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trying another style

trying another style


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before they fall

before they fall


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Dante Gabriel Rossetti, Jane Morris: Study for Mariana, 1868

Dante Gabriel Rossetti, Jane Morris: Study for Mariana, 1868


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Mariana in the South (1897), by J.W. WaterhouseThis painting of Mariana refers again to a poem by Te

Mariana in the South (1897), by J.W. Waterhouse

This painting of Mariana refers again to a poem by Tennyson, this time published in 1830 (see below).  The character originates from Shakespeare’s “Measure by Measure” in which Mariana withers by loneliness as her lover, Duke Angelo, chases another woman.


With blackest moss the flower-plots

 Were thickly crusted, one and all:

The rusted nails fell from the knots

 That held the pear to the gable-wall.

The broken sheds look’d sad and strange:

 Unlifted was the clinking latch;

 Weeded and worn the ancient thatch

Upon the lonely moated grange.

   She only said, ‘My life is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


Her tears fell with the dews at even;

 Her tears fell ere the dews were dried;

She could not look on the sweet heaven,

 Either at morn or eventide.

After the flitting of the bats,

 When thickest dark did trance the sky,

 She drew her casement-curtain by,

And glanced athwart the glooming flats.

   She only said, 'The night is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


Upon the middle of the night,

 Waking she heard the night-fowl crow:

The cock sung out an hour ere light:

 From the dark fen the oxen’s low

Came to her: without hope of change,

 In sleep she seem’d to walk forlorn,

 Till cold winds woke the gray-eyed morn

About the lonely moated grange.

   She only said, 'The day is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


About a stone-cast from the wall

 A sluice with blacken’d waters slept,

And o'er it many, round and small,

 The cluster’d marish-mosses crept.

Hard by a poplar shook alway,

 All silver-green with gnarlèd bark:

 For leagues no other tree did mark

The level waste, the rounding gray.

   She only said, 'My life is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


And ever when the moon was low,

 And the shrill winds were up and away,

In the white curtain, to and fro,

 She saw the gusty shadow sway.

But when the moon was very low,

 And wild winds bound within their cell,

 The shadow of the poplar fell

Upon her bed, across her brow.

   She only said, 'The night is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


All day within the dreamy house,

 The doors upon their hinges creak’d;

The blue fly sung in the pane; the mouse

 Behind the mouldering wainscot shriek’d,

Or from the crevice peer’d about.

 Old faces glimmer’d thro’ the doors,

 Old footsteps trod the upper floors,

Old voices call’d her from without.

   She only said, 'My life is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,’

     I would that I were dead!’


The sparrow’s chirrup on the roof,

 The slow clock ticking, and the sound

Which to the wooing wind aloof

 The poplar made, did all confound

Her sense; but most she loathed the hour

 When the thick-moted sunbeam lay

 Athwart the chambers, and the day

Was sloping toward his western bower.

   Then, said she, 'I am very dreary,

     He will not come,’ she said;

   She wept, 'I am aweary, aweary,

     O God, that I were dead!’


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The Missal (1902), by J.W. Waterhouse This painting of a virgin reading a missal in a domestic setti

The Missal (1902), by J.W. Waterhouse 

This painting of a virgin reading a missal in a domestic setting resembles the painting “Mariana in the South” from five years earlier. The kneeling woman, her outfit and the tiles on the floor are all similar.  In the background, a courtyard is seen with fruit trees that symbolize the fertility of the girl.  Unlike in “Mariana”, any references to literature or history are missing.

The present location of this painting is unknown and even the dimensions are undetermined.  The last-known owner was shipping magnate Frederick Haigh Pyman, who bought it in 1909 for his holiday resort Dunsley Hall, now a hotel near Whitby.


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“Amar.”

Amor é amar o mar, Mariana.

Amar o mar de emoções que há dentro.

Somos capazes de enlouquecer por esse sentimento,

Pois cada forma de amar é única,

E o amor não é absoluto.

Então veja, Mariana,

Na verdade você é rio — sorria!

Transbordar emoções é normal quando se há tempestades.

Não precisa ter medo dos sentimentos de verdade,

Pois, no fim, a realidade é que assusta.

Amar, sem se amar, não é amar, Mariana.

Não controlamos, mas aprendemos.

Imagine-se velejando,

Mas sem os ventos.

Consegue compreender o tamanho do tormento?

Eu não, mas tento.

Então, percebe?

Nada faz sentido quando amamos,

Esquecemos quem somos e pra onde vamos,

Entendemos que o mundo todo é uma pessoa,

E o tempo passa rápido; ele voa.

A verdade é que falo de amor sem compreende-lo,

Pois o amor é complexo como tudo que é poético,

Como tudo que inspira,

Como o mar e seus segredos,

Como você.

— Phelipe Lawliet.

(01.09.19)

Sǘ̷̟̼̭̬͕ͅmm̷̢̞̣̪̄̒̿̇er Fư̶͇̣̗̏̀͒͐̎̈́͝n

Sǘ̷̟̼̭̬͕ͅmm̷̢̞̣̪̄̒̿̇er Fư̶͇̣̗̏̀͒͐̎̈́͝n


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Happy day of the Solemnity of Mary, Mother of God!

Happy day of the Solemnity of Mary, Mother of God!


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Note: Sorry for the delay, I haven’t been home for a couple of days

5x08 - Recap
- Rly feels like school just started, and they are already going to prom? Like wtf?
- Oh and how convenient, Mike & Anna’s party has to happen now, needed something to fill this episode? Nice 1, writers!
- Jesus, please stop ruining their wedding, thank you! (And your own wedding)
- Why are they always protesting Ancher Beach? Be a normal kid like everyone, go to school and just try to fit in.
- How is ‘art’ more competitive than social work? No offense to art-students, but every subject in a University is competitive…
- HEY JOAH
- Wtf, 2 hours a day, six days a week, where do we fit Joah in this schedule?
- Oh god, Noah is jealous cause of Taylor, cutie
- OMG, touch his hair, more more more
- So Callie listens to the woman about the art/social work shit? You never listen but now you do? Srsly?
- Brandon is such an unromantic twat
- Oh so, Aaron is leaving, why Writers? Too good of a storyline that you need to skip it?
- Only notice now that Aaron has a Bat-tattoo on his back, nice!
- ‘Family plan, like for cellphones?’ - Yeah Mariana, for cellphones….
- Lmao, Lena & Stef really desperate for a bar and alcohol, love it!
- Jesus, the wedding-wing-man
- Callie, BUSTED, you ain’t here for social work.
- Stef, wtf, ‘I got something in my eye’, Gurl, you’re acting weird af
- Okay, the Gabe-family-photo was awkward af
- NO NO NO NO BRANDON, NOT ANOTHER SONG, I HATE YOU.
- Jesus stop being pathetic about the Gabe-Situation.
- Okay, so everyone is against Jesus now, epic
- Come on Brandon, go sneaky sneaky to Gabe and Anna’s love conversation, you can do it!
- This is so sad for Mike, you f*cked up Jesus
- So if Emma and Jesus are alone in that room, JUDE, WHERE YOU AT?
- Who would’ve thought the Jemma engaging wouldn’t work, totally didn’t see that coming – jk
- Stef, what are you taking, obviously Callie will not go away from the protest if it escalates.
- YEAH JUDE, lmao, he was really hoping Taylor would let him game on his own.
- NOW THIS IS WHAT I CALL ROMANTIC BRANDON!
- This is so catchy, 2-4-6-8, lalala, love not hate, lalalal, build a wall, this is so much fun…  ‘Love this family-friendly-show’

 5x09 - Promo
- Do you see what I see?
- A summer-finale without Joah…

marianamonteverde:

In first place, yes, I know I’m crazy, but I’m absolutely in love with this little universe I created, so here is one more story, I mean not really in the MSB Universe. These are the ‘What If’ Stores


Sensation Sky Blue - Chapter 1 : What if Pansy knocked on his door while she was pregnant?

Mariana

Mariana

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