#ancient greece

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Iphigenia at Aulis by Euripides, 406 BC

Fragment 48 by Sappho (c. 630 – c. 570 BC)

Stater of the polis of Corinth. On the obverse, Pegasus above the Greek letter qoppa; on the reverse, Athena wearing a Corinthian helmet. Artist unknown; minted ca. 515-500 BCE. Photo credit: Classical Numismatic Group, Inc. http://www.cngcoins.com

Portrait bust (Pentelic marble) of the sophist and orator M. Antonius Polemon from Laodicea in Syria, teacher of Herodes Atticus. At the behest of the Emperor Hadrian, Polemon gave the dedicatory speech at the opening of Athens’ Olympieion (Temple of Olympian Zeus) in 131 CE; this sculpture, by an unknown artist, dates to ca. 140 CE and was found at the Olympieion. Now in the National Archaeological Museum, Athens. Photo credit: Zde/Wikimedia Commons.

mythologyofthepoetandthemuse:

“Hymn to Nemesis Nemesis I call, Almighty Queen whose piercing sight sees all the deeds of mortals, Eternal and much revered. who alone judges the deeds of mortals. Wise counselor, who changes the course of the human heart, forever transforming, working without rest. Every mortal knows Your influence, men groan beneath the weight of Your righteous chains. You know the thoughts in every mind, and the soul ruled by lawless lust, unwilling to obey reason, is judged by You. Divine Equity, Yours is the power to see and hear and rule. Come, Holy Goddess, and listen to my prayer, and take these mystics under Your protection. Far avert from us, Oh Nemesis, dire and hostile impious counsels, arrogant and base. And give us beneficent aid in our hour of need, And abundant strength lend to our powers of reason.”

— Orphic hymn to Nemesis

mythologyofthepoetandthemuse:~Kundalini rising~ Laocoön and His Sons statue detail (by the sculptors

mythologyofthepoetandthemuse:

~Kundalini rising~
Laocoön and His Sons statue detail (by the sculptors: Agesander, Athenodoros and Polydorus).
As Jung would say “ What Nature wants us to do is to move with a snake-like motion. … The snake is the symbol of the great wisdom of Nature, for the too direct way is not the best way; the crooked way, the detour, is the shorter way.”



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Charon’s Lantern earrings with natural indicolite tourmaline. A faint blue glow to guide you through the Underworld.

harvard-art-museums-sculpture:Reproduction of a Gold Mycenaean Ornament, Emile Gilliéron or son, 19t

harvard-art-museums-sculpture:

Reproduction of a Gold Mycenaean Ornament, Emile Gilliéron or son, 19th-20th century,HAM: Sculpture


Reproduction of a gold ornamental cut out showing octopus. The original was found in Grave Circle A at Mycenae. Harvard Art Museums/Arthur M. Sackler Museum, Museum Purchase
Size: 3.1 x 3.1 cm (1 ¼ x 1 ¼ in.)
Medium: Electrotype of gold original; repoussé

https://www.harvardartmuseums.org/collections/object/59261


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Sleeping Satyr, or the Barberini Faun. Marble copy of a bronze original, circa 220 BCE. Glyptothek, Munich

Bust of an ephebe (Narcissus leaning on a pillar)

Marble, Roman copy of a Greek original of the late 5th century BC.

Museo Chiaramonti, Vatican Museums, Rome

Depiction of Antinous by A. Wager from fifth edition (1884) of George Taylor’s “Antinous”

I haven’t found any description to this piece at the place itself, all i can say is that it’s probably Dionysus. Belongs to the Musei Capitolini collection. If anyone knows more about this head, please share.

Hermes. Marble, Roman copy after a Greek original Museo Chiaramonti, Vatican Museums, Rome

Hermes. Marble, Roman copy after a Greek original
Museo Chiaramonti, Vatican Museums, Rome


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Fragments of terracotta figurines from the Pnyx, Athens, Greece

Fragments of terracotta figurines from the Pnyx, Athens, Greece


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