“Waters liked to give his friends new nicknames, and it was he who first began calling Milstead ‘Divine’… It was Waters who also began introducing Divine as "the most beautiful woman in the world, almost”, a description that would be widely repeated in ensuing years.“
This John Waters film is probably my least favorite. And it has nothing to do with the wacko dog death or the meat penis.
While I’m well aware that John Waters films are weird and contain a fair bit of shock, this was still just a miss for me. It seems sloppier than normal. I’d watch it again though haha.
This conversation plays through my head any time I see a “queer is a slur” bullshit post on this site or anywhere, really.
(Homer’s Phobia, 1997 – guest star, John Waters)
Someone just liked this, so I want to add an important note:
“queer is a slur” is a common tool used by TERFs to poison young queers against their own community. They teach young queers that using “queer” is against the rules because “queer is a slur” and then young queers repeat it because the elders in their queer social circle told them so.
Why? Because if young queers understand that queer is a loving and welcoming term for everyone who is not straight or does not match their birth sex, then TERFs lose all their power.
Because TERFs don’t just hate trans and non-binary people. They also hate bisexuals and pansexuals for wrecking their view that to be a wlw, you only live women with vaginas and to be mlm, you must only love men with penises.
But also, to reject the use of queer, you must reject intersex people because TERFs base their entire view on what set of genitals you have, and because intersex people don’t have textbook junk, TERFs don’t like them either.
And you must reject asexual queers across the board because so much of TERF defense is “I just wanna fuck a woman with a vagina or a man with a dick!” And if you have zero or minimal interest in fucking anyone, you wreck their arguments about what queer people want.
You know who else TERFs don’t like? Questioning people. Because to question your sexuality and realize you are straight is a loss for them. To question your gender and realizes it matches your birth sex is a loss for them. Why? Because to question either of these things means you examine who you are beyond a base level, and if you go behind a base level and understand even a basic sense of the confusing and difficult nature of sexual attraction and how it does and does not affect your gender, you can more easily see the holes in TERF arguments, which are all based on stereotypes of gender and sexuality.
The only reason the “B” makes it into the TERF acronym of queer culture is because if they left it at “LG” their hatred of the entire part of the community who is most comfortable using “queer” is a six-foot neon sign.
And to any bisexual TERFs I haven’t yet blocked who want to argue they are bisexual TERFs, so my argument about the use of “B” as a political abuse is invalid: The monosexual TERFs will have you against the wall in a fucking second. You are the sullied allies they put up with until you step out of line.
Lastly, the gay man in this episode is voiced by John Waters. He is a gay legend for tacky film and also an activist for queer rights. When his joke of the Baltimore Museum of Art naming a bathroom after him finally came true a couple of years ago, it was a gender-inclusive bathroom. And he brought his longtime friend and trans activist Elizabeth Coffey with him.
I am certain John Waters would tell you not to fuck TERFs in the same way he has said not to fuck people who don’t have books in their houses. And I am certain John Waters–an out and proud gay man known for his beautiful trash cinema and love and support of trans people–would tell you that queer is not a slur.
Exhibition from Apr 14 to Jun 04, 2016 at Fraenkel Gallery, Paris Fair Exhibitor
1632 Market Street, CA 94102 San Francisco T +1.415.981.2661 www.fraenkelgallery.com Fax +1.415.981.4014
Fraenkel Gallery is pleased to announce the first exhibition in the newly renovated FraenkelLAB space: Home Improvements, curated by John Waters.
This group exhibition will encompass eclectic works in several mediums by Martin Creed, Moyra Davey, Vincent Fecteau, Paul Gabrielli, gelitin, Paul Lee, Tony Matelli, Doug Padgett, Karin Sander, Gedi Sibony, Lily van der Stokker, and George Stoll. John Waters describes the exhibition as “a celebration of the low-tech concept of ‘remodeling’. These twelve artists’ humble but surprisingly imperious paintings, sculptures, photographs and drawings will hopefully make any serious property owner want to throw caution to the wind, pack up their living space, and start over.”
%20Directed%20by%20Ron%20Link%2C%20stage%20play%20by%20Tom%20Eyen%3B%20starred%20Divine%20as%20Flash%20Storm%2C%20a%20strip%20club%20owner%20%23TheNeonWoman%20%23RonLink%20%23TomEyen%20%23Divine "Pin It")
