#russell moreton
DSC_9003by Russell Moreton
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Studio Works russellmoreton.blogspot.com/
DSC_0289a1 Atelier with Scriptorium by Russell Moreton
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They will be schools no longer, they will be popular academies, in which neither pupils nor masters will be known, where the people will come freely to get, if they need it, free instruction, and in which, rich in their own experience, they will teach in turn many things to the professors who shall bring them knowledge which they lack. This then will be a mutual instruction, an act of intellectual fraternity. Michael Bakunin, 1870. Freedom in Education/Anarchism, Colin Ward 2004.
DSC_7760 Painting : Shelter for Raveningham by Russell Moreton
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Collected Notes : Raveningham Sculpture Trail 2020 Studio Blackboard ODYSSEY Aesthetic Intervals/Timbre/Traces Immateriality/Temporal/Transitions material and movement/Human agency A Species of Spaces Construction/Making/Collage Forming, slowness and repetition, elements of painting Assemblage, sensation, surface, objects and spaces between them gathered/thresholds Sheltering/Weathered/ Exploring a fragility of a painting in the landscape Robert Mangold, Paintings and Architectural Forms Fragments from sketchbooks Ephemeral Architecture Canvas as spatial verb Yellow Ochre, Molochite, Gesso, Canvas, Paper, Textiles,Wood, Lead, Nails Canvas as folded construction/shelter/place Operative Design, A Catologue of Spatial Verbs Georg Simmel, text Frames, Handles, Landscapes and the aesthetic ecology of things
Saturnian Form : Lead and Library Dates by Russell Moreton
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Armature : Memory/Personal Biographies The Everyday complexity of things russellmoreton.blogspot.com/2019/01/investigating-spatial…
The Fleeting Cathedral by Russell Moreton
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Shroud Richard Stillman Yard and Metre Event, Winchester As the marks resonated, did they sound true? Could we tolerate margins of error or latitude? Is there strength in that built by blue ink? It is hard to see without certainty. Why have they flown, gathered, shrouded? Is the date significant? A memorial? Or is it white noise reverberating, striking parallels, refusing focus, insisting? The shape of the cross is still distinct but opening out, refusing definition, never quite caught as an intention, pinned on dimensions it wants to refuse. When objects or atmospheres collide energy is transferred, a new force may be created. And, as forensic scientists can attest, when objects touch they exchange traces, each leaves something of itself with the other. This is why artists enjoy collaborating. Working with another artist can give a jolt of inspiration, a spark of creative thinking, a surge of new skill, the stimulus for a new work. And the experience will leave its mark in some way on each individual’s practice. The specific ‘collision’ may also result in a work which has its own integrity, which does not belong’ to either party and where their particular contributions merge indistinguishably - in effect fusion takes place. This is the thinking behind 10 days | Creative Collisions and for The Yard artists and Hyde Writers it was the ideal excuse to come together, to let the shockwaves flow and see what new possibilities emerged. As with all the best creative practice, in science or in art, this has been an experiment, it involved risk, trust and open minds. Whether or not the outcomes are fully resolved they will be filled with potential - and with potency. Stephen Boyce russellmoreton.tumblr.com/archive Cyanotype from a site drawing, Space for Peace, Winchester Cathedral 2011.
Blue Aesthetic : Vicarious Causation/Exploring/Thinking with Causality by Russell Moreton
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Realist Magic Objects, Ontology, Causality Timothy Morton On Vicarious Causation Graham Harman www.faculty.virginia.edu/theorygroup/docs/harman=vicariou…
DSC_5859 Painting Surface by Russell Moreton
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Site : Morn Hill, Winchester. by Russell Moreton
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Pinhole photography, liquid light emulsion, selenium toner.
Photograph (24) by Russell Moreton
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DSC_0166aby Russell Moreton
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DSC_0272by Russell Moreton
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Architectural Spaces : Choreographic Collage/Figure Drawing. DSC_0256a by Russell Moreton
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DSC_8226by Russell Moreton
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Studio Works, Outpost. russellmoreton.blogspot.com/
DSC_7020by Russell Moreton
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Studio Works, Outpost. russellmoreton.blogspot.com/
DSC_6960by Russell Moreton
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Studio Works, Outpost. russellmoreton.blogspot.com/
DSC_7678by Russell Moreton
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Studio Works, Outpost. russellmoreton.blogspot.com/
DSC_2145by Russell Moreton
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Studio Works, Alternative Photography/Spatial Practices
DSC_0447by Russell Moreton
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russellmoreton.blogspot.com/ Studio Works
DSC_7991by Russell Moreton
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Studio Works russellmoreton.blogspot.com/
