#marathons
In academic circles, we have a half-joking-but-not-really saying: “All Research Is Me-Search,” and Leigh Cowart’s new book has taken that dictum to titanic new heights and visceral, evocative depths.
Cowart is a former ballet dancer, a biologist who researched Pteronotus bats in the sweltering jungles of Costa Rica, and a self-described “high-sensation-seeking masochist.” They wrote this book to explore why they were like this, and whether their reasons matched up with those of so many other people who engage is painful activities of their own volition, whether for the pain itself, or the reward afterward. Full disclosure: Leigh is also my friend, but even if they weren’t, this book would have fascinated and engrossed me.
Hurts So Good is science journalism from a scientist-who-is-also-a-journalist, which means that the text is very careful in who and what it sources, citing its references, and indexing terms to be easily found and cross-referenced, while also bringing that data into clear, accessible focus. In that way, it has something for specialists and non-specialists, alike. But this book is also a memoir, and an interior exploration of one person’s relationship to pain, pleasure, and— not to sound too lofty about it— the whole human race.
The extraordinarily personal grounding of Hurts So Good is what allows this text to be more than merely exploitative voyeurism— though as the text describes, exploitative voyeurism might not necessarily be a deal-breaker for many of its subjects; just so long as they had control over when and how it proceeds and ends. And that is something Cowart makes sure to return to, again and again and again, turning it around to examine its nuances and infinitely fuzzy fractaled edges: The difference between pain that we instigate, pain that we can control, pain we know will end, pain that will have a reward, pain we can stop when and how we want… And pain that is enforced on us.
Read the rest of “Review: Hurts So Good: The Science and Culture of Pain on Purpose, by Leigh Cowart”atTechnoccult.net
Manga Review: Apollo’s Song
Manga Review: Apollo’s Song
Manga Review: Apollo’s Song by Osamu Tezuka
Shogo Chikaishi is an unhappy young man. He has no idea who his birth father was, and his mother supported them by inviting a string of horny men to her bed. She had little love to spare for her child, who often got in the way of getting her customers to part with their cash. Sometimes he even glimpsed moments of his mother and her clients making the…
Here’s how human athletes (our very BEST human athletes) measure up against a few other members of the animal kingdom. We don’t look too good.
BUT there is one physical activity where humans actually do pretty well. In fact, we might be better than every other species on planet earth. Watch Skunk Bear’s latest video to learn more:
We might not be able to outrun a horse yet, but we’re betting on humans to figure it out pretty soon. Here’s a look at how technology is making us better, faster, stronger >>
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#SpiritedConnections: Sam Anderson
In the next installment of Campari America’s #SpiritedConnections Series, bartender Sam Anderson talks about staying fit in the restaurant industry, running marathons, and creating a group of supportive friends.
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In academic circles, we have a half-joking-but-not-really saying: “All Research Is Me-Search,” and Leigh Cowart’s new book has taken that dictum to titanic new heights and visceral, evocative depths.
Cowart is a former ballet dancer, a biologist who researched Pteronotus bats in the sweltering jungles of Costa Rica, and a self-described “high-sensation-seeking masochist.” They wrote this book to explore why they were like this, and whether their reasons matched up with those of so many other people who engage is painful activities of their own volition, whether for the pain itself, or the reward afterward. Full disclosure: Leigh is also my friend, but even if they weren’t, this book would have fascinated and engrossed me.
Hurts So Good is science journalism from a scientist-who-is-also-a-journalist, which means that the text is very careful in who and what it sources, citing its references, and indexing terms to be easily found and cross-referenced, while also bringing that data into clear, accessible focus. In that way, it has something for specialists and non-specialists, alike. But this book is also a memoir, and an interior exploration of one person’s relationship to pain, pleasure, and— not to sound too lofty about it— the whole human race.
The extraordinarily personal grounding of Hurts So Good is what allows this text to be more than merely exploitative voyeurism— though as the text describes, exploitative voyeurism might not necessarily be a deal-breaker for many of its subjects; just so long as they had control over when and how it proceeds and ends. And that is something Cowart makes sure to return to, again and again and again, turning it around to examine its nuances and infinitely fuzzy fractaled edges: The difference between pain that we instigate, pain that we can control, pain we know will end, pain that will have a reward, pain we can stop when and how we want… And pain that is enforced on us.
Read the rest of “Review: Hurts So Good: The Science and Culture of Pain on Purpose, by Leigh Cowart”atTechnoccult.net
