically a cartoon. There’s loads of over-the-top comic-strip splattery violence (usually with the abhorrent men on the receiving end) and tons of scenes of the girls walking around carrying immense shotguns and wearing punk leather jackets and the whole movie just feels like the biggest riot grrrl recruitment ad I’ve ever seen (in the best way possible).

It’s interesting to note how the story is told from a male perspective (a clearly-defined attack on that gender’s perceptions of women as a threat to their own insecurities), as all the men depicted are either buffoons, selfish pigs, or almost playing a comic-book level of misogyny in a villain-screaming-about-world-domination way. There’s sequences where the male narrator literally describes women as “another, more dangerous species” and it is through this satire that we understand not only the brilliantly self-deprecating style of Lucas (not unlike Jon Moritsugu’s attack on L.A. culture’s historically despicable treatment of Asian-Americans) where violence begets violence, but here in the fantasy world of The Leather Girls it is the women who hold all the power, and all the best weapons. This is fantastic lo-fi filmmaking, and simply a cult classic waiting for to be found. If you love punk cinema, feminism, Lizzie Borden, or any of the 80s underground, this is gonna hit all the notes you want.

Please, everyone reading this give it a watch. It’s so worth a viewing.

queer-cinema:

Mario [2018] dir. Marcel Gisler

YOUR NAME ENGRAVED HEREIN (2020), directed by Patrick Kuang-Hui Liu

YOUR NAME ENGRAVED HEREIN (2020), directed by Patrick Kuang-Hui Liu

TENGO MIEDO TORERO (2020), directed by Rodrigo Sepúlveda

TENGO MIEDO TORERO (2020), directed by Rodrigo Sepúlveda

KELET (2020), directed by Susani Mahadura

KELET (2020), directed by Susani Mahadura

EL BAILE DE LOS 41 (2020), dirigida por David Pablos

EL BAILE DE LOS 41 (2020), dirigida por David Pablos

LINGUA FRANCA (2019), directed by Isabel Sandoval

LINGUA FRANCA (2019), directed by Isabel Sandoval

LINGUA FRANCA (2019), directed by Isabel Sandoval

LINGUA FRANCA (2019), directed by Isabel Sandoval

FIN DE SIGLO (2019), directed by Lucio Castro

FIN DE SIGLO (2019), directed by Lucio Castro

FIN DE SIGLO (2019), directed by Lucio Castro