Sometimes I need to make a random piece of art to turn off my anxiety and remind myself I can draw. So I finally decided to draw the twins, Tia and Mia in their costumes they wore for Halloween. In other words, what we were actually wore for Halloween this year ^^ So here they are. Tia is Alice from American Mcgee’s “Alice Madness Returns” and Mia is dressed as Eliza Hamilton from the musical “Hamilton”. Hope you all enjoy it!
Who’s read this?? I have only begun this book and having finished chapter one, the genealogist in me is loving it! The historian in me loves it. And the reader in me loves it. So what’s my opinion so far..? Loving it! I have to wait until October to see the show at the Pantages Theatre in Los Angeles, CA, but I’m there in the story now. And it’s just making me more excited to see the show. So if you have some extra time, I’d suggest checking out this book from your local library or purchase from your local bookstore. And a little Thank you to Ron Chernow for writing this book.
After watching Hamilton on Disney+ I just had to sketch Alexander and Eliza A bit more shading to add to the coat and dress. I can’t get the songs out of my head
The Bullet (Ariana DeBose), Hamilton: An American Musical Original Broadway Cast
The Bullet returns! The one in the blue coat has already sold (I am currently waiting for more pieces to arrive to finish another!), but you can purchase the cream vest at my Etsy.
Listening to Hamiltonis one thing. Watching it is another entirely.
Let’s talk about what we get from the music. Sure, most of the story is told, but we (at least, I) assumed that a majority of the time, each character was telling their own story. It was all a general perspective. Without any visual cues, we only saw part of the story, part of the magic of Hamilton.
Yesterday, as I watched the production, I found myself tearing up for a majority of the show. Hamiltonis a work of art. And yes, of course I recognize the criticisms of the show and they are valid, but I also find the commentary of the show itself fascinating. Lin-Manuel Miranda created a masterpiece, and watching it for the first time yesterday, I could truly see that.
Now onto Aaron Burr. As high schoolers, most of us knew him as the guy who killed Hamilton in a duel. Emphasis on the duel. I distinctly remember talking about the duel in my A.P. US history class far more than the man behind the gun.
Hamiltonchanges this.
The show opens with Burr directly addressing the audience, asking them a rhetorical question they’ll eventually have answered mere minutes later. This sets him up as the narrator; it’s his lens we’re seeing the story through. Listening to the soundtrack, I didn’t realize this. It took watching the story, watching the times Burr watches the story around him, even interacting with others as if he knows how the conversation is going to go already.
As the show continues, it becomes more obvious that Burr is the one telling the story of Alexander Hamilton’s legacy. This is especially clear at the end, when he’s telling the audience to “look it up Hamilton was wearing his glasses.” He’s trying to justify his actions, to try to show he’s not a monster. He was trying to protect his family, and was unwilling to take the risk. Even so, he still sounds remorseful. As if wanting to take back his actions.
After Hamilton’s death, Burr goes on to narrate the aftermath, continuing until Eliza takes over. At that point, Eliza is the one preserving and continuing his legacy. The exchange of narration, however, is telling. Though Eliza was sharing his legacy and ensuring it endured, so was Burr by telling the story. By being the one to narrate it, to share it, despite having also been the man that killed him.
It’s as if Burr wishes to make up for killing Hamilton by making sure that he shares and continues his legacy. He’s repenting for his sin. The only way to see this, though, is by watching the musical. Though you can hear the emotion in Burr’s voice in the songs, seeinghis reactions is the only way to truly capture the full story.
Hamiltonis a reflection of Burr’s life as much as it is Hamilton’s. As the musical progresses, this becomes more obvious. Burr continues to address the audience, again asking questions and wondering why he continues to be inadequate when compared to Hamilton.
I mean, it’s obvious they’re foils of one another. Burr is unwilling to pick a side, unwilling to take a stand; Hamilton, however, is strong in his values and believes you must pick a side and stay strong in your convictions. He is unwilling to play the game of politics in the way that Burr does. Hell, they’re even divided on the nature of duels. Where Hamilton thinks the duel with Charles Lee is necessary, for example, Burr finds ridiculous. What’s interesting, though, is by Act II, they seem to have switched their beliefs entirely. When Burr chooses to shoot Hamilton, he is taking a side. He’s taking a stand via duel, something he previously believed to be absurd. Hamilton, however, aims upward, choosing this instead of risking the life of his opponent by shooting him. His actions further indicate he’s unwilling to kill someone in a duel, something he likely would have been more than willing to do in Act I. These characters have been developed so well that they are perfect foils of one another. It’s impressive.
Hamilton’salways impressed me. I remember hearing about it and thinking I’d be the only one interested (I’d recently gone through a phase where I was obsessed with Alexander Hamilton. I don’t know or understand why. I blame APUSH junior year). When I saw Hamiltontake off, I was delighted. And to finally have the opportunity to see it now, years later, after having sung the soundtrack countless times? It’s incredible.
Listening to Hamiltonis one thing. Watching it is another entirely.
Let’s talk about what we get from the music. Sure, most of the story is told, but we (at least, I) assumed that a majority of the time, each character was telling their own story. It was all a general perspective. Without any visual cues, we only saw part of the story, part of the magic of Hamilton.
Yesterday, as I watched the production, I found myself tearing up for a majority of the show. Hamiltonis a work of art. And yes, of course I recognize the criticisms of the show and they are valid, but I also find the commentary of the show itself fascinating. Lin-Manuel Miranda created a masterpiece, and watching it for the first time yesterday, I could truly see that.
Now onto Aaron Burr. As high schoolers, most of us knew him as the guy who killed Hamilton in a duel. Emphasis on the duel. I distinctly remember talking about the duel in my A.P. US history class far more than the man behind the gun.
Hamiltonchanges this.
The show opens with Burr directly addressing the audience, asking them a rhetorical question they’ll eventually have answered mere minutes later. This sets him up as the narrator; it’s his lens we’re seeing the story through. Listening to the soundtrack, I didn’t realize this. It took watching the story, watching the times Burr watches the story around him, even interacting with others as if he knows how the conversation is going to go already.
As the show continues, it becomes more obvious that Burr is the one telling the story of Alexander Hamilton’s legacy. This is especially clear at the end, when he’s telling the audience to “look it up Hamilton was wearing his glasses.” He’s trying to justify his actions, to try to show he’s not a monster. He was trying to protect his family, and was unwilling to take the risk. Even so, he still sounds remorseful. As if wanting to take back his actions.
After Hamilton’s death, Burr goes on to narrate the aftermath, continuing until Eliza takes over. At that point, Eliza is the one preserving and continuing his legacy. The exchange of narration, however, is telling. Though Eliza was sharing his legacy and ensuring it endured, so was Burr by telling the story. By being the one to narrate it, to share it, despite having also been the man that killed him.
It’s as if Burr wishes to make up for killing Hamilton by making sure that he shares and continues his legacy. He’s repenting for his sin. The only way to see this, though, is by watching the musical. Though you can hear the emotion in Burr’s voice in the songs, seeinghis reactions is the only way to truly capture the full story.
Hamiltonis a reflection of Burr’s life as much as it is Hamilton’s. As the musical progresses, this becomes more obvious. Burr continues to address the audience, again asking questions and wondering why he continues to be inadequate when compared to Hamilton.
I mean, it’s obvious they’re foils of one another. Burr is unwilling to pick a side, unwilling to take a stand; Hamilton, however, is strong in his values and believes you must pick a side and stay strong in your convictions. He is unwilling to play the game of politics in the way that Burr does. Hell, they’re even divided on the nature of duels. Where Hamilton thinks the duel with Charles Lee is necessary, for example, Burr finds ridiculous. What’s interesting, though, is by Act II, they seem to have switched their beliefs entirely. When Burr chooses to shoot Hamilton, he is taking a side. He’s taking a stand via duel, something he previously believed to be absurd. Hamilton, however, aims upward, choosing this instead of risking the life of his opponent by shooting him. His actions further indicate he’s unwilling to kill someone in a duel, something he likely would have been more than willing to do in Act I. These characters have been developed so well that they are perfect foils of one another. It’s impressive.
Hamilton’salways impressed me. I remember hearing about it and thinking I’d be the only one interested (I’d recently gone through a phase where I was obsessed with Alexander Hamilton. I don’t know or understand why. I blame APUSH junior year). When I saw Hamiltontake off, I was delighted. And to finally have the opportunity to see it now, years later, after having sung the soundtrack countless times? It’s incredible.
raise a glass to freedom. literally haven’t listened to anything other than this soundtrack for the past week. damn you, lin and your perfect everything.
So not my usual JSE content, and IDK how relevant Hamilton is anymore- buuuut I rewatched it a bit back and decided to do a sketch. May or may not end up going full out on it, we’ll see
@legendaryfirebirdofcuteness and i have spent several hours chatting (very very excitedly) about this, and ngl there’s a fairly big chance i’ll draw more of it
I recently got rlly into Hamilton and so I was playing it in the super high tech rental car that can connect to more than one phone, and so I was playing “Satisfied.” And what I didn’t know was my dads phone was connected as well with “Wayz” and it stopped the music to say “Vehicle stopped on shoulder.” And since iPhones are programmed to play the last thing you were listening to after like ways or maps, guess what fucking plays “I can’t get no’ satisfaction.” (Rolling Stones)
