#thomas hardy

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berlioz-fanboy:berlioz-fanboy:thenarratologist:LITERATURE BINGO: Thomas Hardy.jesus christ t

berlioz-fanboy:

berlioz-fanboy:

thenarratologist:

LITERATURE BINGO:

Thomas Hardy.

jesus christ the accuracy hurts. “child(ren)” - Grim.

so I played this with my literature class and it was weird hearing people whisper “please be death of children”

That’s so great, you’ve just made my day!


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talesofpassingtime:

“And I would rather have curses from you than kisses from any other woman; so I’ll stay here.”

— Thomas Hardy, Far from the Madding Crowd

rainy-academia:

G I V E A W A Y - World Poetry Day 2020

I’m giving away this copy of some of Thomas Hardy’s poems from my personal collection. Thomas Hardy was the author that got me interested in literature so it seemed like a natural choice.

Rules:

1.Follow my blog@rainy-academia

2.Reblog this post. If you’re reblogging this on a secondary blog, make sure to tag your main blog so I can verify that you follow me.

The giveaway ends on World Poetry Day (March 21) at 11:59 PM (Pacific Time). The winner will be drawn randomly and I will contact you within a few days.

I will ship internationally.

Only 3 days left to enter the giveaway!

Enter the contest for the chance to win this book.

Kate Winslet & Christopher Eccleston in Jude (1996)

Kate Winslet & Christopher Eccleston in Jude (1996)


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Thus I; faltering forward,
Leaves around me falling,
Wind oozing thin through the thorn from norward
And the woman calling.

poem-today:

A New Year’s Eve in War Time

           1915-1916

                         I

           Phantasmal fears,
           And the flap of the flame,
           And the throb of the clock,
           And a loosened slate,
           And the blind night’s drone,
Which tiredly the spectral pines intone!


                         II

           And the blood in my ears
           Strumming always the same,
           And the gable-cock
           With its fitful grate,
           And myself, alone.


                        III

           The twelfth hour nears
           Hand-hid, as in shame;
           I undo the lock,
           And listen, and wait
           For the Young Unknown.


                        IV

           In the dark there careers —
           As if Death astride came
           To numb all with his knock —
           A horse at mad rate
           Over rut and stone.


                        V

           No figure appears,
           No call of my name,
           No sound but ‘Tic-toc’
           Without check. Past the gate
           It clatters — is gone.


                        VI

           What rider it bears
           There is none to proclaim;
           And the Old Year has struck,
           And, scarce animate,
           The New makes moan.


                        VII

           Maybe that ‘More Tears! —
           More Famine and Flame —
           More Severance and Shock!’
           Is the order from Fate
           That the Rider speeds on
To pale Europe; and tiredly the pines intone.



Thomas Hardy
(1840–1928)

libraryofvenus:

I leant upon a coppice gate
     When Frost was spectre-grey,
And Winter’s dregs made desolate
     The weakening eye of day.
The tangled bine-stems scored the sky
     Like strings of broken lyres,
And all mankind that haunted nigh
     Had sought their household fires.

The land’s sharp features seemed to be
     The Century’s corpse outleant,
His crypt the cloudy canopy,
     The wind his death-lament.
The ancient pulse of germ and birth
     Was shrunken hard and dry,
And every spirit upon earth
     Seemed fervourless as I.

At once a voice arose among
     The bleak twigs overhead
In a full-hearted evensong
     Of joy illimited;
An aged thrush, frail, gaunt, and small,
     In blast-beruffled plume,
Had chosen thus to fling his soul
     Upon the growing gloom.

So little cause for carolings
     Of such ecstatic sound
Was written on terrestrial things
     Afar or nigh around,
That I could think there trembled through
     His happy good-night air
Some blessed Hope, whereof he knew
     And I was unaware.


Thomas Hardy, Dec 31st 1900

 Sevilenin yanlışlarını düzeltebilmek uğruna onun öfkesini göze almaktan bile korkmayan aşk, geleceğ

Sevilenin yanlışlarını düzeltebilmek uğruna onun öfkesini göze almaktan bile korkmayan aşk, geleceği umutlu olmasa da, yüce sayılabilecek bir aşktır.


Çılgın Kalabalıktan Uzak / Far From the Madding Crowd


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“Beauty lay not in the thing, but in what the thing symbolized.”

Thomas Hardy, Tess of the D'Urbervilles

Thomas Hardy / The Mayor of Casterbridge

Thomas Hardy / The Mayor of Casterbridge


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My life has been entirely shaped by what people call a peculiarity in me.

Jude the Obscure by Thomas Hardy

franz-katka:

I arrive at Farmer Troutham’s corn field to scare the rooks.

Rooks: Out
Clacker: Ready (but not really)
Mind: Scholarly.

I am forcibly removed from the premises after I let the rooks eat instead of doing my fucking job.

fordarkmornings:Marie Spartali Stillman  -  By a Clear Well, Within a Little Field,  1883 British, 1

fordarkmornings:

Marie Spartali Stillman  -  By a Clear Well, Within a Little Field,  1883 

British, 1844-1927 

Oil on canvas

‘Whenever I plunge my arm, like this,

In a basin of water, I never miss

The sweet sharp sense of a fugitive day

Fetched back from its thickening shroud of gray.

Hence the only prime

And real love-rhyme

That I know by heart,

And that leaves no smart,

Is the purl of a little valley fall

About three spans wide and two spans tall

Over a table of solid rock,

And into a scoop of the self-same block;

The purl of a runlet that never ceases

In stir of kingdoms, in wars, in peaces;

With a hollow boiling voice it speaks

And has spoken since hills were turfless peaks.’

'And why gives this the only prime

Idea to you of a real love-rhyme?

And why does plunging your arm in a bowl

Full of spring water, bring throbs to your soul?’

'Well, under the fall, in a crease of the stone,

Though precisely where none ever has known,

Jammed darkly, nothing to show how prized,

And by now with its smoothness opalized,

Is a drinking glass:

For, down that pass

My lover and I

Walked under a sky

Of blue with a leaf-wove awning of green,

In the burn of August, to paint the scene,

And we placed our basket of fruit and wine

By the runlet’s rim, where we sat to dine;

And when we had drunk from the glass together,

Arched by the oak-copse from the weather,

I held the vessel to rinse in the fall,

Where it slipped, and it sank, and was past recall,

Though we stooped and plumbed the little abyss

With long bared arms. There the glass still is.

And, as said, if I thrust my arm below

Cold water in a basin or bowl, a throe

From the past awakens a sense of that time,

And the glass we used, and the cascade’s rhyme.

The basin seems the pool, and its edge

The hard smooth face of the brook-side ledge,

And the leafy pattern of china-ware

The hanging plants that were bathing there.

'By night, by day, when it shines or lours,

There lies intact that chalice of ours,

And its presence adds to the rhyme of love

Persistently sung by the fall above.

No lip has touched it since his and mine

In turns therefrom sipped lovers’ wine.’

'Under the Waterfall’ by Thomas Hardy, 1914


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sapokanikan:

My life has been entirely shaped by what people call a peculiarity in me.

Jude the Obscure by Thomas Hardy

Max Richter, ‘The Inexorable Advance of Mr. Delaney’, Taboo, 2017

I daresay you think me eccentric, or super-sensitive, or something absurd. Well – why should I suffer for what I was born to be, if it doesn’t hurt other people?

~Thomas Hardy

macrolit:

“Happiness was but the occasional episode in a general drama of pain.”

The Mayor of Casterbridge, Thomas Hardy (b. 2 June 1840)

derangedrhythms:

– you spirit, you disembodied creature, you dear, sweet, tantalizing phantom –

Thomas Hardy, from ‘Jude the Obscure’

mysticomancy:

“You felt too much, so gained no balm for all your torrid sorrow, And hence our deep division, and our dark undying pain.”

— Thomas Hardy, Hardy’s Love Poems

I drew the cover and ten b/w interior illustration for a new edition of Thomas Hardy’s novel, The We

I drew the cover and ten b/w interior illustration for a new edition of Thomas Hardy’s novel, The Well-Beloved


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Thomas Hardy


On this kindly yellow day of mild low-travelling winter sun
The stirless depths of the yews
Are vague with misty blues:
Across the spacious pathways stretching spires of shadow run,
And the wind-gnawed walls of ancient brick are fired vermilion.

Two or three early sanguine finches tune
Some tentative strains, to be enlarged by May or June:
From a thrush or blackbird
Comes now and then a word,
While an enfeebled fountain somewhere within is heard.

Our footsteps wait awhile,
Then draw beneath the pile,
When an inner court outspreads
As ’twere History’s own aisle,
Where the now-visioned fountain its attenuate crystal sheds
In passive lapse that seems to ignore the yon world’s clamorous clutch,
And lays an insistent numbness on the place, like a cold hand’s touch.

And there swaggers the Shade of a straddling King, plumed, sworded, with sensual face,
And lo, too, that of his Minister, at a bold self-centred pace:
Sheer in the sun they pass; and thereupon all is still,
Save the mindless fountain tinkling on with thin enfeebled will.

03/04/17 - I’m currently planning out my final assessment for one of my modules. This is where I’m up to so far- choosing the question!

tothewordgarden:“But his dreams were as gigantic as his surroundings were small.” -Thomas Hardy, Jud

tothewordgarden:

“But his dreams were as gigantic as his surroundings were small.” -Thomas Hardy, Jude the Obscure


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