#wanda vision

Wanda Supermacy

HAS SHE BEEN FUCKING VISIONS REANIMATED C O R P S E ?!?

The Scarlet Witch|Doctor Strange : Multiverse of Madness

frostironfudge:

stevesmewmew:

so the reason I’m such a Marvel fanatic is because of my Dad and we watched the trailer together today and HE SPOTTED HOW STRANGE HAS GOTTEN HOLD OF THE DARKHOLD AND IS TRYING TO PRACTICE CHAOS MAGIC AND DREW THE PARALLELS BETWEEN THE LAST SCENE OF WANDAVISION AND THIS SCENE IN THE TRAILER AND I HAD TO SHARE IT WITH YOU GUYS

HOLY FUDGING SHIT

So after having this conversation with my Dad I re-watched the trailer and TV Spot and I noticed this figure over Kamar Taj and I feel like this could be Wanda attacking them because she wants her book back?

okay so this might be the same scene?

STRANGE IS WEARING THE SAME OUTFIT THE PLACEMENT IS THE SAME AND THE RED SCENE HAS THE DECAYED TREES IN THE BACKGROUND??

My first edit!!! What do you think???

My friends when I start talking in depth about my fandoms

*People in pain and being held hostage*

Wanda:

If Scarlet Witch kills Wong in Multiverse of Madness, are yall still gonna stan her?

my mind all day everyday.

I am really enjoying reading the Scarlet Witch storyline at the moment. I received some fantastic recommendations from people on Twitter about which comics I should explore, and I have been left speechless!

Reading them now does make me wish I grew up reading comics, but I just didn’t have access to them, but now that I do, I am going to read as much as I can!

• Tom King’s The Vision •

If you have been watching @wandavision on @disneyplus then you may have already seen this comic being mentioned by people when discussing theories about what’s happening next, or one which has been recommended to you if you are interested in exploring the source material. Well, I have to say, I can definitely see why this comic came so highly recommended by so many people on Twitter! It is absolutely brilliant, visceral, dark, and heartbreaking. I absolutely devoured this comic and would definitely recommend it to any WANDAVISION fans out there!

earnestdesire:

earnestdesire:

This is follow-up to my earlier post on the new Marvel series Wandavision.

I got a really nice question about this, so I’ll clarify why this show is the most offensive way to present a Roma woman’s fantasy life, and why that matters in relation to Wanda Maximoff:

The “Magical Gypsy” Stereotype

Just to clarify: The word “gypsy” is a racial slur, and I’m using it to make a point about racial stereotypes. I’m not giving you permission to use it. If you aren’t Romani and/or Irish Traveller, that word is not for you.

If you’re familiar with the 1960s TV show Bewitched, you’ll have recognized that Wandavisionis dressed up like an homage to that show. What you probably don’t know is that Bewitchedwas conceived as thinly-veiled allegory to interracial marriage, a major hot-button issue at the time. Samantha and her family were a different race from Darrin (Samantha’s husband), in that witches were not humans, strictly speaking. That culture clash was most of the show’s storyline.

It seems as if Samantha and her mother, Endora, were meant to stand-in for Roma women. The popular stereotype at the time was that Romani and Travellers were “mystical,” even magical. The “Magical Gypsy” is our most prominent stereotype. Bewitched’s premise fed right into that narrative, and Wandavision makes it even clearer. 

Samantha deceives Darrin into marrying her by lying about her heritage, and then they spend the rest of the series fighting over whether Samantha should act “normal.” Samantha’s parents have no permanent home. They have century-old customs that baffle (and even frighten) Darrin and other humans. They’re sneaky, and they lie a lot, and they often use their powers for personal gain, including theft. The witches and warlocks look white, of course, but they aren’t reallythe same as the “normal humans” of the series. That hit a lot of Romani people where it hurt, back then and in reruns.

One of the witches is even named “Esmeralda,” in a direct nod to Victor Hugo’s famous Roma character.

The Maximoff Twins, Adoption, and Romanipen

The Maximoff twins, like many superheroes, have complicated backstories which have not been consistent from universe to universe. In the earliest universes, they are the children of Whizzer and Miss America. Later, they’re revealed to be the children of Magneto, eventually placed into the adoptive care of a Romani couple. In 616, it is retconned that the High Evolutionary tricked them into believing Magneto was their father–in fact, they aren’t mutants at all. Their mother is actually Natalya Maximoff, the sister of their adoptive father and a Roma woman.

So, they might be Romani children (born to Natalya). They might be the adoptive children of Django and Marya Maximoff, without any blood relation. It may seem to outsiders that these distinctions are important, but actually…

Romani people do not determine family through bloodlines, but through a concept called “romanipen.” A person born to two Romani parents, but raised by outsiders, is notconsidered Romani. A person born of non-Romani (or “gadjo”) parents is considered Romani if they’re raised in the community. There’s no such thing as the “Romani race.” Romani people are a culture, and you must be taught the culture to be considered one of us.

The Maximoff twins are just as Romani, either way.

There’s a long, painful history of Romani children being removed from their families by the state “for their own safety.” It happens in the USA, it happens in the UK, it happens all over mainland Europe. It’s happening right now. These losses are horrifying, not only on a personal level but also to the Romani culture. These children–often placed into social services for years, even if they aren’t adopted–are not being raised as Romani. They are not considered Romani children anymore. The government has completely stripped them of their cultural identity. This has devastated Romani populations in some countries, leading to full cultural genocide in only a few generations.

Assimilate to Survive

Nobody understands “hiding in plain sight” better than a Romani. There might be peoples who have experienced something equivalent–Jews, the disabled, and the queer community come to mind–but no one has needed assimilation more, or mastered it more completely. We have assimilated into every country we’ve ever lived. We go to your churches. We speak your languages. We wear your clothes and eat your food and laugh at your racist jokes.

When Wanda and Pietro Maximoff lose their family to war in the MCU, the Roma in me knows that pain. When Wanda is pursued by the government, when they try to cage and control her “for everyone’s safety,” the Roma in me is in that cage with her. When she’s made country-less, forced into exile, the Roma in me has never related to her more. 

The alternatives to assimilation aren’t just horrible. They are genocide.

If you have a Romani in your school or workplace, you’ll probably never know it. We don’t tell people we’re Romani. Even admitting it anonymously on the internet feels like playing Russian roulette.

Watching Wanda Maximoff, a Roma superheroine, dream herself into perfect assimilation in time-after-time, place-after-place… That’s really fucking twisted. She dreams about being “normal.” She dreams about putting down roots. She’s constantly assaulted with the possibility that she might not be “normal” enough to live safely, or to have children. Assimilation is the story, here, and that is an integral part of what it means to be Romani.

But In the MCU, Wanda Maximoff Is Not Roma

We don’t have much representation in the media. The MCU strips Wanda of her cultural identity while maintaining all the bitter truths specific to our people. It’s an insult. This show is an insult.

The Romani have no voice on the international stage. We have no seats in congress (few politicians at all, outside Hungary). We have a handful of published writers, worldwide, and even fewer prominent actors onscreen. We are invisible, often by our own design. I have wrestled a lot with that as I’ve grown older. How much are we to blame for our own erasure?

But then I remember this:

And I remember that the Nazis killed nearly half of our total European population in World War II.

I remember this:

When the French government began forcibly deporting and “repatriating” their Romani population in 2010.

I remember that to be Romani means to live with a constant fear of homelessness, of statelessness. To teach your children to be chameleons. To be an outsider in the country where your grandparents were born. We don’t deserve to be erased, and it wasn’t right for Marvel to whitewash our pain.

Our pain is red. Blood red. Scarlet, even.

I hope that’s clear enough.

This post is doing big numbers again, as it tends to do every four weeks or so. I always get the same few questions every time that happens. I’m tired of answering this one individually, over and over.

What do I mean when I say, “There’s no such thing as the ‘Romani race.’ Romani people are a culture, and you must be taught the culture to be considered one of us?”

Short answer: I phrased this very badly.

******

Keep reading

I’ve already responded to criticism of my poor choice of wording re: race vs. culture vs. ethnicity.

I understand that the original post is still most likely to be shared, but I have addressed this several times. It’s in the notes of the original post.

Thank you, as always, for continuing to share and engage with this issue.WandaVisionrecentlywon the Harvey Award for “Best Adaptation from Comic Book/Graphic Novel,” which is… Wow. I guess it’s still a stellar adaptation when you whitewash your lead characters. Even in 2021.

XOXO, Earnest

whatnonsense:

Wanda Vision | 1.09 - The Series Finale

Just watched this episode again and I’m a mess..

Why do I do this to myself on a regular basis??!!!

Vision was really killing people and feeding them to his zombie wife that so crazy. I love them.