#ageaus

Piazzetta San Marco

A sinking sanctuary, a monument to the grand republic lasting over a thousand years - built by refugees fleeing Attila and untimely destroyed by Napoleon.

Piazzetta San Marco,
Venice, Italy
Dark Field Monotype [FULL BLEED]
Ink on Paper, 22 x 30
2019
~Age

San Giorgio Maggiore

Venice, Italy
Dark Field Monotype [FULL BLEED]
Ink on Paper, 22 x 30
2019
~Age

Seville Cathedral Gate/ Puerta del Perdón

Seville, Spain
Dark Field Monotype [FULL BLEED]
Ink on Paper, 14 x 22
2019
~Age

Seville Cathedral Pipe Organ

Seville, Spain
Dark Field Monotype [FULL BLEED]
Ink on Paper, 22 x 30
2019
~Age

Milan Cathedral 

[Duomo di Milano/ Basilica cattedrale metropolitana di Santa Maria Nascente]
Milan, Italy
Mantua, Italy
Dark Field Monotype [FULL BLEED]
Ink on Paper, 22 x 30
2019
~Age

Confessional

Dark Field Monotype
Ink on Paper, 15 x 22
2019
~Age

Urbino Cathedral 

Duomo di Urbino/ Cattedrale Metropolitana di Santa Maria Assunta
Urbino, Italy
Dark Field Monotype [FULL BLEED]
Ink on Paper, 22 x 30
2019
~Age

La Alhambra

Granada, Spain
Dark Field Monotype [Full Bleed Print]
Ink on Paper, 16 x 22
2019
~Age

Mantua Cathedral 

Cattedrale di San Pietro apostolo; Duomo di Mantova
Mantua, Italy
Dark Field Monotype [FULL BLEED]
Ink on Paper, 22 x 30
2019
~Age

Piazza dei Miracoli 

Baptistery, Cathedral, Campanile (leaning tower), and Campo Santo 
Pisa, Italy
Dark Field Monotype
22 x 30 [Full Bleed]
2019
~Age

Tomb of Cosimo di Medici, Pater Patriae

Basilica of San Lorenzo, Florence, Italy
Dark Field Monotype
Ink on Paper, 16 x 22
2019
~Age

Santa Maria della Pieve

Arezzo, Italy
Dark Field Monotype
Ink on Paper, 16 x 22
2019
~Age

ASSISI

Basilica di San Francesco d'Assisi

Assisi, Italy
Dark Field Monotype [Full Bleed Print]
Ink on Paper, 22 x 30
2019
~Age

Santa Maria della Salute

Venice
First print of ‘22!
Dark Field Monotype [Full Bleed Print]
Ink on Paper, 30 x 22
2022
~Age

Ponte del Diavolo

Torcello, Venice
Dark Field Monotype [Full Bleed Print]
Ink on Paper, 15 x 22
2021
~Age

Shroud// Astral Mariner

 Trisagion is out now:  https://etherealshroud.bandcamp.com/album/trisagion
Today I’ll share the last of the pieces commissioned for Ethereal Shroud’s new album Trisagion.

Another piece to the “The Lost Years” ink series, still on-going, and unlike the other has a clear starting point, but interpretation was left to me.
The third and final song off the album it’s mournful and crushing, and ye hopeful throughout. It deeps in doom territory (always a favorite for me) and closes out the album perfectly.

As stated above, the album is out! And you can hear and purchase it here: https://etherealshroud.bandcamp.com/album/trisagion

 This piece is a wake of an unseen prow, the ripples echoing back into each other, but revealing the darkness, rather than obscuring it. As such, it’s a more abstract than the others, repeating but inverting the triangle shape of trisagion. 

Shroud

XI
+THE LOST YEARS+
Ink on Paper
9” x 12”
2021
~Age

San Michele Arcangelo di Mazzorbo

First (not horribly misprinted) print of 2021! @sawtoothschool in Winston-Salem, NC it feels good to get covered in ink again.

Dark Field Monotype [Full Bleed Print]
Ink on Paper, 15 x 22
2021
~Age

To Dust// Chasmal Fires

It’s Release day! Trisagion is out:  https://etherealshroud.bandcamp.com/album/trisagion

Today I’ll share this piece, the second of three I created for Ethereal Shroud’s new album Trisagion.

This one was also a part of “The Lost Years” ink series, still on-going, and like the other was created with some general direction from the band, and after hearing an early demo.

The First song off the album it’s bold aggressive and dealing with the all consuming-fires of hatred. It’s both the first demo I heard while working on these, and the longest track on the album at a whopping 27 minutes.

As stated above, the album was released today, and you can hear and purchase it here: https://etherealshroud.bandcamp.com/album/trisagion

For me this piece was about despair, and horror with the world around us continuing to drift in the wrong direction - something that still seems to happen faster every day. There’s a lot of fury and anguish in the song, and yet passages of hope weave in and out. A monument to folly seemed like the best piece to accompany the song - a dread idol we hope to see crumble away.

To Dust

VIII
+THE LOST YEARS+
Ink on Paper
9” x 12”
2021
~Age

Illusory// Discarnate

Today I can share this piece, the first of three I created for Ethereal Shroud for the first single from their forthcoming album Trisagion.

“Illusory” serves as the single art for “Discarnate” the second Track of the aforementioned album.  The ink painting was created last winter as a part of “The Lost Years” ink series, still on-going. 

The piece was created with direction from the band, and after hearing an early demo.

 The song this piece is tied to is powerful and shows off another side of the multifaceted- atmospheric black metal outfit: Etheral Shroud. I’ve been a fan of the band’s work since I stumbled upon the last release back in 15 when working nights at a former job.  Since then it’s been a pleasure working for and getting to know the band and hear this record evolve. 

The single was released today, and you can hear and purchase it here: https://etherealshroud.bandcamp.com/album/trisagion

Go check it out it! The full album will be released on December 10th, this year and is a towering experience! 

Preorders are now available as well: https://etherealshroud.bandcamp.com/album/trisagion

For me this piece was also about fragility, loneliness and failure - so much changed, that at times it seemed, and still seems that world really is falling down around us. Those castles and spires I always saw on the horizon seem to drift further away, leaving only ruin and regret.

VII
+THE LOST YEARS+
Ink on Paper
22” x 30”
2021
~Age

“Struggle, contend, wriggle. That alone is the sword of one who confronts death. Never forget this.” 

Procreate
2021
~Age