#muppet

“But that’s none of my business"➡️"Make it your business!”

Merry Christmas and happy holidays from miss piggy in a cute winter fit !!

he looks aquatic to me

ckerouac:

magic-and-moonlit-wings:

forgotn1:

I’ll never understand why Disney is so focused on live-action remakes when they literally own the rights to the Muppets. I would take a Muppet remake of a Disney Animation classic over a live-action remake all day every day.

You can’t tell me Muppets Fantasia wouldn’t be the greatest crossover event of our lifetimes. Muppets Black Cauldron would SLAP.

Muppet Beauty and the Beast where the Beast is played by the only human actor and he turns into a Muppet at the end.

The Beast should be a conventionally attractive actor whom the Muppet townspeople continually call hideous until true love releases him from this curse and he shows true beauty - blue felt and plastic eyes.

bluerain3:

That first intense cream pie when she’s finally on BC.

i had to draw my muppetsona for my character design class, luckily for me i already have one! so here’s a little side by side of 2020 and 2022

fuckyeahisawthat:

While we like to joke about Izzy being in the wrong genre, I would argue that there are in fact at least five distinct genre universes in the world of Our Flag Means Death, and all of them have different rules.

Stede Bonnet, and his crew when they’re around him, live in a Muppet movie. I didn’t come up with this analogy but it’s so accurate. Insane physical comedy and comedy-action where no one really gets hurt. Mild peril but you know everything is gonna work out. Terrible puns and sight gags, but room for sweet, genuine emotional moments too. The rules of time, space, probability and logic will bend for a good joke.

Izzy Hands is in a grimdark action/drama where if someone gets stabbed in the gut they will behave normally and fucking die. (Probably slowly and painfully, of sepsis.) Crucially I think Izzy also lives in a genre where you can only be subtextually queer, and violence (done for or with or to each other) is the only acceptable form of intimacy between men. This is why being forcibly dragged into Stede’s world, where everyone is busy having silly low-stakes misadventures and being gay and emotionally available all over the main text–and seeing his Subtextual Boyfriend go into this world and love it–sends him round the twist.

The British, Spanish and other imperialist militaries are in a Master and Commander-style naval adventure where they’re the heroes. This is why they all take it completely seriously when Stede (unintentionally) kills Badminton and takes hostages, even though we can see that he bumbled his way into it ass-backwards. This is also why Stede is so shocked to get actually for real stabbed aboard the Spanish ship. (“Did you mean to do that?”) He didn’t realize until that moment that he’d stepped into a different genre. The stabbing is one of the first Surprise Genre Switch moments we get and in retrospect it’s very important for setting up that in this world, the threat of getting hurt or killed is very real–which we need to understand to know that there are real stakes much later, when Stede almost gets executed by the British.

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