#mythology

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princesssarisa:

wildefluorescent:

a-l-o-n-e-t-o-g-e-t-h-e-r:

meduseld:

sawasawako:

thinking about how orpheus turning to look back at eurydice isn’t a sign of mortal frailness but a sign of love

“Eurydice, dying now a second time, uttered no complaint against her husband. What was there to complain of, but that she had been loved?”
― Ovid, Metamorphoses

This is true no matter the version you’re reading.

1. Eurydice trips and Orpheus turns to help her because he loves her.

2. Orpheus cannot hear Eurydice behind him, and fearing that he’s been tricked, turns to make sure she’s there.

3. Orpheus makes it out of the Underworld, and so full of love and excitement to be with Eurydice, turns to embrace her, forgetting that they both need to be out of the Underworld.

No matter what happens in the story, Orpheus loses Eurydice because his love for her compels him to look.

Orpheus, I can forgive you, then,
There’s not a soul alive who wouldn’t have looked back

The Descent, by Tyler King

Don’t forget Gluck’s opera, where Eurydice doesn’t know Orpheus is forbidden to look back, Orpheus is also forbidden to tell her, she assumes he must not love her anymore, and Orpheus finally looks back to reassure her of his love because he can’t bear her anguish.

In that version in particular, but possibly in all retellings, a part of us wants Orpheus to look back, because his failure proves his love.

Hello! I was wondering if you ever did any posts on Amihan? I haven’t really found anything surrounding this deity :(



My Answer: (question was sent by submission)

So there wasn’t any precolonial deity called Amihan. Amihan is mentioned as an air deity who creates winds in a creation story mentioned in Francisco Demetrio’s essay, Creation Myths among the Early Filipinos. Demetrio states this creation story was in the Pavon manuscript, which along with the Povedano manuscript has already been proven as a hoax created by Jose E. Marco, someone who is well known for their forgeries in history and “lost manuscripts”, back in the 60s.

As for Amihan being the name of the bird in the creation story that pecked the bamboo reed that Si Kalak and Si Bayi (Malakas and Maganda in Tagalog) came out from I actually haven’t found a credible source that mentions this. In all the old texts that talk about this creation myth in the Bisayas, they never mention the name of the bird. The name was still being told on the internet when I first started looking into our mythologies back in 2011. But, I’ve never found where this started. It’s possible it’s just been spoken of through oral history, but as for historical records, I haven’t personally found anything.

Victorian Fancy Dress: Lady Lurgan, née Emily Julia Cadogan [left] and Lady Sophie Scott, née Cadoga

Victorian Fancy Dress: Lady Lurgan, née Emily Julia Cadogan [left] and Lady Sophie Scott, née Cadogan [right] as "Furies" – Alecto and Megæra — Devonshire House Masquerade Ball(1897)

According to the Lafayette archive,

Both ladies were the daughters of the 5th Earl Cadogan, Lord Lieutenant of Ireland from 1895 to 1902…. The sisters dressed for the Ball most impractically as two of the personifications of vengeance, known to the Romans as “the Furies.”Taking their costume components from Dante’s Inferno, they commissioned the costumer, Mrs Mason of New Burlington Street, to create “classical draperies” with hanging sleeves of crimson gauze shot with gold. For Dante’s “waists cinctured with green hydras”, they wore girdles of jewelled serpents with emerald and ruby eyes. Where the Inferno states “For hair they had horned snakes and poison adders”, they wore jewelled serpent head-dresses. or as The Queen stated: “they were wreathed around the head with reptiles”. [x]

Evidently – based on reporting by The Queen on 19 July 1897, Lady Scott looked like this illustration, including “’diamond wings’ not worn for the photographic portrait”:


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nereids i & ii


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nikolai ge

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ashamed as I am of the trashy writing, most beautiful love story that may never have happened


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