#strong female characters

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ok boomer

We’ve all been there. Staring at our planning document with a long list of characters who are like our children. We love every single one of them, but what about the reader? Will they get confused? Will they be able to keep track? Will they care about any of your characters if they don’t get enough page time? 

If these questions have plagued you, it might be time to think about who gets the chop. To help with the dilemma, I have put together a list of questions to ask yourself.

  1. What does each character bring to the story thematically?
  2. List what each character does to advance the plot?
  3. Could any of these things easily be done by another character?
  4. Do they all have distinctive personalities? 
  5. Do they all have distinctive mannerisms/speech/appearances?

If you’re struggling to answer these with a clear yes or no, it might be time to bin some characters. Bonus questions to consider are:

  1. Is there potential to merge two characters into one? 
  2. Does this character need a name, or are they just an extra?

Hope this helped!

[If reposting to Instagram, please credit @isabellestonebooks]

OuramyrCh 1 The Red Hooded Hunter pgs 11-15SynopsisShort adventures of the creatures and figures of OuramyrCh 1 The Red Hooded Hunter pgs 11-15SynopsisShort adventures of the creatures and figures of OuramyrCh 1 The Red Hooded Hunter pgs 11-15SynopsisShort adventures of the creatures and figures of OuramyrCh 1 The Red Hooded Hunter pgs 11-15SynopsisShort adventures of the creatures and figures of OuramyrCh 1 The Red Hooded Hunter pgs 11-15SynopsisShort adventures of the creatures and figures of

Ouramyr

Ch 1 The Red Hooded Hunter pgs 11-15

Synopsis

Short adventures of the creatures and figures of Mythology. Inez journeys out as she researches and records these rumored tales. Companied by her own mythical creature, named “poppy” or so that’s what Inez calls him

Pages 1-5: https://ouramyr.tumblr.com/post/676828434838831104/im-now-posting-my-comic-here-ouramyr-ch-1-the


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 The Best of Netflix’s ‘Featuring a Strong Female Lead’ CategoriesMovies are meant to make us feel u

The Best of Netflix’s ‘Featuring a Strong Female Lead’ Categories

Movies are meant to make us feel understood. Actually, let me rephrase that: Movies are meant to make men feel understood, at least in today’s cultural climate — last year, women made up only 12 percent of protagonists and just 30 percent of speaking roles in the top-grossing films. Needless to say, as women, it’s tough to find films that represent us, that make us feel seen, that help us to process our experiences. (Not to say that women can’t relate to male protagonists, or vice versa, but come on, Hollywood — 12 percent is bleak.)

Enter Netflix’s “Featuring a Strong Female Lead” categories, which do much of the difficult work by sorting through endless films and TV shows starring toothy white dudes, burning them in effigy (I think), then serving up hundreds of examples of complex, fully drawn women going through some shit onscreen. But this long, unwieldy list of lady-centric media creates yet another problem: What to watch when, and why?


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An ink doodle of my dear friend @javajuliette who is a fearless adventurer of the heart and soul.

The most impressive part of this character sheet is that I remembered to make a color palette XD Any

The most impressive part of this character sheet is that I remembered to make a color palette XD Anyway, this is Myōkaze. She’s a Kaijin who works at the Kaiju Academy as an adviser (a new project for Monsterpedia 8!).


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headspace-hotel:

headspace-hotel:

I firmly believe that how feminist a book is is better demonstrated by its background characters rather than its mains

What I mean by this is that a book may have “feminist” female leads who are strong, competent, complex, whatever, but how do they portray women just…existing in the world? Are there women in the background, or is the fantasy novel with its strong independent Action Girl protagonists set on a background of generic male soldiers, guards, councilors, shopkeepers, messengers, and wizard apprentices? Are minor characters ever women when there’s no particular reason for them to be? When women appear in the background of your story, do they have any unique qualities that hint at a complex picture we’re not seeing or do they slide seamlessly into Pampered Noblewoman, Prostitute and Vaguely Maternal Older Woman Who Runs A Tavern Or Something?

If your protagonist is a fighter or magic user, do you show other women in those roles? If your society is more relaxed about sex discrimination, have you built a world that looks like it?

Have you built a world where your female characters don’t all have to be The Best At Everything, or is almost every female character placed where she can be extraordinary next to a bunch of male counterparts? Are you comfortable letting a female wizard or warrior be average or unimportant, or does she have to be one of the most skilled and powerful of them all, able to match or best all the men around her? On the other hand, are you comfortable having a female wizard or warrior be indisputably the most skilled or powerful out of the wizards or warriors, without drawing attention to her gender, placing her in competition with men, or having her be an exception to the rule because she’s female?

Are you letting your female characters be mediocre and un-extraordinary? Your world is full of powerful sorceresses, fierce battle maidens and calculating noblewomen, but do women do things in this world other than be Exemplary and Great and Awesome? If you’ve established that women do business and fight, do you have female soldiers carousing at bars and vaguely dull female Evil Minions Of The Dark Lord bumbling around doing evil bidding and female apprentices slacking on work or is every background woman we see competent and controlled and intelligent and doing whatever it is she’s doing without error, whereas only men are allowed to be foolish, impulsive, mess things up, or just be shown unflatteringly during the couple sentences we know them? In other words, does the world show women being unapologetically human beings or are all your female characters basically making up for being women by not doing anything that would badly represent their gender?

In particular, if you’re trying to show a society with gender equality, that means the dark lord is willing to hire women who are bumbling idiots as guards, and not just that some female wizards climbed their way to the top and became As Good As Men because they’re so badass they can snap god like a bunch of uncooked spaghetti.

gailsimone:

oldnerdybasterd:

“Strong Women & the Creators That Empower Them” -WonderCon 4-18-14

It’s a good thing they didn’t put Kelly Sue and I next to each other or it would have just been us high-fiving the entire time. 

I LOVE YOU, KELLY SUE!

Little Late to the party but Adjoa Andoh is in The Witcher!!! Ugh slay !!

Here she is as Nenneke.

But you might also know her as Lady Danbury in Bridgerton.

Yasss. I love that she plays these strong, knowledgeable women.

Also Lady Danbury gets what she wants and gives no fucks who gets in her way. But that’s a post for another time.

 I know a girl from an island, she stands apart from the crowd. Moana, eponymous hero of her own mag I know a girl from an island, she stands apart from the crowd. Moana, eponymous hero of her own mag

I know a girl from an island, she stands apart from the crowd. Moana, eponymous hero of her own magical Disney film, is a spirited teenage voyager and heir to the chiefdom of a Polynesian island village. She’s voiced brilliantly by Auliʻi Cravalho, both in dialogue and song. This article celebrates Moana as the perfect role model, whether you’re a headstrong youngster or a shiny old crab. [read more on goodcharacters.blogspot.com]


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