#19th century fashion
Emma. (2020) dir. Autumn de Wilde
FASHION IN ART
Hearts are Trumps - Detail (1872) by John Everett Millais
Tate Britain, London
Vanity Fair (2018)
Belle (2013) dir. Amma Asante
Alice in Wonderland (2010) dir. Tim Burton
Portrait of Grand Duchess Elizabeth Feodorovna (Detail)
Karl Rudolf Sohn, 1885
1886-7 bustles
An anon asked me for Erik x Raoul in their masquerade attire. Red Death is surprisingly very easy to draw compared to Raoul’s hussar uniform; my hand is dead from that;(
I haven’t been happy with my linework lately so I used this as an exercise to practice my lines.
Post link
It’s March 25th! I’s happy Bridgerton day— and I’m excited to show you my new project!! I’m an illustrator for this amazing new RPG set in Regency England, DANDIES AND DANDYZETTES, written by the one and only Cassidy Percoco (@mimicofmodes). It’s going to be awesome— check out all our rewards. And there’s more artwork to come, so look out for that!
Post link
Juliane Elise Larpent (1807-90), documented in portraits
- 1823:Painted around age 16, by Mme. Isabeau. The way she wears her green scarf is fabulously modern! A lock of her hair is said to be inside the frame, along with a note from her son Sophus Larpent.
- 1824-26:Drawn around age 18, unknown artist. There is a similar portrait of her younger sister Louise made around the same time, wearing the same type of dress and collar, and an identical necklace.
- 1827:Painted around age 20, by Aument. This is at the height of Regency fashion, with a large hair comb, and a big metal buckle in the waist. The buckle is still within the family today. She’s showing off a ring at the left hand, it might have been a portrait painted when she got engaged to Isaac Larpent. The couple married in 1830.
- 1850s:Painted around age 40, by David Monies. She looks so different from her younger portraits; at least the nose seems more exaggerated. However, the dress is absolutely splendid, featuring green silk shot with red, and a lovely fan fold decorated bodice with pagoda sleeves.
- 1870s:Here she is around 70 years, documented by photographer Wilhelm Cappelen. By now she would have had some 15 grandchildren, 11 of whom she took care of. The plot twist is that two of her daughters were married to the same man - albeit not at the same time - and had 11 children in total. So her son-in-law became a widower for the second time she moved in with him to take care of all the grandchildren. She was a majestic figure, only known as “Grandma Larpent”.
- 1870s:A photo where she wears either the same dress slightly remodeled, or a dress made of the same fabric. It might also have been a “transformation dress”; one skirt with two bodices. Whatever the case, the bodice and sleeves are different, and she wears another belt and collar, but the fabric is the same in both photos. She was probably in her mid 70s here. She lived until the age of 83.
Post link
1830s + 1840s + 1850s female portraits by David Monies (1812-94)
- “Portrait of a married woman”, 1834 (from an auction site)
- “Sophie Marie Bang, née Dahlerup”, 1831-35 (Ribe kunstmuseum)
- “Mrs. Eckegreen”, 1830s (from an auction site)
- “Caroline Jensine Christensen”, 1840s (from an auction site)
- “Karen Wetlesen, née Mathiesen”, 1846 (Linderud gård)
- “Helene Hals, née Mathiesen”, 1846 (Linderud gård)
- “Cecilie Birgithe Mathiesen, née Boldt”, ca. 1850 (Linderud gård)
- “Agnes Hedevig Mathiesen, née Ruwald”, ca. 1850 (Linderud gård)
- “Juliane Elise Larpent, née Mathiesen”, ca. 1850 (Linderud gård)
Post link
Juliane Elise Larpent (née Mathisen), painted by Aument in 1827
She was born in Copenhagen in 1807, and died in Oslo in 1890. Multiple portraits and photographs exists of her, but this is by far my favourite. Her hairdo and overall appearance is smashing - but even more exciting: the golden buckle she wears in the portrait has survived and is still within the family.
Post link
Vest
C.1840 - 1860. Binding Patterned silk satin, machine-woven cotton fabric in plain weave. Metal buckle, buttons bench. Hand Stitching. | Digitalt Museum
Post link
Coat
1873-1875. England. Cotton velveteen, lined with silk, wool twill and cotton, edged with wool braid.
As the frock coat became formal daywear in the 1850s, a more informal style of coat, called the morning coat was introduced. It had skirts that were cut away in front. This early 1870s morning coat was known as the ‘University’ style. It is characterised by sharply angled cut-away fronts, short length and double-breasted style. The wide collar and lapels are typical of the 1870s, as is the loose sleeve. | V&A
Post link
18th Century Robe a’ la Polonaise commission. I’ve been missing in action this past year! COVID has wrecked havoc on my schedule. Finally catching up. This gown just went out.
Link to my store!
Post link
