#singer songwriter
Debut single ‘PINK SKIES’ ✨ 8th April 2022 baby!
Moments - EP - Jermare Harrison
My debut EP is available worldwide! Check it out please! ❤️
One my favs from the EP
Not No More, coming soon.
Outtake from my photoshoot for my EP.
Have you guys checked out my latest song yet? Excited for more new music in 2019!
MILCK(fka Connie Lim) signs to Atlantic Records, joining the major label that is home to such artists as Bruno Mars, Kelly Clarkson and Ed Sheeran.
Milck Announces New Music and Atlantic Records Deal in Letter to Fans
“A couple months after our hike, Lim calls to confirm news she wasn’t ready to divulge earlier: MILCK has inked a deal with Atlantic Records. She plans to announce this development to her fans via a handwritten letter (which you can read here).”
LOS ANGELES — Catch Judith Hill live at the Troubadour tonight. Grab your tickets here.
Before boarding the plane that would take him on his two-month sojourn across the world, L.A. based pop/folk artist Peter Su took a second to share with us the details on his first official music video for the single “Santa Barbara” (you can watch it here).
Read on to find out how it felt to sacrifice his magic musician ju-ju, where this accomplishment falls in his journey and his growing perspective on marginalized voices.
- “Santa Barbara” is your first official music video. Is there a particular reason you chose this track to represent and kick off your album, visually?
Two reasons.
1: The beachy folk sound and bittersweet vibe of the recording really summarizes the sound I’ve gotten to with Lions on the Beach.
2: Personally, it’s my favorite track off the album. Song-wise, the melody is one of the most beautiful melodies I’ve written (imo hehe) and lyrically it’s a Pet Sounds kind of coming-of-age lyric with that saudade I can’t get enough of! - The video looks great, and… you shaved! We got to see the face behind the signature scruff. How did it feel seeing that face again, and how long did it take to grow the beard back?
Haha I felt naked, and cold. Not alone though. After the last take on the beach at Del Playa, I busted out this rusty razor I hadn’t used in years and went at it with the whole crew watching and pouring water out of bottles for me. I used the camera as my mirror. Turns out shaving medium-length facial hair on a beach without running water is really hard.
Being shaved was not cool. The scruff is like my magic musician-juju! I actually acted in Ryan Fung’s short film the next week and he required all the male escorts to be shaved. After that, I waited about 2 weeks to regain my juju again. - It seems like since the release of your EP and the last time I got to talk to you, you’ve not only continued to develop as an artist but have grown even more into the community. How involved were you in the process and creation of the music video, and how did it feel working with friends from #weownthe8th to create this music video? Any special anecdotes from the music-video-making process in general you’re up for sharing?
Our Mic and #weownthe8th were the best thing that happened to me last year (if you’re a creative in LA, you really should do yourself a favor and check it out). That’s how I met the whole cast and crew.
Stanley Wong and Travis Ash were Directors, and I was sort of a third co-director as the artist. They were really good at asking questions to get to the essence of the song. From that, we wrote the visual story together to bring it out. Directing-wise, it was pretty impressive to see them go from Hand Fart (an absurdist comedy) to a more sentimental romantic music video. Super creative and structured at the same time. They’ve got something special, those two.
Vivian Ngo, she is such a talented actor. She’s one of few people I’ve met whose emotional range is both so limitless and so in control. Watching her slip into a moment – of dejection, hope, joy, etc.– was like watching a year’s worth of acting masterclasses.
Nate Elegino (DP). Man, that guy seriously is a beast behind the camera. Every shot I saw on playback looked like a postcard – on the PCH, in Isla Vista, even looking out of the office high rise in downtown LA. Plus, he’s really good at working with actors. I still remember how it felt when he told me to stick my hand out the window, and reach for the sun, and how it felt filling me up. Work it, baby!
Jes Vu (Producer). So organized and top of things, with boundless energy. Her breakdown on the script, she turned over in like a day and kept looking to see how we could run everything smoother.
Oscar Ho (BTS). Hardcore, the man behind the cam. He shot the BTS footage while we were in Isla Vista. He’s got a great eye and was always down to help out wherever he could on set.
Lianne Lin (Hair). It was just fun to chat with a friend about the live music scene, hair thinning techniques, and good restaurants in the SGV. And oh yeah, getting the best haircut I’ve gotten in 3 years was pretty confidence-boosting too. - I noticed in the middle of “Santa Barbara,” there’s a shot with a growing stack of books. Are these books you actually read? If so, what, in any of them, especially impacted you?
I love books! These were important books to me that I’ve read, minus some of the business books are in my queue. The first book in the stack is Letters to a Young Poet by Rainer Maria Rilke. It was one of the first books I read for inspiration after I decided to leave my job to pursue a creative path. Connie Lim actually recommended it to me when I asked her for advice when I was first starting out. One takeaway was that you have to love writing so much, that you’ll still do it even if nothing external ever comes from it.
The Alchemist by Paulo Coelho, my old VC Partner gave that to me and I still turn to it whenever I feel stuck. It’s a metaphorical story about a kid in search of his personal treasure and all the lessons he learns along the way. It’s always cool to check-in and see what part of the journey I’m at, especially when my will gets weak to keep exploring. - So far, a lot of inspiration in your music has been taken from your journey and experience of “going off the safe path” and forging into the unknown, unpredictable lands of being a musician and artist. Your first EP is done, you’re putting out your first official music video – where do you see yourself in that journey now and how does it feel to be in this place?
Yup! I finished the tour out to Nashville, released this music video. I’m close to wrapping up the album cycle and I’d say I’m in transition now. It’s kind of scary but exciting too. I’ll be headed to India next week to study yoga and travel solo for 2 months - definitely a lot of reflection and contemplation about what’s next.
The tour in November out to SF, Austin, New Orleans, Nashville, Denver; playing at Sappho in Taipei; and now studying yoga in India - I’ve been filling the inspiration well, that’s for sure. Can’t wait to get back into creating mode! - Just wondering – in the very first interview you did with us, we talked a little bit about being an artist in conjunction with Asian American identity. In your recent article with the Huffington Post premiering your music video, you had something to say about that, and it seemed more definitive and of a stronger opinion than before. Have your thoughts on this changed or gone down any certain pathways?
It’s still weird to me when people label you as an Asian American musician vs. just a musician. But I now know the only thing to do is to just tell my story. The more I’ve been a part of the Asian American creative community in L.A., the more I want to support other marginalized voices in telling their stories.
“The Godfather” is a good model of marginalized voices producing work so good that mainstream media had to take notice. Our Mic, #weownthe8th, TNC, Sunday Jump, Kollaboration, the whole API creative community in LA, we’re telling our stories in increasing numbers, at higher and higher levels of quality. I’m very encouraged by the movement and hope that my kids will have a generation of creative role models to look up to. - Final question. In our last conversation, you left us with this lesson learned: “Instead of asking what the world can do to fulfill you, ask what you can give to the world.” How has that perspective and value been shaping what you’ve been up to? And do tell what’s next for you and anything else you want to share with your listeners.
I’ve learned I’m pretty good at bringing people together for a cause bigger than ourselves, and with collaborating. So my next step, will probably be less going solo and more collaborative, and more audience-first. I’m sure India will give me some good inspiration, and I feel a lot of new songs coming on. I’ve already got a few creative buns in the oven, with Dion Leon and Jenyi Lee - so stay tuned!
The best way to follow along on my journey will be to follow my instagram stories (@petersumusic) while I’m in India or signup for my newsletter!
Pop/R&B artist Matt Almodiel releases his first online single, “Cheers to Us.” Produced by DionLeon, the track is currently up on CD Baby will soon be available on all other online retailers.
Support Almodiel in creating his debut EP by joining his just-launched Indie Gogo campaign.
Earlier this summer, indie folk/blues artist Taylor John Williams released his newest EP Hiraeth. You can now stream the 4-track album on Spotify or purchase it on iTunes.
Originally from Eugene, OR, the artist has recently made the move to L.A. and already boasts a residency at Hotel Cafe under his belt. Catch more of this artist’s journey on his website, http://www.taylorjohnwilliams.com.
My first single is now officially available on Spotify and other streaming services.
07 04 22
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I know this music video has been out for a couple of months and the single for much, much longer, but it’d be criminal not to take note of how magnificent this young starlet from Norway is on Not Gonna Cry, and everything else we’ve heard from her so far. Emma Steinbakken is only 15-16 years old (depending on when her birthday is). Not Gonna Cry, her debut single, has more than made its mark on the world with its viral popularity. The song, which she co-wrote with fellow Norwegians Skinny Days, is a sonorously cathartic pop anthem exhibiting her deep, powerful, and incendiary chops. The single is featured on her self-titled debut EP which just dropped less than two weeks ago, off which also comes Emma’s latest single Never Forgiving, whose lyric video you can take in below. It’s an even more emotionally performance from the singer songwriter, who said she wrote the skyscraping song when she was angry and sad over something that someone did to one of her closest friends. Listen to Emma Steinbakken’s debut EP in full on Spotify, here.
Rainsford, the pop starlet on the rise who comes from a family of superb actors and musicians (and who’s a sometimes actor herself), previously teamed up with synthpop favorite Twin Shadow on Intentions. On crisp new song Open Open, she serves up more of those slick nostalgic synth vibes, so much so that I can’t help but wonder if Twin Shadow is involved in this one, too. Those synth flares and backing vocals sure do reflect his sound. The indie pop singer songwriter wrote Open Open as a vulnerable apology to an ex after falling out. Rainsford puts her heart on the line as she recounts their time together, belting out the song’s lyrics with powerful, compelling depth. A video for the song was filmed in Joshua Tree. The visual’s colonial theme was inspired by Open Open’s lyrics: “I can’t go back in time as much as I wish I could.” Stream/download Open Open, here.
I mentioned Perfume Genius in our previous feature tonight, so it’s only proper that we now follow it up with the latest gem from the esteemed Iowan, whose true genius always shines through on the immense array of chamber pop music he’s given us this decade. I first fell for Mike Hadreas just before he released his 2012 album Put Your Back N 2 It, just before he became the darling of the indie world with his followup releases. He brings back some of that record’s sparser intimacy in the opening minutes of Pop Song, which despite its name, is no conventional pop ditty. But who would expect anything mundane from Hadreas? Pop Song soon breaks out into grander scale movement, flush with other worldly percussion, enchanting chimes, and a verdantly textured, fluidly shifting soundscape. Pop Song will be on Perfume Genius’ immersive dance project The Sun Still Burns Here, which makes its way to the Joyce Theatre in NYC on November 13th with musician himself, choreographer Kate Wallich, and dance company The YC in attendance. Performnace runs in Minneapolis and Boston follow in December and January. Stream Pop Song, here.
The storylines in romantic comedies always seem to involve something going wrong, so for a rom-com to go wrong, something absolutely horrible must culminate at the end. Perhaps the guy doesn’t get the girl, or something worse happens and the rom-com morphs into a campy horror film instead. You know what will never go wrong? Dreamily swaying away to dashing British troubadour Matt Maltese and his latest single, Rom-Com Gone Wrong. Watch his music video for the languorously melancholic yet dulcet melting luller above and swoon in heavily bliss to his woozy curling, soulfully woolly pop. Matt Maltese’s new album Krystal drops soon on November 8th. Rom-Come Gone Wrong as well as recent release Curl Up & Die, which you can stream below. How can sad songs be so soothing and sublime? Pre-order Krystal, here.
“Sob Rock. July 16.” - JM [x]
Wendy Waldman - “Love Has Got Me“
