#lady geek girl and friends

I’ve recently been binge-watching Fringe for the first time. It’s a series about the “Fringe” division of the FBI, where Agent Olivia Dunham and her team investigate strange and paranormal events, visit parallel universes, and save the day by being smart and badass. I honestly can’t believe it’s taken me this long to get into a show that’s three parts X-Files and one part NCIS. I found myself most intrigued by a strange one-off episode during Season 2 that was actually filmed in Season 1, but aired out of order on a different night for boring, time constraints reasons. Fans aren’t even certain exactly where it fits in the show’s timeline. It’s called “Unearthed,” and was panned by a lot of critics.

But this rather bad episode succeeds at one thing: giving its audience portrayal of a real religion that isn’t wildly offensive or inaccurate. It does a great job giving us a small window into what Catholicism looks like today. Catholicism pops up all the time in science fiction, maybe because its trappings are easily identifiable for audiences. I’m happy to see a show get a lot of the details right, even though it’s tucked away in an episode no one really cares about. The most shocking thing to me is that the narrative doesn’t make these characters into perfectly good Catholics, either. They’re much more real than what I’m used to seeing.

Spoilers for “Unearthed” below!

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In contemplating possible articles related to ace week, I tried to think of classic geek characters who are asexual. That led me to wonder, “How would I even know? It’s not like we get 24/7 access to these fictional people's’ lives.” But then, very quickly, I realized that we do know that a lot of our favorite characters are not ace/aro because so many of them have had on-screen relationships and sexual encounters that are presented as a product of the characters’ own sex drive (rather than as ace people who are accommodating their partner). But why? Is there something about our sexual lives that is so essential to our identities that it requires exposition in our fictional characters, or is this just an example of ace erasure? After some additional geeky contemplation, it occurred to me that there is one beloved character who is, in fact, perfectly suited to explore this exact question: Lt. Commander Data.

In addition to the issues surrounding Data’s own sexuality, the character is one seeking to achieve “greater humanity” and is therefore extensively used to represent what exactly we think that actually means, sexuality included. While the question of whether or not Data represents an asexual character is one that is widely open to debate (including in this post), the question of why and how we ascribe sexual identities to fictional characters as a way to “humanize” them and what that says about asexual representation in our media is perhaps the more interesting question. 

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It being the month of Halloween, with the actual day right around the corner, I decided I would go looking for something from a spooky fandom to rec for this particular Fanfiction Fridays. Of course, I realized shortly thereafter that I’m not in any particularly spooky fandoms, being a certified scaredy-cat and all. So instead I turned to a fandom that, while not too spooky in practice, is, in fairness, flush with ghosts and monsters in canon. Yes, I’m talking about Scooby-Doo.

I’d never ventured into the smallish Scooby-Doo section on AO3 before, but I was pleased to find a wide variety of fics there, especially fic supporting the Velma/Daphne pairing. Words To Me is one of those, and imagines a world where the Mystery, Inc. gang regularly hunt for-realsies monsters rather than capitalists in masks. Nothing particularly scary happens in this short, sweet fic, unless you consider that the real monster was facing your feelings all along.

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With the second season of Syfy’s creepypasta inspired show, Channel Zero, well into its run, I figured it was finally time to sit down and watch its first season. You know. For science. Last year I showed off the trailer and addressed some of my worries surrounding this leg of the series, but I’ll give a quick recap. First of all, for those perhaps a little less internet-niche-y, “creepypasta” refers to short, scary (or attempting to be scary) stories that get passed around the internet until they become ingrained in that niche’s mind—or in the case of less serious creepypastas, they enter more mainstream meme status, such as the lines “who was phone” or “man door hand hook car door”.

Channel Zero’s first season, Candle Cove, was based off a well-beloved creeepypasta of the same name which, through forum posts, shows a short interaction between people remembering a children’s show from their past that may not have actually existed. As far as creepypasta-based media goes, Channel Zero is nowhere near the worst thing I’ve ever seen. However, it was disappointing to discover that most of my fears from my earlier post were well-founded, and that even though the creators had a clear love for the creepypasta itself, Channel Zero seemed to forget what made the story scary in the first place.

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Way back in my senior year of high school, my friends and I took full advantage of our senior year freedom to go see The Forbidden Kingdom in theaters several times. As far as we were concerned, The Forbidden Kingdom was the long-awaited team-up of Asian action stars Jackie Chan and Jet Li—it didn’t matter to us that the plot included some white guy as the main protagonist. In fact, we were pretty happy about it—we thought the white protagonist would make the movie much more attractive to Americans and thus make more money at the box office, thereby proving that Asians could sell movies. And to be fair, The Forbidden Kingdom did rank #1 at the box office in its opening weekend. But nearly a full decade later, it’s pretty apparent that The Forbidden Kingdom’s flaws in 2008 are the same flaws that Hollywood still has today. 

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It’s Asexual Awareness Week, which means that though I’d do it any time of the year, it’s the optimal time of the year to recommend and gather recommendations of media with asexual protagonists. Today I want to talk about two brilliant geeky YA novels with main characters that are not only relatable, complicated, and funny, but sit on a perhaps lesser-known place on the asexual spectrum: these are two characters who are confirmed asdemisexual.

Demisexuality is when you only begin to feel sexually attracted to people once you form a strong emotional bond with them. The most common misconceptions about it tend to be that the demi in question is just “picky” and chooses to get to know people first, or that they’re no longer, or never really were, asexual at all once they find someone they like enough to be attracted to. As with the many grey areas along the ace spectrum, it can be a tricky thing to both explain to people and define for yourself, especially given how society so easily conflates romantic, aesthetic, and sexual attraction all together as one big amorphous thing when they’re really separate and very different feelings—and, as always, different for every individual person!

I know that I’m somewhere under the ace umbrella, but finding an exact word to define my unique, personal scenario has kind of felt like I’m a sleep-deprived detective staring at a conspiracy board trying to link evidence together with bits of string. While I’m still bumbling along trying to figure myself out, it was immensely rewarding and heartwarming to read these two books where characters (who are younger than me, mind you) get to not only find happiness in their ace identities and have fulfilling relationships, but get to be the stars of moving and engaging stories.

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After hearing the news that James Cameron would be helming a film adaptation of Battle Angel Alita next year, I decided to take a dive into the series and see what the fuss was about. I’d never actually read it, but after 15 years of anime convention-going I was sure I’d heard the name before. And since I like to be an informed critic, and am already strapped in and ready to critique the movie (with its tragically predictable almost-Asian-less cast) I figured there was no harm in familiarizing myself with it for dragging’s sake.

Well, after reading all nine volumes of the series, I can confidently say that while I can explain the story, I have no idea what the fuck it is about.

As much as I want to play Mystic Messenger’s newest route, the better part of my mind is annoyingly making a pretty convincing argument for not completely trashing my sleep schedule for the time being. So, I’m left getting my visual novel fix from other sources. Luckily, I stumbled upon one before the urge became unbearable.

Despite sounding like something I would name a fake game as a joke, Team Salvato’s Doki Doki Literature Club takes the typical slice of life school romance plots and uses its medium to make something truly memorable. While every dating sim and visual novel can be interpreted as a small, in-depth exploration of human (or human-like) nature, Doki Doki Literature Club uses its story to explore the extents of kindness and humanity, and if it can or should cross the boundaries of the narrative fourth wall, leaving players evaluating and re-evaluating their first impressions of the main characters. Before you continue on, reader, I highly suggest you experience everything DDLC has to offer before I spoil it for you. Team Salvato is offering the game for a “name your price” cost on the game’s itch.io page, as well as for free download from Steam. The first run will more than likely take around four hours to complete, but in my opinion it’s entirely worth it. One more thing: please, please heed the content warnings on the game’s page–they aren’t fucking around.

Massive spoilers below! Trigger warning for depression and self-harm.

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It’s no secret that I wasn’t particularly wowed by the third season of Voltron: Legendary Defender. But that doesn’t mean I didn’t still binge the fourth season – all… six… episodes of it – as soon as they dropped last Friday. I went into this season hoping for a lot more meaty character development after the setup and plot heavy last season, but did I get it?

The short answer is: no. Season 4 continued to barrel along at a breakneck pace without ever giving us any meaty character background-support that would help justify or strengthen the sweeping actions the characters took.

Or, well, it mostly failed to. Spoilers after the jump. 

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Most of the time, geeky media does a pretty poor job of utilizing religious ideas. So I was shocked when I watched the fourth season premiere of The Flash and found that amid the somewhat clunky storytelling, there was actually a pretty decent portrayal of faith. This episode can show us a bit about how Christians understand how faith works, even though religion-flavored faith had almost no role to play in the episode.

Spoilers for The Flash below!

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Happy Friday the 13th, all! I hope everyone is avoiding bad luck so far today. If you have, you’re luckier than me, because the most unfortunate thing happened when I sat down to read the graphic novel trilogy The Good Neighbors: I discovered a Holly Black series that I simply did not like. 

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Now that October is properly upon us, my spooky loving heart is constantly begging for every vampire, ghost, magic, and every seasonal etcetera that I can get my eye globes on. I’d almost lost hope at finding a suitable fic for my Fanfiction Fridays post this month, but thankfully the Yuri!!! On Ice fandom was there for me, and among its multitudes of AUs I knew I could find the good vampire content I crave.glassteacup’sMisconceptions and Truths About Vampires wasn’t exactly what I was expecting–in only good ways–but what glassteacup is missing in perhaps more aesthetically vampiric characterization, they more than make up for with modern vampires just trying to get by and intriguing snippets of much deeper lore. 

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I almost don’t know where to start talking about Tacoma. There’s a lot going on at once in the game and, yet, very little of it actually happens to the player character. Like The Fullbright Company’s first title, Gone Home,Tacoma combines a powerful and intimate story about human relationships with a genre setting that creates an immersive atmosphere for the player to piece that story together. In GH, that was the story of a family going through rough times and the setting was a “haunted house” they’d recently moved into, and in Tacoma,the story is that of the crew of a recently abandoned space station and the setting is the station they left behind. Also like its predecessor, Tacoma’s story is extremely inclusive. After playing Gone Home I remember thinking, “I can’t wait to see what they can do with a bigger budget now that this game is a huge success.” The answer is Tacoma, and it’s an answer that was worth waiting for.

Major spoilers after the break.

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Yes, readers, this is what I have been reduced to. September will soon become October, and it’s still hot as balls outside. I am unwilling to give up on the idea of the possibility of a more temperate autumn, though! So this week I went all the way–from cute magical anime to B-grade horror flicks.

After watching the 2014 Ouija movie, I basically lost all hope of there being a good horror movie concerning Ouija boards ever. (Not that I was expecting that movie to be great, it was just so, so much worse than I could have ever anticipated.) And on starting the 2013 indie film The Ouija Experiment, I didn’t expect anything amazing either. In fact, I almost didn’t watch it until I realized that, shockingly, most of the main cast wasn’t white. While the diversity was enough to initially draw me in, and the movie’s determination to not immediately fall into the typical tropes of Ouija bullshit kept pulling me along, in the end The Ouija Experiment’s casting did very little to save it. In fact, the diverse casting seemed to only exist so the writer, Tony Snearly, had an excuse to whip out a bunch of racist jokes.

Spoilers below the cut.

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There’s an oft-problematic sub-genre of superhero comics I’ve always had a particular affection for nonetheless. It’s a genre I have a difficult time even coming up with a name for; one where the nigh-incomprehensibly complex nature of a sci-fi/superhero setting and the gritty humanity inherent in “real life of superheroes” type content collide. Series like Transmetropolitan, Astro City, andPowers fall into that category, and those are some of the greatest comic series of all time. But there is one that I tend to forget about and, as a result, don’t often go back to: Alan Moore’s Top 10.

As a police drama set in a city where literally every resident is some sort of superhero, robot, mutant, monster, goddess, or alien, Top 10 hits a lot of zany-but-dark notes. But unlike the (truly brilliant) series Powers by Brian Michael Bendis, Top 10 is much more lighthearted in its take on “how do you do policework when suspects are superpowered beings,” and tends more towards “comics continuity gone wild”-type jokes and narratives.

Top 10 features a dazzlingly diverse cast in an almost unimaginably complex multiverse, but the stories that it tells are surprisingly relatable, due in no small part to the character-focused writing by Alan Moore. The art by Gene Ha crams nearly every page with enough Easter eggs and references that they sometimes come off as being from a Where’s Waldo book. But the comic also, like many of Alan Moore’s greatest works, tackles some very controversial issues in ways that can be (sometimes subversively) heavy-handed and trope-y. Though much of the more problematic content in these books does offer a nuanced and honest look at things like racism, sexism, homophobia, and police corruption, it also sometimes comes off as playing for pure shock value.

Note that this article is about the original 2000-2001 run of Top 10 (and to a lesser extent its prequel The Forty Niners) rather than the 2008-2009 run by Kevin and Zander Cannon (who also worked on the original).

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If there was one show I had been looking forward to this year, it was Star Trek: Discovery. Sadly, I won’t be able to watch the rest of the season until it makes its way to Netflix or DVD, but I did catch the pilot, and I was extremely happy with what I saw. The Star Trek television shows have in the past proven themselves to be more than capable of giving us a diverse cast with thoughtful character development. As a new first for this universe, we’ve got a woman of color as a lead in our new series, and she’s kicking ass. 

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(viaWhite Noise)

I’ve been on quite the webcomics binge lately (reccing another webcomic for this column, you say? Shocking), but I can’t help it that the internet is so good at recommending well-written, diverse webcomics to me through Tumblr! Today’s web crush is White Noise, a complex fantastical webcomic about families and found families, the aftermath of tragedy, and prejudice. 

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Spoilers for Season 7 of Game of Thrones throughout.

Before the seventh season came out, I knew that it would probably be worse than the seasons before it. I just didn’t know how it would be worse. But disappointed I was not. The horribleness this time around more than exceeded my expectations. There are so many things to talk about, but here on Lady Geek Girl & Friends we try to keep our posts below a certain word limit, so we don’t bog you readers down with a post the size of a novella. And Game of Thrones’s seventh season is so asinine that a novella is exactly what I’d be in danger of writing if I tried tackling all my thoughts. Thankfully for me, Mikely will be by later this month with his own Game of Thrones Season 7 review. In the meantime, however, I’ve got a bone to pick with Prince Rhaegar Targaryen, his annulment to Elia Martell, and all the worldwide implications that entails.

Trigger warning for abuse, violence, and sexual assault up ahead.

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At one point about a year ago, I was thinking of writing a Sexualized Saturdays post on Portal, but when I discovered that our own BrothaDom had already written that article, I cursed the whole “great minds think alike” thing and moved on. But something about Portal kept refusing to let me drop the idea of doing an article on it and I think I finally figured out what it is: GLaDOS is, arguably, an unsung feminist icon.

Much of the media discussion of Portal centers around the awesomeness of Chell as a groundbreaking example of “female as generic default” for a game protagonist… because she is! But, mostly in Portal 2, there’s a whole lot more narrative devoted to GLaDOS’s backstory and the way it changes the emotional tone of her relationship with Chell. Along the way, we get a narrative about who and what GLaDOS really is, which takes her from being little more than a gameplay mechanic to a truly deep and memorable character. The main story arc in which that transpires is one in which Chell and GLaDOS confront a patriarchal system that has turned them both into pawns in an infinite game and where the cycle of violence brought by abuse is a central theme.

(TW: Discussion of abusive relationships and violence against women.)

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It’s now officially Fall! …Or that’s what the calendar tells me, but the unwelcome persistence of 80 degree weather (that’s 27~ degrees Celsius to you Celsius-using folk) is weaving a different tale. In an effort to prove that temperature doesn’t rule my life–even when I’m dying and making offerings for those crisp fall days to come the fuck on already–I’ve started to dive into that good seasonal content. Of course, that means witches and magic!

Back in March of last year I talked about how excited I was for the upcoming anime adaptation of the manga The Ancient Magus’ Bride, and just recently the three part OVA, Those Awaiting A Star, finished airing in Japan. Despite being unaware that an OVA was even happening, I eagerly dove into the three 25 minute episodes. It was advertised as a prequel story, so I was a bit hesitant that the OVA would be focusing mostly on the situation that brought heroine Chise to her living arrangements with her fiance, the titular ancient magus; doing so would almost certainly mean focusing on the neglect and abuse Chise suffered, and three episodes of that sounds kind of like the worst thing ever. It’s impossible to avoid that completely, as the episodes focus on Chise’s childhood, but if you share my concerns, I’m here to tell you that the OVAs didn’t turn into the Chise torture hour. More importantly, Those Awaiting A Star subtly shows off the environment Chise comes to thrive in as well as her relationship to Elias (the magus) in a way that quells the worries I, as someone who hasn’t read the manga, had about that too!

Spoilers below.

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From its inception, Animorphs was always a series dedicated to what we’d term social justice today. It featured five kids of various ethnicities trying to save the world from a secret alien invasion, becoming child warriors in the process. But as a product of the 90s, it didn’t focus on LGBTQ+ issues very much. Sure, the protagonists were very young, and author K.A. Applegate might not have been able to get any LGBTQ+ rep through her publishers if she had had any ideas, but the fact remains that a series about kids literally changing their bodies as a weapon of war should have made trans issues front and center in Animorphs’s otherwise excellent diversity.

Fortunately, in recent years the Animorphs fandom has taken steps to correct this oversight. One of my previous FFs, Bird in a Cage, was a character study of Tobias, arguably the Animorph with the most gender dysphoria. Canonically, Tobias never felt comfortable in his human body, and when he ended up trapped in his hawk morph, it wasn’t his body he missed, but his humanity in general. In that fic, author etothepii explores the idea of Tobias as a trans girl coming to terms with her gender identity. Today’s fanfic broadens the scope of these gender identity issues by changing the gender identity of all the Animorphs. The Word of Your Body is a series of vignettes about trans, intersex, and nonbinary Animorphs that looks at the many social and family issues that the gender-diverse Animorphs have to go through in the shadow of the war.

Trigger warning for gender dysphoria, transphobia, and internalized transphobia in the fic. As Animorphs was originally written in the 90s, this fanfic was written using LGBTQ+ terms that would have been used in the 90s, despite the fact that we no longer use some of these terms today. Please read with caution.

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Overwatch has been out for over a year now. We’ve seen lots of updates and gameplay patches, tons of cosplays, and an approximately infinite amount of fanart and articles on the game’s social issuesandimpacts. Suffice to say, the game has been a worldwide phenomenon among many audiences. In this regard, Overwatch has executed the seemingly difficult task of being a hit with both experienced players and casual players, as well as with both gameplay enthusiasts and fandom participants (and of course, these two can overlap). It’s one of the best examples of a game that has accomplished garnering such an audience, and I’d like to explore how they’ve done this. 

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It’s been ages since the last time I read the Seventh Tower series by Garth Nix, but I’d been meaning to read it again, so this weekend I sat down and blasted through all six volumes. (At around 200 middle-gradey pages each, they’re not a heavy read.) I did remember enjoying the series when I read it the first time—probably way back around when it was published between 2000–2002—but very little else. All I remembered was that I liked them enough, so they’d survived several cullings of my ridiculously large book collection until such time as I could reread them and rejudge.

Having finally done just that, I am happy to report that the series is definitely an enjoyable read, although I probably won’t be holding onto them for another round a decade into the future. I was impressed to see that The Seventh Tower uses magic and worldbuilding in a fascinating way that allows for a deconstruction of privilege that feels organic to the story, while providing us with a strong female touchpoint character as well. Although, given that it was Garth Nix writing, I probablyshouldn’thavebeensurprised.

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The last thing I need right now is another game. I know this, but I also know full well that I’ll always, always make time for dating sims. I was pulled into this one by a couple of people from one of my D&D groups and was pleasantly surprised to discover that while I’m certainly easily swayed into trying dating sims by people simply saying that they’re good, this game is good. Very good. Follow me below the cut for a tale of murder, magic, intrigue, and most importantly, the Arcana. 

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This weekend was the Emmys, and usually, nothing much interesting happens at the Emmys aside from the opening monologue. However, I was ecstatic to hear that one of my very favorite TV shows from this year, Master of None, won the Emmy for Outstanding Writing for a Comedy Series. The episode nominated, “Thanksgiving,” was about the story of protagonist Dev’s queer Black friend, Denise, coming out to her family through the years and was co-written by Lena Waithe, herself a queer Black woman. In Waithe’s acceptance speech, she said:

I see each and every one of you. The things that make us different – those are our superpowers. Every day when you walk out the door and put on your imaginary cape and go out there and conquer the world, because the world would not be as beautiful as it is if we weren’t in it.

Waithe’s words are both true and a rarity in today’s world, which generally pays lip service to LGBTQ+ solidarity but hardly ever celebrates the stories of actual (non-white and non-male) queer people. The idea of LGBTQ+ people being superheroes in their own right, not in spite of but because of the parts of themselves that mainstream society often doesn’t accept, is something that many queer youth need to hear and which many superhero stories need to understand.

Many superhero stories will rely on faulty allegories for the LGBTQ+ experience, like the X-Men hiding their abilities from their parents, despite the fact that queer people are not inherently dangerous. These stories often have little to no actual representation, and they almost never show the LGBTQ+ experience in an authentic, realistic light. Fortunately, the world of publishing is slowly pushing itself towards diversity, and one of the fruits of this labor is the 2017 novel Dreadnought by April Daniels. As a superhero story about a transgender protagonist written by a transgender author, it’s every bit as real as Master of None’s “Thanksgiving” and is a beautifully written novel that shows how a superhero story can be more than just another coming-of-age tale.

Minor spoilers for Dreadnought and trigger warning for transphobia/internalized transphobia after the jump.

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At long last I finished the first season of Dice, Camera, Action!, a D&D webshow much in the vein of others such as The Adventure ZoneandCritical Role. The events leading up to the final showdown with the vampire lord Strahd was as about as intense and chaotic as one could expect, yet as the dust settled I found myself wanting more. Yes, there’s another season out–which I started–but something about the way things finished left me seeking out some comfort fic both for the characters and to ease my shaken heart. Luckily, even amidst the seemingly small bounty, fanfic provides. 

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Have you ever wondered exactly what’s going on inside your friends’ heads? Of course you have. Have you ever wanted to take a surreal and frightening journey inside the physical manifestation of your friends’ thoughts, feelings, and worries? Maybe? No? Well, in these two series, you can!

Fiction provides us with a unique opportunity to see into the minds of others, in that we get to live out other people’s stories and lives and see the world through their point of view for a time. Fantasy and sci-fi elements that allow us to literally see into and interact with the minds of characters, such as the dream-diving in Paprika and Inception, take this a step further. Through literally venturing into a physical manifestation of another character’s mind, you can learn a lot about them that they may not show you on the surface, such as hidden insecurities and secret memories. And sure, as a writer you could get the same information across in a dream sequence that lets the audience see inside that character’s mind for a scene, but the act of physically entering someone else’s mental landscape is what I want to talk about today. It lets the other characters, rather than solely the audience, learn what’s going on in the subject character’s head, and does so in a way that also moves the plot forward and provides a physical adventure at the same time.

Puella Magi Madoka MagicaandFlip Flappers are two series that, via magic, give their characters the opportunity to explore their co-cast members’ inner worlds, sending them all down a proverbial rabbit hole into surreal, symbolism-heavy, and often frightening landscapes that teach them (and the audience) something about their peers that they couldn’t have known before. The two series use a lot of the same tools, artistically speaking, but the consequences and emotional outcome of their heroes’ journeys into each other’s mindscapes is very different in each case. Heavy spoilers for both shows beyond the jump!

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You’d think that by now I’d realize that Facebook is dangerous. No, I wasn’t drawn into a debate with relatives that don’t seem to understand that being an awful, ignorant person on all facets should not be a viable political platform. I was drawn, instead, to watching an anime. Usually those ripped video clips stuck between two white bars that say something to the effect of “When you break up with a girl in anime” don’t grab me, but this video did. Here, let me show you. (Content warning for child abuse and bullying.)

These are the first nine minutes of the 2013 anime Kotoura-san, and immediately after watching this I knew I had to look up the summary to see if it was worth investing any more time in. I had no interest in watching a series devoted to the further torturing of its protagonist; however, the summary wasted no time in saying that this series was a romantic comedy (what?) that focused on the titular Kotoura-san making friends and healing from her childhood trauma. What followed was, yes, that in generous helpings. But Kotoura-san was also filled with, in equal parts, a bunch of uncomfortable sexual harassment and an unsatisfying narrative resolution to parental negligence which only served to undermine the actual good things going on.

Spoilers below the cut. All the previous warnings still apply, with an additional one for incest.

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After several decades of hemming and hawing in the face of the evidence that movies about female heroes and/or starring more than one woman can be financially successful, I suspect that Wonder Woman finally was the straw that broke the camel’s back. Before Wondy, we had the moderately successful Ghostbusters: Answer the Call; coming next year, we will be #blessed by Ocean’s Eight. However, the thing about the latter two films, both reboots of previously all-male franchises, is that they are movies where the gender of the protagonists is incidental. That’s why it’s possible to reboot them with women; there’s no reason a lady can’t bust a ghost or rob a casino as effectively as a dude.

But of course Hollywood can never get it quite right, and now The Powers That Be have predictably got ahead of themselves by confusing incidental and intentional gendering in lady-led reboots. 

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art by Mia DiIorio

Welcome to Night Vale constantly amazes me with how unique it is, especially when it comes to religion. It manages to take real religious ideas and weave something entirely new and different from the thing that originally inspired them. The Smiling God,the beagle puppy, and the angels are inspired by Abrahamic religions, but while it’s clear that Huntokar and the other gods are definitely at least inspired by real deities, the creators of Night Vale have managed to create their own unique pantheon.

Several episodes ago, we learned that the god Huntokar, who has been mentioned in passing throughout the show, is the god of Night Vale and has been protecting the people of Night Vale since the very beginning. However, we came to discover that her protection also nearly doomed Night Vale by causing the multiple versions of the town in different universes to collapse in on themselves. In this episode, Huntokar mentions that she is one of four old gods that include the Glow Cloud (ALL HAIL), the Woman from Italy, and the Distant Prince.

Writers tend to take two different routes when it comes to adding deities to their stories. They either use gods of real religions, or they invent their own. Creating your own deities has the major advantage that you aren’t taking the risk of portraying another religion’s deities in a potentially harmful way. However, we cannot escape the fact that we are affected by what we know about religions and their deities and inevitably the audience may realize that these “fake gods” are inspired by real ones. It’s fine to be inspired by real deities, but it’s important to still develop them in such a way as to make them their own unique god, otherwise the portrayal could still end up seeming problematic. And that is exactly what the creators of Welcome to Night Vale were able to do. Their deities are clearly inspired by different real gods, but are written in such a way that they become their own unique god and are not simply a copy of another deity.

Spoilers for Welcome to Night Vale for up to Episode 113.

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My obsession with Dungeons & Dragons is still in full swing, and lately I have been striving to improve my Dungeon Master game. A while back, I talked about Acreletae and her advice for beginner DMs. Although it’s very nice to have a female DM voice, her channel doesn’t really have that many videos. So today I would like to introduce you all to a veritable goldmine of DMing advice—Matthew Colville’s YouTube series called Running The Game. Currently at 47 videos and counting, this series first goes through the basics of DMing and adventure creation before Colville delves into topics such as calendar creation, how to deal with or avoid certain mistakes, and how to make a game fun. 

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