#surreal art

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hello all !! moving out and looking to sell art / take commissions to help fund everything. i would love to makenyou something cool :) if you see something you like , dm me to see if it’s available ! if it isn’t no worries, i’m glad to make another or something similar :)

check out my art page at instagram.com/cat.eye.art for my portfolio !!

if you’re able & would like to donate towards art supplies / moving expenses, that would mean the world & more. (cashapp is $catimari ♥️) but i know times are tough, so even a like / reblog / share would be helpful. thank you so much !!!

Oh great amorphous blob, I just don’t know.


Now I’m in my 24th year on earth I want to start being more open about my Autism. My art has always been an outlet for navigating my feelings of disconnect from others, as well as my struggle to grasp my inner thoughts and emotions. I feel very honoured that people find my way of expressing this experience interesting, so thank you all so much for being here

Blotter acid using my painting, SEAPODS, (Pic #2 is the painting) Check out  https://linktr.ee/rscon

Blotter acid using my painting, SEAPODS, (Pic #2 is the painting) Check out  https://linktr.ee/rsconnett 


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This is another insect/garden thing I did back in 2012. These two, (drawing and painted drawing) areThis is another insect/garden thing I did back in 2012. These two, (drawing and painted drawing) are

This is another insect/garden thing I did back in 2012. These two, (drawing and painted drawing) are a little different from what I’m doing now because it’s in my old sketchy cartoon style. (Untitled)


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“Starry Diplocaulus” 12 x 16 in. The Diplocaulus is an ancient extinct amphibian. There

“Starry Diplocaulus” 12 x 16 in. The Diplocaulus is an ancient extinct amphibian. There are fossils showing the shape of the head, (Which for some reason has always fascinated me) and basic structure, but no one really knows about the color or body markings.


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New framed pieces available, frame colors black and walnut, one size (30”w X 40”h) only 100 of each in stock and when they’re gone that’s it… https://www.etsy.com/shop/B7ACKSOULArt

pixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “H

pixography:

Takato Yamamoto ~ “Heisei Esthiticism

Japanese artist Takato Yamamoto’s self described “Heisei Esthiticism” style casts figures reminiscent of the work of Victorian pornographer Franz von Bayros in their creative positioning and playful use of space within their scenarios.  As with a lot of Japanese art, there is a blatant sexual and often sadistic undertone that sees his subjects restrained, wounded, gagged and bound yet unblemished, posed and beautiful.
His recurring use of objects like skulls and skeletons, eyeballs and severed heads as ornaments in fabulously detailed and intricately opulent and patterned backgrounds reveal a fascination with sex and violence as beautiful aesthetic phenomena rather than topics of morality and he depicts these themes as subjects of sophisticated titillation. These are not problematic, shallow cartoons of sinister pornography. They are staggering and complex visual records of voyeuristic and psychological fascination drawn from an eclectic range of culturally significant sources.
Human suffering is not the point-beauty in pain/pleasure and child-like curiosity in the sinister and the grotesque is the focus of Yamamoto’s sumptuously detailed paintings.  Exquisitely illustrating themes of bondage, seductive darkness, metamorphosis and death, Yamamoto’s rich work adorns the covers of novels and magazines and nourishes a side of our minds that is often denied and repressed.  
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