Ron Jeremy wink at Miley Cyrus Wrecking Ball – Official Video

The King of Porn, legendary Ron Jeremy performs ‘Wrecking Ball’ by Miley Cyrus – Official Video… 

thank  sex.com for article.

Kxng CrookedSchea Cotton (Official Video)
Garage Series
(Crook’s Corner, 7/16/21)

Fuck I love Caravan Palace

And lets face it, their film clips are fucking excellent. 

I bet everyone has already watched this, but I need this Yowamushi Pedal: SPARE BIKE PV in my blog so MUCH! I just love everything in this video aaaaaaaaaaaaa ( ;//_//;) I’m soooo excited.

We got lost in the travels in the spiritual book
Missed the beaches from nirvana and the way that they look

Strand of Oaks - Same Emotions (Official Video)

“Dangerous Days” is taken from Zola Jesus’ forthcoming album TAIGA - out on 6 October (EU/UK) & 7 October (North America) 2014.

Slipknot - The Negative One

“Beach” by San Cisco

They’ve done it again… Wow.

Living by the coast, I am very familiar with the beautiful, tranquil feeling of the crashing ocean waves on a cold and misty day. This isn’t a fun “let’s go surfing” or “smell the suntan lotion” song - it’s about a spiritual connection to the beach.

Personally, I feel that the beach is so much more special and beautiful in the rain, or even in the mist. It carries a mysterious pulchritude that gives you shivers and touches your soul. I easily connected to these lyrics - as I have experienced the feeling that they describe numerous times.

I imagine the 80s inspired beat accompanying the climax scene of a Julia Roberts or a John Hughes film. Despite the beat being very 80s and the tune being exceptionally catchy, San Cisco somehow balances the upbeat melody with deep, meaningful lyrics.

I had an argument with a friend last night about what was more important: melody/beat or lyrics. I was pro lyrics and he was pro beat. But then I realized that the entire argument was ridiculous, because a truly amazing song has to have a balance of both deep lyrics and a melody that touches your soul. So our little argument actually had no point: they go hand in hand…

Of course classical music, one of the most exquisite genres there is, lacks lyrics, but I feel that the instrumentals and the many different elements act as lyrics and tell a story.

He compared lyrics to the dialogue of a film, whereas I compared them to the storyline of a film. I said that a melody may evoke a certain feeling and keep you wanting more, but lyrics are what one relates to and what cause you to listen to a song over a hundred times. You’d never call a song your song unless you related to- and felt a personal connection to the lyrics.

I guess neither one of us was wrong, but that little argument led me to appreciate songs that have a wonderful balance of meaningful lyrics and a catchy, touching melody all the more.

Hence I am blogging about this amazingly quirky yet meaningful masterpiece by San Cisco.

I hope you love it as much as I do.

“Ten Thousand Years” by Goddamn Electric Bill

This video, directed by Drake Doremus, is absolutely brilliant! Not only does it capture the feel of the song, but it also captures the devastation behind the situation. It is both inspiring and tragic. It really evokes sympathy in the characters, but simultaneously shows the beauty behind the lyrics.

The set design and the camera work is different and really deserves praise. Not only is the idea for this video original and appealing, but the visual translation of that idea has been done impeccably.

Miscellaneous
I Was Born About Ten Thousand Years Ago
I saw old pharaoh’s daughter bring Moses from the water
I’ll lick the guy that says it isn’t so

I was born about ten thousand years ago
There ain’t nothing in this world that I don’t know
I saved king David’s life and he offered me a wife
I said now you’re talking business have a chair

Yeah, I was born about ten thousand years ago
Ain’t nothing in this world that I don’t know
Saw Peter, Paul and Moses playing ring around the roses
I’ll lick the guy that says it isn’t so

I was born about ten thousand years ago
Ain’t nothing in this world that I don’t know
I saw old pharaoh’s daughter bring Moses from the water
I’ll lick the guy that says it isn’t so

I was there when old Noah built the ark
And I crawled in the window after dark
I saw Jonah eat the whale and dance with the lion’s tale
And I crossed over Canaan on a log

I was born about ten thousand years ago
Ain’t nothing in this world that I don’t know
I saw old pharaoh’s daughter bring Moses from the water
I’ll lick the guy that says it isn’t so

Yeah, I was born about ten thousand years ago
Ain’t nothing in this world that I don’t know
Saw Peter, Paul and Moses playing ring around the roses
I’ll lick the guy that says it isn’t so

I was there when old Noah built the ark
And I crawled in the window after dark
I saw Jonah eat the whale and dance with the lion’s tale
And I crossed over Canaan on a log

I was born about ten thousand years ago
There ain’t nothing in this world that I don’t know
I saved king David’s life and he offered me a wife
I said now you’re talking business have a chair

Yeah, I was born about ten thousand years ago
Ain’t nothing in this world that I don’t know
Saw Peter, Paul and Moses playing ring around the roses
I’ll lick the guy that says it isn’t so

“Monsters” by Angus Stone

Today I spun in a circle: slowly and then faster and faster… Then I leant against a wall and it felt as though gravity was hugging me: strangely comforting.

Sometimes when you don’t know what to do to make yourself feel better, you do silly things.

I can’t even count the amount of times I have given myself a twirly hug, or the amount of times I have soaked myself in a bubble bath in the darkness, contemplating the monsters of life - specifically the monsters in my heart.

I feel that there is a great pulchritude to sadness. Some people are scared of it and go through life ignoring their demons and fighting their inner dejection and desolation through false smiles, false pretences and compellingly happy surroundings.

Why put up such a facade?

To me, people that confront their monsters are fascinating: often you won’t win the battle against your demons - but at least you tried. That is why I feel that there is an indisposed beauty to anorexia, self-mutilation and addiction, although I don’t personally fall victim to them.

I have had my fair share of monsters in my life. Not all of them have been confronted yet, and I still, to this day, have many monsters in my heart. In retrospect, I think all individuals on earth have- or have had a monster, or even many monsters, in their hearts. Look at Marilyn Monroe, Kurt Cobain and Amy Winehouse for instance - they lost their battles against their monsters… or did they win?

This blog entry is actually about Angus Stone’s song “Monsters”.

The absorbing lyrics are contrasted with the upbeat melody that has a playful undertone, created by the banjo, the seemingly happy rhythm and the comparison of an individual’s inner demons to the Muppet-like monsters we fear as children. However cheerful these elements may be, the song still revolves around a more serious topic, which every single person can relate to. Parts of the lyrics highlight this darkness and draw attention to the larger thought at play.

No matter what your social status is, how successful you may think you are or how close your life is to perfection - you are bound to encounter a monster in your life. They say that life is a winding road; the twists and turns in life’s road are metaphors for problematic times, filled with, you guessed it: Monsters.

What I love about this track is the acknowledgement of the existence of these monsters…

The thought is maternally reassuring: “It’s alright, we all have them.”

In the battle of confrontation, either monster or man could win. The character in the lyrics to “Monsters”, Billy, could be replaced with anyone: everyone knows how it feels like to be in Billy’s shoes. Sadly, in the lyrics, the monsters won…

Here are the hauntingly beautiful lyrics:

Billy was a train, driving man
He went from one side to the other side of town
He went to bed with the light
He went to bed with the light

Ride on

He found his struggle with the wind
Something we never, came to understand
He felt lost, in the dark
Even when there was someone, he felt apart

Alone
Alone
Alone

Cause in the, dark
There’s monsters, they cry alone
They’re waiting
For you to come along, and play
For you to come along, and play

He made his way to the liquor store
Couldn’t help but notice, the man at the door
Yeah he did, he caught his eye
He said sir, please a nickel, before I die

Alone
Alone 
Alone

Cause in the, dark
There’s monsters, they cry alone
They’re waiting
For you to come along, and play
For you to come along, and play
And play
For you to come along, and play
And play

Cause in the, the dark
There’s monsters, they cry alone
They’re waiting
For you to come along, and play

Cause were monsters at heart
At heart, at heart
There’s monsters, in their hearts
Their hearts

For you to come along and play
And play
For you to come along
And play

Billy was a train driving man
He got lost, some place in the wind

“Sunbeam Melts The Hour” by RM Hubbert (with Marion Kenny & Hanna Tuulikki)

The official video by David Hand (http://www.alongbirdalley.co.uk), taken from the album Thirteen Lost & Found by RM Hubbert.

I am more in love with this video than with the actual song itself. Don’t get me wrong: this track is brilliant and distinct, but this video is just so amazing that it overshadows every other element. It was created by the very talented David Hand, who is a graphic designer and illustrator who uses his talent through various different mediums. Through this music video, he showed that he is not just an accomplished illustrator, but also a brilliant animator.

The simplicity to this video is what drew me to it. The colour palette, or lack thereof, helps support the delicate sound of RM Hubbert. The recognizable brand that David Hand has helped create for RM Hubbert is genius. His use of creatures of the abyss has helped create a mysterious and somber image for RM Hubbert - which really is a visual representation of RM Hubbert’s sound.

David Hand really knows how to translate sound into visual elements.

Now to RM Hubbert: what a wonderful, chilling sound. “Sunbeam Melts The Hour” is beautifully haunting. There are definitely elements of Bon Iver, Mumford And Sons, Iron And Wine and Lykke Li to this Scottish singer’s music. 

Above everything, he is a guitarist. This is very clear when listening to any of his songs, as the guitar picking and strumming will give goosebumps to the best of us. The vocals to the music that he plays, composes and writes are done by guest artists.

What I love about RM Hubbert is the depth to his lyrics, which is brought to life by his command of the guitar: he writes about death, loss, friendship, mental illness and topics which often leave us lost for words - in a way that is captivating and spellbinding.

Some of my favourite tracks by RM Hubbert are “For Joe”, “Half Light” and “For Maria” - make sure you check them out.

<3 <3 <3

A$AP ROCKY - A$AP Forever (Official Video) ft. Moby

i do not own this video, reposted fromhere 

Farrah Abraham - BLOWIN (OFFICIAL VIDEO) (by Farrah Abraham)