#heritage
It was six years ago when West Virginia artist and designer Tiera Floyd discovered she had a hidden gift for painting. After earning a Bachelor’s in Graphic Design from West Virginia Wesleyan, she is now committed to exploring and cultivating her talent as a painter. She decided to enroll in West Virginia University’s Master’s Program with a concentration in Fine Art, where she will continue to study and paint for the next three years.
Since the time of her initial discovery, Tiera has employed her skills and created a beautiful and personal body of work, selections from which have already made appearances at esteemed venues and competitions in West Virginia and beyond. Her paintings have earned three awards from the Division of Culture and History’s “West Virginia Juried Exhibition,” including the prestigious D. Gene Jordan Memorial Award in 2013. She will also be participating in ArtPrize7 in Grand Rapids, Michigan this September and her work will be featured in WVU’s upcoming MFA exhibition at the Southeastern College Art Conference in Pittsburgh this fall.
Working in series, Tiera’s paintings celebrate the essence of human experience by honoring her subjects’ most expressive and emotional features. Her tightly cropped portraits of watchful eyes, smiling mouths, and calloused hands invite viewers to consider the personal histories of the people Tiera depicts in a way that’s both intellectual and mysterious. Her intentionality in composition also carries over to her technical process, through which she often makes deliberate connections between her subjects and her materials. Using tools like sandpaper, she modifies the surfaces of her paintings to create conversations between her layers of paint and what lies beneath, emphasizing the physicality of her work.
This unique concept is particularly evident in her “Engrained” series, which is a tribute to her family and heritage. “I come from a creative family,” she explains in her artist statement. “The house I grew up in was built entirely by my parents and grandfather, Pap. Pap is a carpenter, wood-worker, and creative genius. His brothers and sisters, my great aunts and uncles, also quilt, craft, construct, and create. This list of relative talent continues on and on, but the point is – I’m not alone, creativity is in my heritage.” In the series, which is made up of three paintings, Tiera depicted an image of her grandfather’s, father’s, and her own hand on wooden board, but on each piece, left a segment of the panel completely exposed. “By allowing the wood grain to break through the painting – interweaving and flowing with the painted surface – previously ignored aspects of the painting are discovered,” she explains. “…The wood grain further expresses character through the lines created by an aged tree, similar to the wrinkles and fine lines that define that subject’s personality.”
Aside from the visual interest revealing this wood grain presents Tiera also wants to express the symbolism embodied in this creative choice. “The wood grain juxtaposes the oil paintings not only to play on the lines of the painted hands, but for natural significance. Painting the hands of myself, my father, and Pap for an “Engrained” study express heritage. I focus on hands in this series because they serve as the tools we use to convey our creativity. As “Engrained” pay(s) homage to heritage, they also inspire future endeavors in my painting process on wood, as well as other artistic outlets.”
This summer, one of the works from this series, “Engrained Study: Pap” was selected for inclusion in Tamarack’s annual “The Best of West Virginia Open Juried Exhibition” by jurors Tim Glotzbach (Berea, KY) and Jennifer D. Anderson (Roanoke, VA). The piece’s impressive technical merits as well as its touching story made quite the impression on Tamarack visitors, whose collective votes earned Tiera and her painting this year’s “People’s Choice Award.” Please join us in congratulating Tiera on this achievement as well as her numerous others. To learn more about her, and to stay informed on her upcoming events, please visit her website , follow her on Instagram, and “like” her Facebook page.
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Kuala Lumpur (KL) has a variety of architecture within its area. A fusion of its cultural heritage, their dominant religion and architectural advancement in contemporary designs. The majestic Petronas Towers or Petronas Twin Towers stand high in the middle of the city bearing its iconic post-modern architectural design that identifies KL among any other city skylines. It also remains to be the…
For my long forgotten trip to Sydney way back in September 2014, I’m dedicating this entire post solely to the majestic Queen Victoria Building (QVB). Primarily because of my deep passion and appreciation to anything with precious historical value.
QVB is situated in the heart of Sydney’s central business district. The entire building covers the whole block between George, Market, York and Druitt streets. Just across the other shopping districts.
It is highly recognisable amidst the modern skyscrapers and flashy contemporary shopping malls. Its very presence speaks a lot of history. It was built in the late 19th century exhibiting Victorian Romanesque architecture by a Scottish architect migrant who moved in Sydney in 1884. The presence of columns, arches and great attention to details shows the influence of the American Architect Henry Hobson Richardson in the said era.
Let me introduce my next passion, timepieces! QVB has two unique huge mechanical clocks with outstanding technicality and complexity. Australia’s history is carefully handcrafted to these masterpieces while figures circumnavigate the clocks. In addition, most of it has annual calendar features too!
Here are more photos of my visit at QVB:
The precise and uniform archeways are truly admirable. The depth seems like to portray infinity. Just like how QVB is carefully preserved throughout time. On the side, the phot may be cropped but it can be clearly seen how the spiral staircases are maintained, though most of it are off limits to anyone.
Dome ceilings are very distinguished in this building.
Arches and glass windows’ intricate designs.
Aside from columns, arches and other details engraved on every corner of this building, the tile work of the flooring is very notable too.
QVB is definitely one of those heritage sites never to miss out when visiting Sydney!