#pointillism
MWW Artwork of the Day (4/1/16)
Georges-Pierre Seurat (French, 1859-1891)
Sunday Afternoon on the Island of La Grande Jatte (1884-86)
Oil on canvas, 207.6 x 308 cm.
The Art Institute of Chicago (Helen Birch Bartlett Memorial Collection)
With this picture Georges Seurat recast Impressionism, using as his guides both optical theory and idealist aesthetics. When first shown in 1886, at the eighth and final Impressionist exhibition, this impressive painting of middle-class Parisians relaxing on an island in the Seine just west of the city attracted considerable attention, and no wonder. Although many artists had portrayed similar subjects in recent years, none had used so rigorous and schematic a style. The hieratic figures, shown mostly in profile or straight-on, recall ancient Egyptian reliefs, and the deliberate compositional rhythms amount to a pointed critique of Impressionist ephemerality. As if to dispel any lingering doubts on this point, Seurat also rejected free, sketchy handling, choosing instead to render the entire scene with meticulous, dotlike touches of paint, which, viewed from a certain distance, resemble nothing so much as tapestry stitching.
Seurat conceived these little “dots” and dashes to exploit scientific theories of optical mixture, according to which discrete applications of certain colors, if immediately juxtaposed, will blend in perception to form new ones. The result was meant to be brilliantly luminous; one critic described a “vibration of light, a richness of color, [and] a sweet and poetic harmony.” Seurat arrived at “A Sunday on La Grande Jatte” by way of a prolonged trial-and-error process, during which he produced many drawings and oil studies such as the one shown here. By the time he executed the Art Institute’s panel, he had already settled on the disposition of the landscape elements but was still experimenting with the figures, whose placement remains somewhat awkward. With its faceted handling and brilliantly orchestrated greens, blues, and yellows, the study has a charming immediacy. In the final canvas, however, the artist’s grave stylization and playful irony are more prominent, and the resulting tone is complex.
The distancing quality of Seurat’s novel technique made it a fine vehicle for his dry wit, evident in the occasional visual pun—note the wafts of cigar smoke that morph into a white dog -— as well as in remarkable gallery of contemporary social types, from the brooding rower reclining at the lower left to the gawky standing man playing a French horn in the middle distance. But the pervasive self-absorption of the figures seems at odds with the integrative harmonies of the composition as a whole. The painting is rich in such enigmatic tensions, which are perhaps the secret of its enduring fascination.
The “Grande Jatte” brought Seurat fame and made him the leader of an artistic school; many painters, notably Camille Pissarro and Paul Signac, chose to adopt Neo-Impressionism, as Seurat’s manner came to be known (it is also referred to as Pointillism or Divisionism). Although short-lived as a movement (largely due to Seurat’s untimely death, at age thirty-one), the style is historically important for its introduction into avant-garde painting of new elements —- such as the simplification of form, a classical mode of spatial organization, and a sophisticated sense of decorative unity. Basing his works on abstract schemes rather than pure sensation, Seurat opened wholly unforeseen possibilities for the development of modern art.
Seurat made the final changes to “La Grande Jatte” in 1889. He restretched the canvas in order to add a painted border of red, orange, and blue dots that provides a visual transition between the interior of the painting and his specially designed white frame.
(from the AIC website)
Much more of Seurat’s work appears in the MWW exhibit/gallery:
* The Other Impressionists II: Seurat & Signac
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Trinity Knot and Gemini “knot”
Ballpoint pen on 5 x 5″ smooth bristol
I do tattoo designs sometimes, yes.
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Nazar Fungus, Nazar Star Anemone Has Anemonfish Friends, and Meditation
2.5 x 3.5 inches; ballpoint pen (except for Meditation, which was done in acrylic)
Some original off-the-cuff pieces I managed to get done this year. Life is hard.
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Of Wallflowers and Wallgazers
Lime green, red, and orange Bic Cristal ballpoint pens, 5x7
Without a doubt one of my favorite dreamcatcher/mandala infusions…made for one of my favorite people in the entire world. She is, after all, the one who opened my eyes to art, and has encouraged me to pursue it for a fulfilling life. She is one of my oldest friends (over 20 years, and counting!)… I would not be who I am today if it weren’t for her.
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Circle of Bun Dreamcatcher: Sunrise Aurora Rhapsody
Ballpoint pens, 5x7 smooth bristol
The one who’s receiving this used to be a coworker of mine; she’s a piano teacher, and studying to get her degree in physics (I believe??) and, well,…
….I still work at Starbucks.
I have a very soft spot in my heart for this person: she always, always extends an invitation to me to hang out–whether a small get together, or going to a movie….even though I always decline said invitations, for multiple personal reasons.
No matter how many times I say no, she always invites me.
My relationships weren’t always that way. In high school, people stopped asking. My reason for saying “no” is… the reason why you’re here looking at this.
I was always trying to improve. I didn’t have time to socialize. I put all of my time into art, writing–creating, in general–when homework was done.
Not much has changed in the past ….what, 16 years? I’m having doubts that anything ever will, despite my efforts. I suppose I can dream about “earning my right” to go to that small get-together, or seeing that movie. I can fool myself into thinking that, with enough of hard work, I can finally earn my keep with art alone, and earn my right to socialize. Or even relax for a change.
I took that to a much more personal place than intended. I’m sorry.
Thanks for looking.
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shiny
one of my abstract flash designs!
some close ups from a funky, tame impala album art inspired piece
