Kihraxz assault fighters were a type of heavy starfighter commissioned by the crime syndicate Black Sun. Intentionally designed to resemble the well-known X-wing, Kihraxzs were popular with independent spacers, as they were easily reconfigured. These different loadouts made individual fighters unique, although they usually performed the same.
Source:Star Wars: The Card Game - Escape from Hoth (Art: Joel Hustak; 2013)
First Appearance: Star Wars Galaxies: Jump to Lightspeed (2004)
The Cataclysm of Salem has ended, but the story continues with Blake, Sun, and their two children, Dawn and Dusk as they grow and flourish in this brave new world.
This is a really good story and looks like Blake loves what she sees
Ayo! I’m the writer of the fic, M. E. Grimm, and it’s good to know you liked it! I appreciate you sharing the link and hope you keep invested into the fanfiction!
“But perhaps they could not fathom that such small beings as crows were capable of so much love, and that a man whose deeds were as dark as his would deserve it.”
Here is 3 part of Black Sun! At the moment it’s the last story, though there would probably be more, story isn’t ended yet. That being said, our Black Sun marathone is ended for now, thankfully we have something interesting ready for you.
Thanks for translation! (subscribe). Big thanks for making my dream come true. Translating 3 stories (if we sum up them, it’s near 100 pages) in a row, from kinda fresh Topolino? Looks like a dream… that’s thankfully come true!!!
New series! It came up in september of 2021, written by Marco Gervasio, and with quite an interesting art by Cristian Canfailla. So, it’s about sattelite called Black Sun and Mickey Tomorrow, who is commander of this sattelite. A lot of classical characters, some new and all of them are in interesting setup. At the moment there is 3 parts, and this is the 1st.
Translated by @frustratedpker Thanks for translation! (subscribe)
One of the areas of history that is so underrepresented on screen was the relationship between the Japanese and the American GIs still stationed in Japan after the conclusion of WWII. Black Sun, The first film I’ve viewed by underground filmmaker Koreyoshi Kurahara, has a STARTLINGLY progressive agenda of tolerance given its time of release and the country it originates from. The story concerns Akira, a young squatter and anarchist who can’t stop getting into trouble with the law and a black GI named Gill, who wields a very large gun and is on the run from both his racist American commanding officers and the Japanese police. These two men team up to protect each other from their pursuers and develop something of an understanding despite the fact they cannot communicate. The film then becomes a wacky blend of off-color humor, revolutionary political posturing and ultimately tragedy.
There is so much to admire here. One is the highly unorthodox, borderline guerilla cinematography, so emblematic of the punk-oriented style of independent filmmaking present in the Japanese New Wave. Much like Toshio Matsumoto’s Funeral Parade of Roses,Black Sun has aged so well because it’s not merely a “message” film, but a fascinating story of a friendship that transcends language and race. Gill is also no caricature. He is a complex man and his background is largely left to the imagination, but it is very clear that he is all alone. Not just linguistically, but also because the empathy of others in this world seems totally foreign. The fact that a film makes this much effort to give a POC so much character development (and four years before Night of the Living Dead) alone makes this essential viewing for its oddity status, but the fantastic jazz score is highly worthy of praise.
