#bagginshield
So at NYCC, Radio and I had a chance to talk at length with the Weta people. Some stuff was about the BotFA EE and out of deference to their concerns about leaking stuff ahead of the release I won’t bring up too much, but I will mention some interesting anecdotes about behind the scenes Bagginshield stuff (though not posed as such to them, of course, just asked questions around stuff that we as fans find to be related).
I love watching all the homosexuals re-enter the Middle Earth fandom around the same time of year. We’re back bitches, lets get these two hitched already
has this one been done yet? am i too late?
Day 18: 300 Gold Pieces
Here’s today’s fic for the Writer’s Month 2021 challenge (see @writersmonth for more info).
Today’s prompt: word: key | setting: role reversal
Fandom: The Hobbit
Relationships: Thorin x fem!Bilbo
Rating:G
Warnings: hot burglarBear with me, this is, again, a five sentence fic wannabe, but I really tried! I don’t know what’s wrong with me ;)
As usual, you can read this fic here and on AO3.
This was so wonderful reversal of roles!
“there was something vaguely alluring about him, an animal magnetism of sorts" Oh this brought all kinds of delightful images to mind. And the ending perfected that.
I’m very glad it did! The poor hobbit princess won’t know what hit her ;)
Sometimes I think about how the Mithril shirt Thorin gave to Bilbo was described as something a ‘young elven prince’ would wear
And I just can’t get this image out of my head of Frodo rocking up to Rivendell in that same shirt and Legolas just looking at him like blink blink “why is this small one wearing my bar mitzvah tunic as armor”
So, I’m still thinking about Aulë and the creation of the Dwarves, and how this makes them such softer creatures in my eyes.
When the Dwarves sing the Song of the Lonely Mountain to Bilbo in The Hobbit, their voices are described as “deep-throated singing of the dwarves in the deep places of their ancient homes,” and furthermore Tolkien adds the addendum, “this is like a fragment of their song, if it can be like their song without the music.”
In this instance, we see an initial, subtle example of the immense power Music and Song has over Middle Earth (as at the time of publication, of course, The Silmarillion had not been published and the audience did not know of Eru’s composition, nor the great Music).
I absolutely adore this description of the Dwarves’ voices though, as it ultimately reflects the feeling behind their music and also their origin being made after Aulë’s own passion and hands.
Despite the song being so hardy, devoted and most of all mourning,the Dwarves play gentle instruments like harps and flutes. Despite how they work with their hands and are often those to cut down trees and - in Yavanna’s sentiment - have no disregard for the living things of nature, Aulë’s influence of being beautifulabove even a craftsman is very much present. The Dwarves value precious jewels and heirlooms and crafts, and treat their heritage as such.
happybirthday uh new years? my sweet sweet best friend @technicalthinker whom i love so so much. i meant to give u this on ur birthday but i think it fits better today❤️❤️❤️ love u!!!!
Doodle requests from insta Tolkien edition:
The crossover that lives rent free in my brain:
Requested by Anonymous