#escultura
L1005163 - Versão 2bypedrosimoes7 on Flickr.
A sudden statue
the power of medusa
unwary victim
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venus Itálica por Ale Funk Fotografias
Por Flickr:
Venus Itálica de Antonio Cánova:“Cuando, en 1803, Napoleón hizo trasladar la Venus de Medici a París, los florentinos se quedaron sin uno de sus más preciados tesoros. Por este motivo solicitaron a Antonio Cánov, una réplica de la adorada estatua antigua. El artista, reacio al principio, accedió, finalmente a su ejecución, aunque tras algunos años de trabajo la copia de la Venus de Medici acabó convirtiéndose en el germen de la Venus Itálica, una nueva escultura creada, con apreciables diferencias con la mencionada obra florentina. Venus, sorprendida en su baño, se cubre parte del cuerpo con una tela que se enrosca sobre su brazo derecho y cae a sus pies hasta parecer que se funde con la propia base de la escultura. El rostro, de una belleza angelical, se vuelve acompañando el movimiento del cuerpo, para intensificar el efecto de sorpresa y ofrecernos múltiples puntos de vista. Autor: Antonio Cánova. Estilo: Neoclasicismo (siglo XIX) Estatua expuesta en el Museo de Reproducciones de Bilbao.
Sitting adjacent to the entrance of @ngadc National Gallery of Art’s East Building in Washington, DC, Henry Moore’s monumental “Knife Edge Mirror Two Piece” epitomise the artist’s late period which was defined by powerful, complex abstract forms, experimentation with materials and scale, and a new dynamic relationship with architecture. Commissioned by the museum in 1973 to design a grand sculpture for East Building’s Pennsylvania Avenue façade, Moore developed Knife Edge Mirror Two Piece in collaboration with the building’s architect I.M. Pei despite his acknowledged aversion to architects and architectural commissions – perhaps a sign of his maturing sensibilities. That’s not to say that the 4-year process was all smooth sailing, Moore’s insistence on being able to see the sculpture from all sides that for all his meant that I.M. Pei had to redesign the original pedestal into a triangular promontory jutting out from the terrace.
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Henry Moore, Knife Edge Mirror Two Piece, 1976-1978. Gift of The Morris and Gwendolyn Cafritz Foundation. Installation view, National Gallery of Art, Washington, DC. Photo @caylonlawrence.
#yatzer #yatzer_inspiration #nationalgalleryofart #ngadc #art #kunst #konst #藝術 #アート #هنر #арт #artecontemporanea #コンテンポラリーアート #modernart #contemporaryart #contemporary_art #kunstwerk #アートワーク #installation #contemporaryartgallery #artwatchers #abstract #artnow #escultura #installationart #مجسمه #installationart #gallery #henrymoore (at National Gallery, East Wing, Washington DC)
https://www.instagram.com/p/CYasydPqgZ3/?utm_medium=tumblr
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Featuring 13 large-scale, media-based installations, “LUX: New Wave of Contemporary Art” is an immersive London exhibition that brings together 12 of the world’s most celebrated new media artists and collectives working with the latest audio-visual technologies. Organised by SUUM Project in collaboration with Fact, the exhibition unfolds at @180.studios, a Brutalist edifice in central London which has been transformed into a multipurpose venue and home to several creative brands. The installations, several of which are new commissions, blur the lines between the physical and virtual worlds and expanding the boundaries of interactive and immersive art.
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Featured: (1) Universal Everything @universaleverything, Transfiguration, 2020. 4k digital film with stereo sound depicting a giant walking figure who undergoes a metamorphic change from water to fire, to lava, before cooling to solidify into rock. Held in the collection of Sifang Art Museum, Nanjing, Jiangsu, China. (2) Carsten Nicolai, Unicolor, 2014. The work unfolds against a long projection wall with two mirror walls on the side, thus visually expanding into infinity. (3) Es Devlin @esdevlin, BLUESKYWHITE, 2021. A site-specific installation co-commissioned by 180 Studios and LG that takes the form of a 24-meter light tunnel that modulates from portrait to landscape exploring our emotional response to the possible extinction of blue sky.
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The exhibition runs until December 18, 2021. Details: https://www.yatzer.com/lux-new-wave-contemporary-art
#yatzer #yatzer_inspiration #180LUX #LUX #SUUMProject #FactMag #180Studios #LGOLEDART #art #kunst #konst #藝術 #アート #هنر #арт #artecontemporanea #modernart #contemporaryart #contemporary_art #kunstwerk #アートワーク #contemporaryexhibition #artwatchers #abstract #artnow #modernsculpture #escultura #sculptureart #مجسمه #installationart (at London, United Kingdom)
https://www.instagram.com/p/CWXYNe0KoBS/?utm_medium=tumblr
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Named after a village on the Cycladic Island of Tinos, “Volax” at @carwangallery in Athens presents the latest work of @objects_of_common_interest, a series of life-size lighting and seating pieces inspired by the large granite boulders that dot the village’s wind-swept landscape. The collection marks the studio’s first ever use of wood, featuring a series of low chairs, benches and side tables whose abstract, geometric forms and monolithic design defy categorization. Monumental yet playful, primitive yet sophisticated, the pieces comprise a sui generis sculptural garden amid the gallery’s crumbling industrial setting, creating “moments of unfamiliar simplicity”.
Photography by Giorgos Sfakianakis.
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Objects of Common Interest Gets Intimate with Isamu Noguchi at his Eponymous Museum
https://www.yatzer.com/objects-of-common-interest-noguchi
#yatzer #yatzer_inspiration #volax #exhibition #carwangallery
#wood #newworks #objectsofcommoninterest #sculptural #sculptureart #sculptureartist #industrialinterior #lightinginstallation #installationart #abstractart #kunst #藝術 #アート#هنر #арт #artecontemporanea #コンテンポラリーアート #kunstwerk #アートワーク #contemporaryartgallery #artwatchers #artnow #modernsculpture #escultura #مجسمه (at Piraeus, Greece)
https://www.instagram.com/p/CUrIAMkqYjZ/?utm_medium=tumblr
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“Somos como animales de rebaño, que establecemos lo que es bello y lo que no. Y el conjunto de la sociedad refuerza esta idea. Creo que es una visión muy limitada de lo que la gente puede llegar a ser. Cuando estuve en el Louvre observaba cómo el público comentaba y admiraba la belleza de la Venus de Milo y las esculturas de mármol fragmentadas. Reflexioné entonces sobre que el cuerpo fragmentado resultase bello en el arte, pero no en la naturaleza, en la vida real. A la gente le parecía más problemático. Pensé que resultaría muy interesante encontrar personas cuyos cuerpos pareciesen fragmentos (no lo son, son personas enteras), para luego hacer una escultura de mármol de ellas y ver que pasaba. El motivo de hacer estas esculturas es una celebración de otros tipos de belleza corporal. La belleza de las personas que superan sus propias circunstancias. Estas esculturas serían una clase diferente de heroísmo.”
Marc Quinn, escultor
VíaABC
David
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#sculpture #clay #escultura #artoftheday #artofinstagram #miguelangelbuonarroti #art #fineart (en Lima, Peru)
https://www.instagram.com/p/CbacHMUrWNj/?utm_medium=tumblr
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Y así termine el modelado en arcilla.
#escultura #clay #arcilla #tag #instart #artoftheday (en Lima, Peru)
https://www.instagram.com/p/Ca-4AclrsfB/?utm_medium=tumblr
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Es todo por hoy, mañana a seguir con fuerza.
#sculpture #artoftheday #clay #clayart #escultura #michelangelobuonarroti #instaartist #art (en Lima, Peru)
https://www.instagram.com/p/CXz4-R7to9q/?utm_medium=tumblr
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David
#sculptures #clay #escultura #david #miguelangel #arcilla #instaartist #artoftheday #art #sculpt (en Lima, Peru)
https://www.instagram.com/p/CW7mNYiLevB/?utm_medium=tumblr
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David
#sculptures #clay #escultura #david #miguelangel #arcilla #instaartist #artoftheday #art #sculpt (en Lima, Peru)
https://www.instagram.com/p/CW7mNYiLevB/?utm_medium=tumblr
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O prato de Virginia Woolf, no The Dinner Party da Judy Chicago, em 1974–79.
Aqui tem bom texto a respeito da obra, no site do Museu do Brooklyn.
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