#archaeological museum

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Ancient Korinthos, Archaeological Museum

Ancient Korinthos, Archaeological Museum


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“The paintress”. Fresco from the House of the Surgeon, Pompeii.Naples Archaeological Mus

“The paintress”. Fresco from the House of the Surgeon, Pompeii.

Naples Archaeological Museum.


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Bacchus’s tiger. Mosaic (detail) from The House of the Faun, Pompeii.

Bacchus’s tiger. Mosaic (detail) from The House of the Faun,Pompeii.


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The goddess Artemis. Wall painting from the Casa della Danzatrice, Pompeii.Naples Archaeological Mus

The goddess Artemis. Wall painting from the Casa della Danzatrice, Pompeii.

Naples Archaeological Museum, Italy.

Photo by Luigi Spina


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Wall painting from the Thermopolium/Caupona of Tertius (IX.7.21) Pompeii. Goddess Fortuna, with corn

Wall painting from the Thermopolium/Caupona of Tertius (IX.7.21) Pompeii. 

Goddess Fortuna, with cornucopia and rudder. (Naples Archaeological Museum)

Someone, perhaps the owner of the tavern, wrote on the wall: 

CACATOR - CAVE MALUM = Shipper, beware of Evil.


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The mythological beings used to fly and dancing in the wall paintings of Pompeii.From the Casa di CiThe mythological beings used to fly and dancing in the wall paintings of Pompeii.From the Casa di CiThe mythological beings used to fly and dancing in the wall paintings of Pompeii.From the Casa di CiThe mythological beings used to fly and dancing in the wall paintings of Pompeii.From the Casa di CiThe mythological beings used to fly and dancing in the wall paintings of Pompeii.From the Casa di Ci

The mythological beings used to fly and dancing in the wall paintings of Pompeii.

From the Casa di Cicerone.

 Naples Archaeological Museum.

Pictures from: las-palabras-magicas.blogspot. (July 2010)


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Omphale and Heracles. Fresco from Pompeii (VII 16-10)The fresco depicts Heracles drunk in the presen

Omphale and Heracles. Fresco from Pompeii (VII 16-10)

The fresco depicts Heracles drunk in the presence of the Lydian queen Omphale; an attempt to show the power of wine and the god Bacchus.

Naples Archaeological Museum.


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Fresco from Temple of Isis,sacrarium, north wall, Pompeii (VIII, 7, 28)Above: navigium Isidis (boat

Fresco from Temple of Isis,sacrarium, north wall, Pompeii (VIII, 7, 28)

Above: navigium Isidis (boat of Isis) and another boat between two busts of Serapis; below: cista mystica between two snakes (similar to a lararium)

Naples Archaeological Museum, Italy.

By: ArchaiOptix, CC BY-SA 4.0, via Wikimedia Commons.


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 Silver situla decorating with bathing women; found in Herculaneum.Naples Archaeological Museum, Ita

Silver situla decorating with bathing women; found in Herculaneum.

Naples Archaeological Museum, Italy.

Photo by Gary Todd ( CC0 )


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Maenad and cupid. Fresco from the House of Lucio Cecilio Giocondo, PompeiiNaples Archaeological Muse

Maenad and cupid. Fresco from the House of Lucio Cecilio Giocondo, Pompeii

Naples Archaeological Museum, Italy


By: Sailko (CC BY-SA 3.0) via Wikimedia Commons.


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Wall painting from Pompeii.Above: two lares with rhyton and situla, genius offering at an altar, flu

Wall painting from Pompeii.

Above: two lares with rhyton and situla, genius offering at an altar, flute-player, servant with vase and servant pushing a pig to the altar; below: altar with fruits and eggs between two Genius Loci snakes.

Naples Archaeological Museum, Italy.

By: ArchaiOptix  (CC BY-SA 4.0) via Wikimedia Commons


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Today’s Flickr photo with the most hits: the Battle of Greeks and Amazons - bas relief in the Archae

Today’s Flickr photo with the most hits: the Battle of Greeks and Amazons - bas relief in the Archaeological Museum of Piraeus.


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ancientcharm: Fresco from Temple of Isis,sacrarium, north wall, Pompeii (VIII, 7, 28)Above: navigium

ancientcharm:

Fresco from Temple of Isis,sacrarium, north wall, Pompeii (VIII, 7, 28)

Above: navigium Isidis (boat of Isis) and another boat between two busts of Serapis; below: cista mystica between two snakes (similar to a lararium)

Naples Archaeological Museum, Italy.

By: ArchaiOptix, CC BY-SA 4.0, via Wikimedia Commons.


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