#multimedia
“Consolo de si”
Still from the experimental videoart film - Consolo de si
José Chaves, Guimarães, Portugal, 2013
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“Consolo de si”
Still from the experimental videoart film - Consolo de si
José Chaves, Guimarães, Portugal, 2013
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“Consolo de si”
Still from the experimental videoart film - Consolo de si
José Chaves, Guimarães, Portugal, 2013
Post link
“Consolo de si”
Still from the experimental videoart film - Consolo de si
José Chaves, Guimarães, Portugal, 2013
Post link
“Consolo de si”
Still from the experimental videoart film - Consolo de si
José Chaves, Guimarães, Portugal, 2013
Post link
“Consolo de si”
Still from the experimental videoart film - Consolo de si
José Chaves, Guimarães, Portugal, 2013
Post link
“Consolo de si”
Still from the experimental videoart film - Consolo de si
José Chaves, Guimarães, Portugal, 2013
Post link
“Consolo de si”
Still from the experimental videoart film - Consolo de si
José Chaves, Guimarães, Portugal, 2013
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© Kristin Cammermeyer, Accumulation at 12th & Marion: May 7 - June 19, 2015 [stop-motion video still]
Exhibition closing on May 14, 2016 at Stills Gallery, Paris Fair Exhibitor
36 Gosbell Street, 2021 Paddington
[email protected]
T +612 9331 7775
www.stillsgallery.com.au
‘Freshness’ has shifted from an organic state to an abstract, cultural sign. It’s become fluid and slippery: infusing feelings and atmosphere, products, architecture and design.
“Ever Fresh” reflects on this global currency of ‘freshness’ through installations, videos, objects and images. It will temporarily transform the gallery into a futuristic, commercial utopia—resembling those that surround us with plastic plants, sparkling surfaces and lively screens.
Exhibited artists are: Tully Arnot (AU), Kristin Cammermeyer (USA), Adham Faramawy (UK), Emily Parsons-Lord (AU), Marilyn Schneider (AU) and Kawita Vatanajyankur (THAI).
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Anne-Lise Broyer: Maison Abbadia, de la série Regards de l'égaré (Fragments d'une saison pluvieuse) — extrait, Pays basque, Domaine d’Abbadia, 2011-2012, Tirage gelatino argentique sur papier photographique Ilford mat, 120x80 cm, courtesy La Galerie Particulière, Paris
ANNE-LISE BROYER, WHAT THE LOST ONE SEES
Exhibition from May 12 to July 2, 2016 at La Galerie Particulière - Galerie Foucher - Biousse, Paris Fair Exhibitor
16, rue du Perche, 75003 Paris
[email protected]
T +33 (0)1 48 74 28 40
www.lagalerieparticuliere.com
“Each to his own place of birth, but those who have the same one do not have the same image of it. This is how things always are with origins because nostalgia prevails over reality, inaccessible as it is. Which should bring us to question the nature of images, but where could we go if their matter was to fly up in smoke? And what disturbance would arise if the devices we use to fix encounters, love and landscape turned out to be mere confidence tricks?”
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“Brb,” “Sorry I’m Not Sorry,” “Real AF,” and “ Basic.” A few of the little 4 in sq Contemporary Perspective pieces that will be for sale at the Gift Forest starting Dec. 1st! Embroidery floss and acrylic paint on canvas!
#bdphrases #brielleduflon #embroidery #multimedia #fiberart #handembroidered #realAF #sorryimnotsorry #basic #brb (at McGuffey Art Center)
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On January 26, 2022, it was announced that RBW, a record label known for artists such as MAMAMOO, Purple Kiss, Oneus, Onewe, and VROMANCE, will invest 9 billion won (approximately 30.5 million gold) to acquire a 39.1% stake in DSP Media and incorporate the agency as a subsidiary. At the same time, RBW CEO Kim Jinwoo also becomes the CEO of DSP Media.
A few other plans of the record label were also announced, including investment in NFT and metaverse.
DSP Media was founded in 1991, and currently features APRIL, KARD, and MIRAE among other kpop artists, as well as Heo Youngji (ex-KARA) as a solo artist. In the 90s it was, along with SM, the biggest label in kpop before the big three formed - they had artists like Sechskies, Fin.K.L and Click-B under their wing.
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Hades & Persephone (modern AU) one of the best couples in greek mythology (my work, don’t steal)
#penandinkdrawing #watercolor #pencil #multimedia #artistsoninstagram #art #artist #watercolorpainting #hades #persephone #hadesandpersephone #greek #greekmythologyart #greekmythology #greekmyths #Olympus #underworld #modernAU
https://www.instagram.com/p/BvnjzLxBHGq/?utm_source=ig_tumblr_share&igshid=1guhzfozo3341
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Now that the secret is out (sorry, again, Jenna), I figured it couldn’t hurt to share some of my poetry (thanks for giving them back, Jenna). I haven’t completely figured out my style yet, but I’m learning all the time :)
- Theo
[ID:A stack of crumpled notebook paper, with three love poems, written in the earnest and cringey style of a 14 year old boy. The poem on the bottom reads: “years ago/boy meets girl/story like any other/now here we are/side by side/there’s so much to discover”. The poem in the middle stack reads: “this feeling/like never before/sunshine on my face/music everywhere/the songs that tell of love/that makes the world/shine brighter”. The poem on the top of the stack reads “the sound of your voice/like bells in the morning/the edge of your wit/a stone to sharpen myself on/the color of your eyes/the sweetest color of the sunset/the curve of your smile/the curve of my world”. END ID]
i bought cheap vampire teeth for halloween and never used them (because everyone had masks on)
we wear our hearts on our sleeves
trash candy love
(click for quality)
Jon Jerde’s unrealised vision for a vast ‘inhabitable sign’ at 1540 Broadway, as documented in the New York Magazine article “Tower of Debt” by Jerry Adler from May 1993, an extract from Jerr Adler’s book “HighRise: How 1,000 Men and Women Worked Around the Clock for Five Years and Lost 200 Million Building a Skyscraper”
This one’s a mess!
