#mulberry

Nude pink - Polyvore on We Heart It - http://weheartit.com/entry/58668247/via/AlexandraFejes

Hearted from: http://www.polyvore.com/cgi/set?id=79116406

Cara Delevigne For Mulberry

I don’t think there will be a fashion brand left that the gorgeous Miss Delevigne hasn’t featured on a campaign for - but she looks flawless as always in the woodland themed shoot for Mulberry. Surrounded by owls and photographed by Tim Walker she shows of the brands new collection of bags, coats and tweeds.

Kelly xxx

Wimbledon Final Fashion

I think we we’re all on the edge of our seats yesterday watching the tense tennis match which Andy Murray came out champion. Very well done!

But one thing I noticed was Murray’s girlfriend; Kim Sears wearing Victoria Beckham! She wore a long sleeved pastel green dress with cut out details from the Spring/Summer 2013 collection and teamed it with a Mulberry bag and Raybans.

Mrs Beckham herself was only seats away sporting a black spagehetti strap lace dress by Louis Vuitton.

Kelly xxx

This Weeks Best Dressed 18th-22rd Feb

There have been so many looks this week that i really love, from fashion week attendants to the brit awards, its hard to pick one a day! But here are my top five this week…

Taylor Swift attended the Brit Awards this week in London, and gave a brilliant performance, she turned up to the event wearing a gorgeous floorlenght Elie Saab dress with thigh-high slits complete with sheer panels and an open back. She teamed this looked with simple gold accessories and dark eyes.

Anne Hathaway stood out from the crowd at the Costume Designers Guild Awards 2013, wearing a shimmering metallic Gucci dress, she teamed this look with embellished sandals and Dana Rebeccabangles. 

As London Fashion Week was in flow, Rita Ora attended the Burberry show supporting her new best buddy Cara Delevigne. She wore a navy Burberry suit -tapered trousers and double breasted jacket, she completed her looked with a ‘Queen Delevigne’ t-shirt. A mix of masculine and feminine made an impact.

Amanda Seyfried attended the pre-Oscar’s party this week in LA, she worked a graphic printed mini dress by Dior which she teamed with Alexandre Birman suade heels.

Alexa Chung didn’t disappoint on the styling front at London Fashion week, stepping out in a Mulberry coat, tie-dye grey blouse. She teamed her Mulberry'ed look with a blue buffalo leather bag from the collection.

Kelly xxx

~ on We Heart It.

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AMANDA @ MULBERRY FW17

London Fashion Week - Days 3 & 4

Day 3

Patchwork is a nice technique which is becoming more and more fashionable, and Preen by Thornton Bregazzi (photo 1) put it at the centre of its collection, stitching different fabrics together, mostly tartan and checks, in a hurricane of colours and ruffles. The black part was more focused on the cut and on the subtle decorations of the pieces, and another take on the patchwork theme was proposed in a lace version. 

I would title Mulberry collection as ‘oversize elegance’. Loved the shearling checked coats and the giant jackets in cream and brown. But at London Fashion Week space is also given to great accessory makers. The collaboration Aspinal of London x être cécile (photo 2) had one of the best collections in this field, with shoppers, clutches, suitcases, basically every type of bag you can think of, in amazing prints and mix of contrasting colours. I need one! If you’re more about shoes then, don’t miss the shoe extraordinaire Sophia Webster (photo 3), especially if you’re not an ordinary person and you want shoes that fit your personality. A pop art collection made of everything you can think ok: animal prints, butterflies, feathers, Coca-Cola logos, messages on bags and shoes… Amazingly colourful, amazingly extravagant!

There’s still someone doing flowers, and I’m actually happy about it after all. Matthew Williamson proposed in this sense a 70s inspired collection which struck for its ability to pair the opposites: amazing chiffon gowns with loose silk pajamas, different flowery prints mixed together in a schizophrenia of patterns. The evolution of floral print continued with Temperley London (photo 4) - or is it better to talk about 'hybrid’ in this case? Hybrid between flowers and ethnic patterns, which was really visible in the collection with warmer tones and darker shades linked through the constant presence of the black. Boho silhouettes with a sexy twist.

Toga proposed its deconstructed kimonos, while Belstaff delivered its rigorously structured coats paired with more contemporary pieces of clothes. Beautiful the furry-fringed sweater.

Vivienne Westwood Red Label was fearless. I mean, don’t you feel it’s brave to choose very short shorts for a winter collection? It’s possible with Vivienne, especially if paired with a pair of red rain boots. And of course, the mixing of prints with the iconic tartan. Mary Katrantzou (photo 5) draw inspiration from wallpaper, which seems to be the newest trend on the runways. This time Katrantzou decided to give it a minimal restyling, and while she kept silhouettes very simple, she put all her fantasy into the prints and fabric manipulation. The classic wallpaper was then declined in several bright shades of yellow, orange, green - loved the fringed textile looking like grass - and appliqué of plastic and PVC ruffles went to adorn skirts, jackets and tops. Also loved how the collection was balanced on the runway: the darker shades were suddenly followed by pops of colour, so you could see a maroon and purple little dress and then, BANG! a neon yellow three-quarter sleeved top with a black mermaid skirt.

Jonathan Saunders’s collection (photo 6) definitely had a graphic quality - the three-dimensional prints of the beginning were just psychedelic - again like in Katrantzou, I appreciated keeping shapes simple to give space to experimentation on the field of prints. A wide palette of colours, which found its maximum in the degrading stripes of tones in some of the skirts and shirts.

Day 4

Antonio Berardi (photo 7) chose an unusual summery palette of lemon yellow and tangerine for a very elaborate structure of ruffles and layers of fabrics. In the simplest looks the sophistication came from jewel-like embroideries. London designers have understood that they don’t have to be afraid of colours during winter, and Roksanda (photo 8) proved that colourful furs and dresses can brighten up even the cloudiest day. Her clothes, then, do it in the coolest way possible. Loved the colour blocking as well as the variety of materials. Balance between flamboyant shades and more subtle ones.

I’ve learnt that in Erdem’s collections (photo 9) two things are sure: lace and chiffon. This time even leather was treated as lace, with intarsia-like shapes covering and embracing the body - sometimes in unusual shades like deep purple - and chiffon was there, ethereal as usual, in a wide variety of tones for little flowery dresses. But there was more to it: there was brocade blackened like coal, or even wool for coats in which the raw hems underlined the structure of the beautiful tailoring. Burberry Prorsum (photo 10), with long embroidered shawls, fringed leather skirts and capes, multicoloured maxi gowns in chiffon, definitely stated itself as a collection strongly inspired by boho culture.

Osman started very ethereal in the different tones of white, with feminine shapes and materials and ending darker, total black, with leather and feathers. But the real poet of this day was Christopher Kane (photo 11). The body is a primary problem for a fashion designer, and we know Christopher Kane is one of those artists who approach problems from the closest point of view possible - remember the biologically precise version of flowery print he proposed some seasons ago? So why not putting the body directly into his clothes? I was already amazed by the first black velvet pieces with women profiles in different colours on them; the middle part of the collection was all about the juxtaposition of layers of contrasting colours, without letting any of them prevale over the others though, a concept which took sense only in the last, amazingly emotional part, with the juxtaposition of human figures on the dress and on the models’ bodies themselves. I was completely speechless and this is definitely one of the best collections I’ve ever seen.

Peter Pilotto (photo 12) was inspired by board games and the paths in which you have to go forward through your moves. The collection itself was a sort of game and the cheerful colourful looks were the perfect match for such inspiration. Giles (photo 13) went instead for period costumes with an algid appeal. Loved the decorations of the silk dresses - are those mushrooms?

xxx

juliettachanel:

Mulberry Fall/Winter 2012-2013 Campaign - Lindsey Wixson

Mulberry’s “A New Season” Campaign Video

Quintessential Brit-brand Mulberry releases its “A New Season” campaign, seen above. The video welcomes the coming of former-Celine man, Johnny Coca (now creative director), showcasing an intimate moment between two friends. The Mulberry Group chose wisely, for Coca delivers in visual-knack.

Lindsey Wixson and Frida Gustavsson for Mulberry Spring 2012 Campaign by Tim Walker

Pin by Takehiro Nakazato on Cara Delevingne | Pinterest on We Heart It.

sweater detail

Mulberry, Spring/Summer 2013

stilllifequickheart:

David Rose

Autumn Mulberry

1977

Long Fox Tails

Mulberry fox tail! Similar to the crimson, but a little lighter and more purple. This is our only tail left.

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