#monotype

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“Sad Boy Hours”This is a mixed media monoprint and it means v much to me!The three portraits are of

“Sad Boy Hours”

This is a mixed media monoprint and it means v much to me!
The three portraits are of my friends from my hometown, and this entire piece is just kind of a mushy-gushy omage to them and the support and love I feel when I’m with them— the exact same feeling I hope I’m able to return to them. <3

This is one of my favorites from this semester, and I’m excited to keep toying around with the concept.


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by Alison LambertAELIA2014monotypia /monotypeDimensions: Plate: 19.5 x 15 cm | 7 ½ x 5¾ “Aliso

byAlison Lambert
AELIA
2014
monotypia /monotype
Dimensions: Plate: 19.5 x 15 cm | 7 ½ x 5¾

“Alison Lambert (b. 1957 Kingston, UK) studied BA Fine Art Lanchester Polytechnic, Coventry (1981-84). Selected solo exhibitions include:Nicholas Metivier gallery, Toronto (2012/2010); Jill George Gallery, London (2008/05/02/99/97);Long & Ryle, London (1995/92/89). Selected group exhibitions:‘The Art of Drawing British Masters and methods since 1600, V&A Museum, London; Galerie Ulrike Behrends, Germany (2006); RA Summer Exhibition, London (2004); Discerning Eye, Mall Galleries, (1998/97/90). Public Collections: The British Museum; V&A Purchase Prize, Discerning Eye (2009); Coopers and Lybrand Deloitte, Birmingham Corporate Collection; Bank of America, Jersey. She lives and works in Coventry, UK. Nationality: British. She is represented by the Jill George Gallery, London; the Nicholas Metivier Gallery, Toronto; and Pratt Contemporary Art, Kent.

Her work is figurative and consists of large charcoal drawings, monotypes and colograph/etchings.  "The monotype process suits my way of working as it is the ‘painterly’ version of what I do with charcoal on paper. The accidental elements, which are also present in my drawing process, can be both intriguing and frustrating. The small size of the monotype plates provides an intensity that isn’t available with my large scale drawings.”

You will find Alison Lambert’s work at Hatton Gallery.“
source: The International Print Biennale 2014


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Paul Gauguin, ‘The Pony’, ca. 1902, National Gallery of Art 

Paul Gauguin, ‘The Pony’, ca. 1902, National Gallery of Art 


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The Eric Gill Series part two: Penguin Books.   |   Londondesignz.comOne of the exhibits at MonotypeThe Eric Gill Series part two: Penguin Books.   |   Londondesignz.comOne of the exhibits at MonotypeThe Eric Gill Series part two: Penguin Books.   |   Londondesignz.comOne of the exhibits at MonotypeThe Eric Gill Series part two: Penguin Books.   |   Londondesignz.comOne of the exhibits at MonotypeThe Eric Gill Series part two: Penguin Books.   |   Londondesignz.comOne of the exhibits at Monotype

The Eric Gill Series part two: Penguin Books.   |   Londondesignz.com

One of the exhibits at Monotype’s Eric Gill Series exhibition was this small selection from the lovely range of 20th Century Penguin Books, many of which would use the typeface Gill Sans on their iconic covers during this period.


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The Eric Gill Series part one: The stairwell.  |   Londondesignz.comI popped into the Old Truman BreThe Eric Gill Series part one: The stairwell.  |   Londondesignz.comI popped into the Old Truman BreThe Eric Gill Series part one: The stairwell.  |   Londondesignz.comI popped into the Old Truman BreThe Eric Gill Series part one: The stairwell.  |   Londondesignz.comI popped into the Old Truman BreThe Eric Gill Series part one: The stairwell.  |   Londondesignz.comI popped into the Old Truman BreThe Eric Gill Series part one: The stairwell.  |   Londondesignz.comI popped into the Old Truman BreThe Eric Gill Series part one: The stairwell.  |   Londondesignz.comI popped into the Old Truman BreThe Eric Gill Series part one: The stairwell.  |   Londondesignz.comI popped into the Old Truman Bre

The Eric Gill Series part one: The stairwell.  |   Londondesignz.com

I popped into the Old Truman Brewery earlier today to catch Monotype’s Eric Gill Series exhibition. I will post more about it over the coming days, but I was particularly impressed with the time and effort that went into the stairwell leading to the show! My favourite of this lot is the number five in the corner. While not anamorphic, being placed on a corner made it feel like it was enveloping the viewer. 

It’s not often you find yourself at an exhibition where you spend more time photographing the artwork that isn’t strictly in it!


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DreamshapeMonotype Print2015

Dreamshape
Monotype Print
2015


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M.o.Y. ReverseRelief-Rolled Intaglio Print on Stonehenge2015(Inverse of this print)

M.o.Y. Reverse
Relief-Rolled Intaglio Print on Stonehenge
2015

(Inverse of this print)


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LiftMonoprint (Linocut Collage with Acrylic Paint)2015

Lift
Monoprint (Linocut Collage with Acrylic Paint)

2015
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FuzzheadMonoprint (Linocut with Digital Print Collage)2015

Fuzzhead
Monoprint (Linocut with Digital Print Collage)
2015


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Il Tronco tronco - inchiostro su carta cm 30x30 #inchiostro #china #disegno #disegnoapenna #monotype

Il Tronco tronco - inchiostro su carta cm 30x30 #inchiostro #china #disegno #disegnoapenna #monotype #rullosucarta #alberi #biancoenero #incisione #acquaforte (presso Atelier Carlo Ravaioli Cervia)
https://www.instagram.com/p/COhz8LTryho/?igshid=1a45bl0k2siom


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ConfessionalDark Field Monotype Ink on Paper, 15 x 22 2019 ~Age

Confessional

Dark Field Monotype
Ink on Paper, 15 x 22
2019
~Age


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Urbino Cathedral Duomo di Urbino/ Cattedrale Metropolitana di Santa Maria AssuntaUrbino, ItalyDark F

Urbino Cathedral 

Duomo di Urbino/ Cattedrale Metropolitana di Santa Maria Assunta
Urbino, Italy
Dark Field Monotype [FULL BLEED]
Ink on Paper, 22 x 30
2019
~Age


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Piazza dei Miracoli Baptistery, Cathedral, Campanile (leaning tower), and Campo Santo Pisa, ItalyDar

Piazza dei Miracoli 

Baptistery, Cathedral, Campanile (leaning tower), and Campo Santo 
Pisa, Italy
Dark Field Monotype
22 x 30 [Full Bleed]
2019
~Age


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Tomb of Cosimo di Medici, Pater PatriaeBasilica of San Lorenzo, Florence, ItalyDark Field MonotypeIn

Tomb of Cosimo di Medici, Pater Patriae

Basilica of San Lorenzo, Florence, Italy
Dark Field Monotype
Ink on Paper, 16 x 22
2019
~Age


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Santa Maria della PieveArezzo, ItalyDark Field MonotypeInk on Paper, 16 x 222019~Age

Santa Maria della Pieve

Arezzo, Italy
Dark Field Monotype
Ink on Paper, 16 x 22
2019
~Age


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ASSISIBasilica di San Francesco d'AssisiAssisi, ItalyDark Field Monotype [Full Bleed Print]Ink on Pa

ASSISI

Basilica di San Francesco d'Assisi

Assisi, Italy
Dark Field Monotype [Full Bleed Print]
Ink on Paper, 22 x 30
2019
~Age


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Santa Maria della SaluteVeniceFirst print of ‘22!Dark Field Monotype [Full Bleed Print]Ink on Paper,

Santa Maria della Salute

Venice
First print of ‘22!
Dark Field Monotype [Full Bleed Print]
Ink on Paper, 30 x 22
2022
~Age


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Ponte del DiavoloTorcello, VeniceDark Field Monotype [Full Bleed Print]Ink on Paper, 15 x 222021~Age

Ponte del Diavolo

Torcello, Venice
Dark Field Monotype [Full Bleed Print]
Ink on Paper, 15 x 22
2021
~Age


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San Michele Arcangelo di MazzorboFirst (not horribly misprinted) print of 2021! @sawtoothschool in W

San Michele Arcangelo di Mazzorbo

First (not horribly misprinted) print of 2021! @sawtoothschool in Winston-Salem, NC it feels good to get covered in ink again.

Dark Field Monotype [Full Bleed Print]
Ink on Paper, 15 x 22
2021
~Age


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Approach // “Lanterns”One of my monotypes was featured on the cover of Ethereal Shroud’s Digital-SinApproach // “Lanterns”One of my monotypes was featured on the cover of Ethereal Shroud’s Digital-Sin

Approach // “Lanterns”

One of my monotypes was featured on the cover of Ethereal Shroud’s Digital-Single “Lanterns”: https://etherealshroud.bandcamp.com/lanterns

It’s an excellent dark song, poignant and powerful. It has been a pleasure to work with the band, and their music is great!

Check them out here: https://etherealshroud.bandcamp.com/

I am available for commissions, and my work is for sale here: https://www.vesperbatpress.com/shop (more is coming soon!)

Dark Field Monotype Print
14″ x 22"
2020
Artwork by me
Layout © Ethereal Shroud


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THE FOUR HOURSEMEN OF THE APOCALYPSE1. PESTILENCE2. WAR/CONQUEST3. FAMINE4. DEATH+OMENS+Dark Field MTHE FOUR HOURSEMEN OF THE APOCALYPSE1. PESTILENCE2. WAR/CONQUEST3. FAMINE4. DEATH+OMENS+Dark Field MTHE FOUR HOURSEMEN OF THE APOCALYPSE1. PESTILENCE2. WAR/CONQUEST3. FAMINE4. DEATH+OMENS+Dark Field MTHE FOUR HOURSEMEN OF THE APOCALYPSE1. PESTILENCE2. WAR/CONQUEST3. FAMINE4. DEATH+OMENS+Dark Field MTHE FOUR HOURSEMEN OF THE APOCALYPSE1. PESTILENCE2. WAR/CONQUEST3. FAMINE4. DEATH+OMENS+Dark Field M

THE FOUR HOURSEMEN OF THE APOCALYPSE

1. PESTILENCE
2. WAR/CONQUEST
3. FAMINE
4. DEATH

+OMENS+
Dark Field Monotype [Full Bleed Print]
Ink on Paper, 16 x 22
2019
~Age


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Advisor+OMENS+Dark Field Monotype [Full Bleed Print]Ink on Paper, 15 x 222019~Age

Advisor

+OMENS+
Dark Field Monotype [Full Bleed Print]
Ink on Paper, 15 x 22
2019
~Age


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