#loneliness

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Alba
Madeleine Cravens

After the accident, after the bad date,
the bad year, the bad song, the black-out,
after the six hundred nights of solitude,
in the weak hours of morning, in the long
moment of waking, as I turn toward
the window, this is when it happens.
Everyone with their lovers or in nature,
coming up to touch each other in the dawn
kitchen. My aloneness has a shape to it.
It has a name. It loves the open window.
It expands beyond the statues, past the plaza
and the gardens, the shuttered public library.
My aloneness is spectacular. It burns
like nothing I know. But there is a voice
on the other side of the water. There is a sound
held in the mouth. Light hits the plaza.
My aloneness is a golden horse.
It runs the sidewalk, flaming.

==

Also: In Me as the Swans, Leslie Williams

Today in:

2021: July, Cristin O'Keefe Aptowicz
2020:Poem Beginning With A Retweet, Maggie Smith
2019:Waiting for Happiness, Nomi Stone
2018:United, Naomi Shihab Nye
2017:If You Are Over Staying Woke, Morgan Parker
2016:High School Senior, Sharon Olds
2015:Dog in Bed, Joyce Sidman
2014:Persephone Writes to Her Mother, Tara Mae Mulroy
2013:Hook, James Wright
2012:How to Build an Owl, Kathleen Lynch
2011:Expecting, Kevin Young
2010:The Choir, Luke Kennard
2009:I Come Home Wanting To Touch Everyone, Stephen Dunn
2008:Visible World, Richard Siken
2007:Anywhere Else, Maggie Dietz
2006:After Work, Richard Jones
2005:The Sheep-Child, James Dickey

Just reading some Shel Silverstein. I used to think that this story was sad, but not anymore. It’s i

Just reading some Shel Silverstein. I used to think that this story was sad, but not anymore. It’s incredible how time can change everything. Just keep swimming.


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Am I fated to always be alone? Envying the wanted

Muslim Quarter in Old City, Jerusalem

Muslim Quarter in Old City, Jerusalem


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Mariana in the South (1897), by J.W. WaterhouseThis painting of Mariana refers again to a poem by Te

Mariana in the South (1897), by J.W. Waterhouse

This painting of Mariana refers again to a poem by Tennyson, this time published in 1830 (see below).  The character originates from Shakespeare’s “Measure by Measure” in which Mariana withers by loneliness as her lover, Duke Angelo, chases another woman.


With blackest moss the flower-plots

 Were thickly crusted, one and all:

The rusted nails fell from the knots

 That held the pear to the gable-wall.

The broken sheds look’d sad and strange:

 Unlifted was the clinking latch;

 Weeded and worn the ancient thatch

Upon the lonely moated grange.

   She only said, ‘My life is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


Her tears fell with the dews at even;

 Her tears fell ere the dews were dried;

She could not look on the sweet heaven,

 Either at morn or eventide.

After the flitting of the bats,

 When thickest dark did trance the sky,

 She drew her casement-curtain by,

And glanced athwart the glooming flats.

   She only said, 'The night is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


Upon the middle of the night,

 Waking she heard the night-fowl crow:

The cock sung out an hour ere light:

 From the dark fen the oxen’s low

Came to her: without hope of change,

 In sleep she seem’d to walk forlorn,

 Till cold winds woke the gray-eyed morn

About the lonely moated grange.

   She only said, 'The day is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


About a stone-cast from the wall

 A sluice with blacken’d waters slept,

And o'er it many, round and small,

 The cluster’d marish-mosses crept.

Hard by a poplar shook alway,

 All silver-green with gnarlèd bark:

 For leagues no other tree did mark

The level waste, the rounding gray.

   She only said, 'My life is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


And ever when the moon was low,

 And the shrill winds were up and away,

In the white curtain, to and fro,

 She saw the gusty shadow sway.

But when the moon was very low,

 And wild winds bound within their cell,

 The shadow of the poplar fell

Upon her bed, across her brow.

   She only said, 'The night is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,

     I would that I were dead!’


All day within the dreamy house,

 The doors upon their hinges creak’d;

The blue fly sung in the pane; the mouse

 Behind the mouldering wainscot shriek’d,

Or from the crevice peer’d about.

 Old faces glimmer’d thro’ the doors,

 Old footsteps trod the upper floors,

Old voices call’d her from without.

   She only said, 'My life is dreary,

     He cometh not,’ she said;

   She said, 'I am aweary, aweary,’

     I would that I were dead!’


The sparrow’s chirrup on the roof,

 The slow clock ticking, and the sound

Which to the wooing wind aloof

 The poplar made, did all confound

Her sense; but most she loathed the hour

 When the thick-moted sunbeam lay

 Athwart the chambers, and the day

Was sloping toward his western bower.

   Then, said she, 'I am very dreary,

     He will not come,’ she said;

   She wept, 'I am aweary, aweary,

     O God, that I were dead!’


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 Andar en camisa y calzón siempre tendrá mucho aguante… y la pizza con queso como para 20 tam

 Andar en camisa y calzón siempre tendrá mucho aguante… y la pizza con queso como para 20 también (?

Una ilustración que hice hace unos días , reflejando las turbulencias en mi mente por esos momentos.


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[i just wanted to be loved]

Richard Cartwright,The Messenger

Richard Cartwright,The Messenger


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