#bertolt brecht

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Bertolt Brecht, The Drowned Girl / Vom Ertrunkenen Mädchen

Bertolt Brecht, The Drowned Girl / Vom Ertrunkenen Mädchen


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“The human race tends to remember the abuses to which it has been subjected rather than the endearme“The human race tends to remember the abuses to which it has been subjected rather than the endearme

“The human race tends to remember the abuses to which it has been subjected rather than the endearments. What’s left of kisses? Wounds, however, leave scars.”
― Bertolt Brecht


Artwork by Jacob a.ka. Mailbomb


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Brecht’s “THEATRE OF WAR"  A fantastic documentary on the 2006 New York production

Brecht’s “THEATRE OF WAR" 

A fantastic documentary on the 2006 New York production of Mother Courage and her Children, translated by Tony Kushner and starring Meryl Streep. Available to watch in four parts on YouTube:

Part 1: (http://www.youtube.com/watch?v=Eiy6hTPN9js)

Part 2: (http://www.youtube.com/watch?v=vHuRLItS7w8)

Part 3: (http://www.youtube.com/watch?v=ECj76tBMjHo)

Part 4: (http://www.youtube.com/watch?v=OyFTDLpQxsE)

There’s some great information here on Brecht, his career, his family, and his politics, as well as the contemporary resonance/impact of Brecht for this modern creative team. 


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Reference to a Bertolt Brecht song in Berlin Alexanderplatz

onlar yarının dünyasını ister istemez yaratmaktadırlar. her adımda geri çekilmek istemeleri ve tutarsızlıkları en güçlü çelişkileri, boşluklarıdır. çünkü yaratmakta oldukları bu dünyanın kendilerini içine almayacağını içgüdüsel olarak bilmektedirler.

christopher caudwell - yanılsama ve gerçeklik

Weakness You had noneI had one:I lovedBeautiful

Weakness

You had none
I had one:
I loved
Beautiful


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penthesilea1623:

Bertolt Brecht on casting a play.

»Befragt über sein Verhältnis zur Natur, sagte Herr K.: Ich würde gern mitunter aus dem Haus tretend ein paar Bäume sehen. Besonders da sie durch ihr der Tages- und Jahreszeit entsprechendes Andersaussehen einen so besonderen Grad von Realität erreichen. Auch verwirrt es uns in den Städten mit der Zeit, immer nur Gebrauchsgegenstände zu sehen, Häuser und Bahnen, die unbewohnt leer, unbenutzt sinnlos wären. Unsere eigentümliche Gesellschaftsordnung läßt uns ja auch die Menschen zu solchen Gebrauchsgegenständen zählen, und da haben Bäume wenigstens für mich, der ich kein Schreiner bin, etwas beruhigend Selbständiges, von mir Absehendes, und ich hoffe sogar, sie haben selbst für die Schreiner einiges an sich, was nicht verwertet werden kann.Warum fahren Sie, wenn Sie Bäume sehen wollen, nicht einfach manchmal ins Freie? fragte man ihn. Herr Keuner antwortete erstaunt: Ich habe gesagt, ich möchte sie sehen aus dem Hause tretend. (Herr K. sagte auch: Es ist nötig für uns, von der Natur einen sparsamen Gebrauch zu machen. Ohne Arbeit in der Natur weilend, gerät man leicht in einen krankhaften Zustand, etwas wie Fieber befällt einen.)«

|||Bertolt Brecht,Herr K. und die Natur

kvetchlandia:Grete Stern     Bertolt Brecht, London     1934AMONGST THE HIGHLY PLACEDIt is considere

kvetchlandia:

Grete Stern     Bertolt Brecht, London     1934

AMONGST THE HIGHLY PLACED
It is considered low to talk about food.
The fact is: they have
Already eaten.

The lowly must leave this earth
Without having tasted
Any good meat.

For wondering where they come from and
Where they are going
The fine evenings find them
Too exhausted.

They have not yet seen
The mountains and the great sea
When their time is already up.

If the lowly do not
Think about what’s low
They will never rise.

THE BREAD OF THE HUNGRY HAS
ALL BEEN EATEN
Meat has become unknown. Useless
The pouring out of the people’s sweat.
The laurel groves have been
Lopped down.
From the chimneys of the arms factories
Rises smoke.

THE HOUSE-PAINTER SPEAKS OF
GREAT TIMES TO COME
The forests still grow.
The fields still bear
The cities still stand.
The people still breathe.

ON THE CALENDAR THE DAY IS NOT
YET SHOWN
Every month, every day
Lies open still. One of those days
Is going to be marked with a cross.

THE WORKERS CRY OUT FOR BREAD
The merchants cry out for markets.
The unemployed were hungry. The employed
Are hungry now.
The hands that lay folded are busy again.
They are making shells.

THOSE WHO TAKE THE MEAT FROM THE TABLE
Teach contentment.
Those for whom the contribution is destined
Demand sacrifice.
Those who eat their fill speak to the hungry
Of wonderful times to come.
Those who lead the country into the abyss
Call ruling too difficult
For ordinary men.

WHEN THE LEADERS SPEAK OF PEACE
The common folk know
That war is coming.
When the leaders curse war
The mobilization order is already written out.

THOSE AT THE TOP SAY: PEACE
AND WAR
Are of different substance.
But their peace and their war
Are like wind and storm.

War grows from their peace
Like son from his mother
He bears
Her frightful features.

Their war kills
Whatever their peace
Has left over.

ON THE WALL WAS CHALKED:
They want war.
The man who wrote it
Has already fallen.

THOSE AT THE TOP SAY:
This way to glory.
Those down below say:
This way to the grave.

THE WAR WHICH IS COMING
Is not the first one. There were
Other wars before it.
When the last one came to an end
There were conquerors and conquered.
Among the conquered the common people
Starved. Among the conquerors
The common people starved too.

THOSE AT THE TOP SAY COMRADESHIP
Reigns in the army.
The truth of this is seen
In the cookhouse.
In their hearts should be
The selfsame courage. But
On their plates
Are two kinds of rations.

WHEN IT COMES TO MARCHING MANY DO NOT
KNOW
That their enemy is marching at their head.
The voice which gives them their orders
Is their enemy’s voice and
The man who speaks of the enemy
Is the enemy himself.

IT IS NIGHT
The married couples
Lie in their beds. The young women
Will bear orphans.

GENERAL, YOUR TANK IS A POWERFUL VEHICLE
It smashes down forests and crushes a hundred men.
But it has one defect:
It needs a driver.

General, your bomber is powerful.
It flies faster than a storm and carries more than an elephant.
But it has one defect:
It needs a mechanic.

General, man is very useful.
He can fly and he can kill.
But he has one defect:
He can think.

– Bertolt Brecht, “A German War Primer,” from the “Svendborg Poems,” 1938


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Y así, acabé con la piel agrietada, los labios secos, los ojos cerrados, el cuerpo olvidado y el alma marchita.

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