#female directed films

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Moon 66, Questions (Jacqueline Lentzou, 2020)one of the most brilliant and moving films i have seen Moon 66, Questions (Jacqueline Lentzou, 2020)one of the most brilliant and moving films i have seen Moon 66, Questions (Jacqueline Lentzou, 2020)one of the most brilliant and moving films i have seen Moon 66, Questions (Jacqueline Lentzou, 2020)one of the most brilliant and moving films i have seen Moon 66, Questions (Jacqueline Lentzou, 2020)one of the most brilliant and moving films i have seen Moon 66, Questions (Jacqueline Lentzou, 2020)one of the most brilliant and moving films i have seen Moon 66, Questions (Jacqueline Lentzou, 2020)one of the most brilliant and moving films i have seen Moon 66, Questions (Jacqueline Lentzou, 2020)one of the most brilliant and moving films i have seen Moon 66, Questions (Jacqueline Lentzou, 2020)one of the most brilliant and moving films i have seen

Moon 66, Questions (Jacqueline Lentzou, 2020)

one of the most brilliant and moving films i have seen in recent years, warmly recommended 


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Favorite films of 2021 

Spencer (Pablo Larraín)
Language Lessons (Natalie Morales)
Hive (Blerta Basholli)
Holler (Nicole Riegel)
The Novice (Lauren Hadaway)
Preparations to Be Together for an Unknown Period of Time (Lili Horvát)
Wildfire (Cathy Brady)
Sisterhood (Dina Duma)
Nomadland (Chloé Zhao)
Beans (Tracey Deer)
Saint Maud (Rose Glass)
Charter (Amanda Kernell)
Minari (Lee Isaac Chung)
Dune: Part One (Denis Villeneuve)
Luzzu (Alex Camilleri)
Boiling Point (Philip Barantini)
Old Henry (Potsy Ponciroli)
The Power (Corinna Faith)
Censor (Prano Bailey-Bond)
Pig (Michael Sarnoski)
Kindred (Joe Marcantonio)

docu: Lily Topples The World (Jeremy Workman)

Embrace Your Inner Monster

When the Filmquest Film Festival commissioned me to create a new bumper for this year’s fest, I recruited some of the best ladies I know to be a part of it.

Directed & Shot & Edited by Megan Duffy
Music by Sarah Negahdari / PISCES
Model: Alondra Excene Shields
SFX Makeup: Allison McGillicuddy
Makeup Asst: Tara Parti
Costume Design: Kristin Parker
Ears: Dyad
Gils: Out of Kit

It’s Halloween tomorrow! Only felt right to draw my girl Cassie. From the acclaimed “good for her” cinematic universe

《 Right now I need to be on my A-game to get into the CalArt Summer Program, aka my dream school. “Through your medium of choice, show us your happiest moment”. Are you fucking kidding me? What a vague bullshit prompt.》


《I’ve been struggling with this stupid prompt, trying to figure out what my happiest moment feels like. And I’ve realized that it’s not just one moment. It’s every moment that I’ve had with you. Falling for you has been the happiest moment of my life. And making this has been the easiest thing I’ve made all semester.》


- CRUSH (2022)

SUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about excSUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about excSUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about excSUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about excSUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about excSUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about excSUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about excSUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about excSUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about excSUBLIME CINEMA #607 - NOCTURNESublime thriller by Zu Quirke, a director I know very little about exc

SUBLIME CINEMA #607 - NOCTURNE

Sublime thriller by Zu Quirke, a director I know very little about except that I really like her name. It’s a kind of dark Whiplash / Black Swan hybrid, which is fitting since Blumhouse produced the film. It’s an elegant affair, with some careful and controlled performances and cinematography by Carmen Cabana.


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