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Jenna Klein (New York, New York)The Museum of Alternative Facts, 2018“Facts and truth are subjectiveJenna Klein (New York, New York)The Museum of Alternative Facts, 2018“Facts and truth are subjectiveJenna Klein (New York, New York)The Museum of Alternative Facts, 2018“Facts and truth are subjectiveJenna Klein (New York, New York)The Museum of Alternative Facts, 2018“Facts and truth are subjectiveJenna Klein (New York, New York)The Museum of Alternative Facts, 2018“Facts and truth are subjective

Jenna Klein (New York, New York)

The Museum of Alternative Facts, 2018

“Facts and truth are subjective, right? At the Museum of Alternative Facts, facts are never questioned or disputed, but rather universally believed and accepted. [Imaginary museum] MoAF solely presents exhibitions based on falsehoods, rumors and conspiracy theories. After all, what is the responsibility of institutions to provide the truth to the public and should the public always believe everything they see in museums?” (source)


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Design Conversation: Bonnie Siegler on Signs of Resistancepresented by the Museum of Design Atlanta

Design Conversation: Bonnie Siegler on Signs of Resistance
presented by the Museum of Design Atlanta (MODA) and Miami Ad School at Portfolio Center

@ the Woodruff Arts Center in Atlanta, Georgia
July 12, 2018 - 6pm to 7:30pm
Info & Tickets

Bonnie Siegler, award-winning graphic designer and founder of the multidisciplinary studio 8 and a Half will discuss how powerful imagery has served as a method of resistance for outspoken citizens throughout social history. She will also share supporting research from Signs of Resistance: A Visual History of Protest in America, her newest book which examines two hundred and forty images—from British rule and women’s suffrage to the civil rights movement and the Vietnam War; from women’s equality and Black Lives Matter to the actions of our forty-fifth president and the Women’s March—in an inspiring, optimistic, and visually galvanizing history lesson about the power people have when they take to the streets and stand up for what’s right.

h/tMODA


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Jacqueline Casey (1927-1992) · Article 1 / 2 Posters via Graphic Design Online RIT Archive“JacquelinJacqueline Casey (1927-1992) · Article 1 / 2 Posters via Graphic Design Online RIT Archive“JacquelinJacqueline Casey (1927-1992) · Article 1 / 2 Posters via Graphic Design Online RIT Archive“Jacquelin

Jacqueline Casey (1927-1992) · Article 1/2 

Posters via Graphic Design Online RIT Archive

“Jacqueline Casey trained at Massachusetts College of Art before working as a fashion illustrator and advertising, editorial and interior designer. In 1955 she joined the Office of Publications (Design Services Office) at Massachusetts Institute of Technology (MIT) working with Muriel Cooper who was then Design Director. Casey’s work acknowledges the influence of the Grid established by the post-war graphic design masters in Switzerland. As Director of Design Services many of her posters have been created to publicize exhibitions organized by the MIT Committee on the Visual Arts. She often uses strong elemental imagery, manipulated by letterforms.” (source)

h/t@garadinervi


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