#ancient sculpture

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Birth of Athena (detail). Athena and Zeus.Reconstruction of the east pediment of the Parthenon accor

Birth of Athena (detail). Athena and Zeus.

Reconstruction of the east pediment of the Parthenon according to drawing by Karl Schwerzek (1896). 

Athena has just emerged from Zeus’s skull fully armed and equipped. She is looking at him. The King of the Gods is looking back at her amazed and surprised. Nike is intending to put a wreath on the head of a newborn goddess. On the right, Hephaestus can be seen holding an axe with which he split Zeus’s skull.

ACROPOLIS MUSEUM, ATHENS, GREECE


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~ Figure of a Standing Warrior.

Culture: Maya

Place of origin: Yucatán, Península de

Date: A.D. 650–800

Medium: Ceramic with pigment

~ Head of Isis.

Period: Roman

Date: 30 B.C.-A.D. 395

Place of origin: Egypt

Medium: Glass

~ Vessel: fish with open mouth.

Culture: Olmec

Date: 1150–550 B.C.

Medium: Ceramic and slip

~ The Calvatone Victory.

Date: A.D. 2nd century (Torso, head and sphere; the rest parts were reconstructed and added in 1844 according to the then views of the iconography of Victor)

Medium: Guilded bronze

~ Face of Akhenaten.

Culture: Egyptian

Period: New Kingdom; 18th dynasty, period of Akhenaten

Date: 1372-1355 B.C.

Place of origin: Amarna, Egypt


~ Jupiter with the aegis.

Date: A.D. 2nd-3rd century

Medium: Parian marble

Provinience: Rome, Roman National Museum, Baths of Diocletian, Small Cloister of the Certosa (Roma, Museo nazionale romano, Terme di Diocleziano, Chiostro piccolo della Certosa).

~ Votive relief fragment depicting the cobra-goddess Wadjet, the creator god Khnum in the form of a ram, and the goddess of truth, Ma‘at.

Place of origin: Egypt

Period/Culture: Ptolemaic Period

Medium: Limestone

~ Mask.

Period: New Kingdom, 18th Dynasty

Date: ca. 1550–1295 B.C.

Place of origin: Upper Egypt, Thebes, Dra Abu el-Naga (Carnarvon/Carter excavations, 1906-11)

Medium: Pottery, gold leaf

~ Figural Urn.

Culture: Zapotec

Date: A.D. 450-650

Period: Late Classic, Monte Albán IIIb

Place of origin: Mexico, Oaxaca

Medium: Earthenware, post-fire paint (red).

~ Roman marble figure of Aphrodite.

Culture: Roman

Date: A.D. 2nd century

Medium: Marble

~ Alabastron.

Place of origin: East Greece

Date: ca. 580 B.C.

Medium: Faience

~ Statuette of a Woman.

Culture: Greek

Date: 450 B.C.

Medium: Terracotta, polychromy

~ Repoussé plaque with woman with raised arms.

Culture: Greek, East Greek

Period: Orientalizing Period

Date: 660–620 B.C.

Medium: Electrum

~ Funerary stele fragment of Padihorresnet.

Period: Late Period, 25th Dynasty

Date: 760–660 B.C.

Medium: Wood, painted gesso

~ Urn and cover.

Culture/Period: Roman Imperial

Date: A.D. late 1st-early 2nd century with later restorations of base and lid

Medium: Alabaster (travertine).

~ Portrait of a Man.

Culture: Roman

Period: late Hadrianic (AD 117–138) or Antonine (AD 138–193) Period

Date: A.D. 2nd century

Medium: Marble

Is there a cat anywhere that can resist a shiny ball?[ID: A sculpture of a lion, with a detailed inc

Is there a cat anywhere that can resist a shiny ball?

[ID: A sculpture of a lion, with a detailed incised mane and thick heavy limbs; its front left paw is raised and resting on a bright gold ball, in contrast with the dark grey-green of the rest of it.] 


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I see u there, Caesar Augustus, with your lil crab claw hairdo and your sticky-out ears. How you bee

I see u there, Caesar Augustus, with your lil crab claw hairdo and your sticky-out ears. How you been, my man? 

[ID: A marble statue of Augustus, seen from the chest up; he is draped in fabric, including a sheet of fabric covering his head from the crown of his hair backwards. He has pleasantly stick-out ears, a nondescript face, and short-cropped hair that subtly forms a “crab claw” lock in front, evoking imagery of Alexander the Great.]


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omgellendean: Ancient Greece, 4th century BC Metropolitan Museum

omgellendean:

Ancient Greece, 4th century BC Metropolitan Museum


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Statue of Rearing HorseRomano-Arabianlate 2nd-3rd century Dumbarton Oaks

Statue of Rearing Horse

  • Romano-Arabian
  • late 2nd-3rd century Dumbarton Oaks

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    A list of paintings and sculptures from the Louvre in order of appearance as seen in Beyoncé and JayA list of paintings and sculptures from the Louvre in order of appearance as seen in Beyoncé and JayA list of paintings and sculptures from the Louvre in order of appearance as seen in Beyoncé and JayA list of paintings and sculptures from the Louvre in order of appearance as seen in Beyoncé and JayA list of paintings and sculptures from the Louvre in order of appearance as seen in Beyoncé and JayA list of paintings and sculptures from the Louvre in order of appearance as seen in Beyoncé and Jay

    A list of paintings and sculptures from the Louvre in order of appearance as seen in Beyoncé and Jay-Z’s new music video Apeshit (from their new album Everything is Love):

    PART 2

    1. a.  Self-Portrait(1794), Jacques-Louis David.

        b. Madame Récamier (1800), Jacques-Louis David.

        c. Portrait of Pope Pius VII (1805), Jacques-Louis David.

    2.Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil (1855), Ary Scheffer.

    3.Pietà (16th century), Rosso Fiorentino.

    4.The Raft of the Medusa (1819), Théodore Géricault.

    5.Officer of the Chasseurs commanding a charge(1812), Théodore Géricault.

    6.Hermes Fastening His Sandal, Lysippos.


    PART 1
    here.

    PART 3 coming soon.


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    theancientwayoflife:

    ~ Winged horses from the temple of the Altar of the Queen.

    Date: early 4th century B.C.

    Provenience: Tarquinia, National Archaeological Museum (Tarquinia, Museo archeologico nazionale)

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