#beat generation
“Nowhere Man” - @bkcollage
William S. Burroughs photographed in New York City by Michael Heitman in 1981. Postcard published by Radar, Basel, Switzerland, early 1980s.
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![‘The Moderns’, edited and with an introduction by LeRoi Jones [Amiri Baraka], Corinth Books, New Yor](https://64.media.tumblr.com/c5831f8881c6837db53fd442cafb4bc0/tumblr_nyqg59zDvC1tegr1eo1_1280.jpg "‘The Moderns’, edited and with an introduction by LeRoi Jones [Amiri Baraka], Corinth Books, New Yor")
‘The Moderns’, edited and with an introduction by LeRoi Jones [Amiri Baraka],Corinth Books, New York, 1963.
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New Arrivals: Sharp copy of YUGEN 7 (1961).
Sixth issue (of eight) of this important little magazine edited by LeRoi Jones. Contributors to this issue include Jones, Kenneth Koch, Frank O'Hara, John Ashberry, Gilbert Sorrentino, Diane DiPrima, Charles Olson, Allen Ginsberg, and Philip Whalen, et al.
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New Arrivals: First, Limited Edition of Beat Bible: 2 Books in 1. Beat & Pieces + Beat Books [Limited Edition], compiled by Fernanda Pivano, with photographs by Allen Ginsberg.
Two volumes; oblong quartos (23.5x28.75cm.); original pictorial and decorative boards; in original wooden, steel-clasped box, original paper and styrofoam padding. Fine. Beat & Pieces is a photographic history of the Beat Movement; Beat Books is a bibliography of the Movement, covering the years 1944 to 1965.
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Manuel de techniques élémentaires de l'illusionnisme
“The Third Man, que j'ai intitulé malgré moi Oeuvre croisée, représente le stade expérimental de cette technologie. Ce n'est pas l'histoire d'une collaboration littéraire, mais bien plutôt la complète fusion de deux subjectivités dans une praxis, subjectivités qui se métamorphosent en une troisième ; c'est d'ailleurs de cette collusion qu'émerge un nouvel auteur, le tiers absent, invisible et insaisissable, qui décrypte le silence. C'est donc la négation de l'auteur omniprésent et tout puissant - le géomètre qui tient à son inspiration d'une inspiration divine, d'une mission ou d'un ordre du langage. C'est aussi la négation de la frontière qui sépare la fiction de sa théorie. C'est enfin la négation du livre en tant que tel - tout du moins la représentation de cette négation.”
Point de suture n°12 appliqué en préface du livre par Gérard-Georges Lemaire.
Oeuvre croisée, W.Burroughs - B.Gysin, (1965), traduction de Gérard-Georges Lemaire, Flammarion
Et voici l'exemple d'un bon élève :
http://derniercrinews.blogspot.fr/2010/10/newsletter-novembre-2010.html
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![Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J](https://64.media.tumblr.com/c3e505798bb3ade536ebccd209673641/tumblr_nlgkkgZDkE1shdowyo1_1280.jpg "Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J")
![Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J](https://64.media.tumblr.com/0c65b8a394936571352b4ec2872ffd60/tumblr_nlgkkgZDkE1shdowyo2_1280.jpg "Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J")
![Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J](https://64.media.tumblr.com/7b6c954dba75245e81ad0766957f3238/tumblr_nlgkkgZDkE1shdowyo3_1280.jpg "Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J")
![Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J](https://64.media.tumblr.com/65f1d463f97e64c6b785eef8bd97d32e/tumblr_nlgkkgZDkE1shdowyo4_1280.jpg "Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J")
![Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J](https://64.media.tumblr.com/c5cb7ec98a654afeda49df29dcfd6a76/tumblr_nlgkkgZDkE1shdowyo5_1280.jpg "Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J")
![Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J](https://64.media.tumblr.com/99d5568f89f85250dc7e0ed9376f79d7/tumblr_nlgkkgZDkE1shdowyo6_1280.jpg "Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J")
![Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J](https://64.media.tumblr.com/3b8541610c32dc356a1449fba1b891c7/tumblr_nlgkkgZDkE1shdowyo7_1280.jpg "Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J")
![Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J](https://64.media.tumblr.com/30ad4d7728a3e383063c48d114ef2d5c/tumblr_nlgkkgZDkE1shdowyo8_1280.jpg "Cinema [7/8]FUNERAL PARADE OF ROSES1969 - JAPANGENRE: DramaDIRECTOR: Toshio MatsumotoSOUNDTRACK: J")
Cinema [7/8]
FUNERAL PARADE OF ROSES
1969 - JAPAN
GENRE: Drama
DIRECTOR: Toshio Matsumoto
SOUNDTRACK: Joji Yuasa
CAST: Pîtâ (Eddie)
Osamu Ogasawara (Leda)
Yoshio Tsuchiya(Gonda)
Toyosaburo Uchiyama (Guevera)
Koichi Nakamura (Juju)
Shōtarō Akiyama (himself)
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Kill Your Darlings (2013)
You get your just dues in
Heaven – Heaven’ll
Be indifferent to this
Indifferent god
(Yet, honest indifference
were better than can’t)
…really
When I hear pious
Bullshit about Justice
& Democracy and I know
the hypocrites are lying
in their false teeth
I’m not indifferent to God
I’m indifferent to
me-on-earth
I cant think of anything
More ridiculous than me
On earth –
Really!
Because the dark suit is worn it is worn warm
with a black tie
and a kiss at the head of the stairs
When you hear the dark suit rip
on the heart’s curb the hurt is big
rose flesh caught on the orange woman’s buttons
As you talk metropole monotone
antique intelligence
as you dress wounds by peyotl looming the boulevards
women hunt their children from you
who look out
lit still inside of a dark suit
