#composites
Eco-friendly composite catalyst and ultrasound removes pollutants from water
The research team of Dr. Jae-woo Choi and Dr. Kyung-won Jung of the Korea Institute of Science and Technology’s (KIST, president: Byung-gwon Lee) Water Cycle Research Center announced that it has developed a wastewater treatment process that uses a common agricultural byproduct to effectively remove pollutants and environmental hormones, which are known to be endocrine disruptors.
The sewage and wastewater that are inevitably produced at any industrial worksite often contain large quantities of pollutants and environmental hormones (endocrine disruptors). Because environmental hormones do not break down easily, they can have a significant negative effect on not only the environment but also the human body. To prevent this, a means of removing environmental hormones is required.
The performance of the catalyst that is currently being used to process sewage and wastewater drops significantly with time. Because high efficiency is difficult to achieve given the conditions, the biggest disadvantage of the existing process is the high cost involved. Furthermore, the research done thus far has mostly focused on the development of single-substance catalysts and the enhancement of their performance. Little research has been done on the development of eco-friendly nanocomposite catalysts that are capable of removing environmental hormones from sewage and wastewater.
The KIST research team, led by Dr. Jae-woo Choi and Dr. Kyung-won Jung, utilized biochar, which is eco-friendly and made from agricultural byproducts, to develop a wastewater treatment process that effectively removes pollutants and environmental hormones. The team used rice hulls, which are discarded during rice harvesting, to create a biochar** that is both eco-friendly and economical. The surface of the biochar was coated with nano-sized manganese dioxide to create a nanocomposite. The high efficiency and low cost of the biochar-nanocomposite catalyst is based on the combination of the advantages of the biochar and manganese dioxide.
Credit: MIT
What’s new?
A fine ash, made from pulverised volcanic rocks, can be added to traditional cement to improve its sustainability.
Who is involved?
MIT engineers working with scientists from the Kuwait Institute for Scientific Research and Kuwait University. The paper, Impact of Embodied Energy on materials/buildings with partial replacement of ordinary Portland Cement (OPC) by natural Pozzolanic Volcanic Ash, can be viewed here bit.ly/2EwZQwr
How is it novel?
By replacing a percentage of traditional cement materials with volcanic ash, researchers reduced the total energy required to make concrete. Building 26 concrete buildings, using cement with 50% volcanic ash, required 16% less energy than if traditional Portland cement was use, according to calculations.
The researchers also found that concrete mixed with a very fine ash was stronger than concrete made from just Portland cement. However, the process of pulverising volcanic ash to a very fine particle size requires energy. Therefore, if stronger concrete is made using this method, it becomes less sustainable in terms of energy use.
Oral Buyukozturk, a professor in MIT’s Department of Civil and Environmental Engineering, commented, ‘You can customise this. If it is for a traffic block, for example, where you may not need as much strength as, say, for a high-rise building. So you could produce those things with much less energy. That is huge if you think of the amount of concrete that’s used over the world.’
To find out more visit, bit.ly/2seBZg3
The mantis shrimp is able to repeatedly pummel the shells of prey using a hammer-like appendage that can withstand rapid-fire blows by neutralizing certain frequencies of “shear waves,” according to a new research paper by University of California, Riverside and Purdue University engineers. A man…
By Tomas Kellner
The Airbus A350 XWB and the Boeing 787-9 Dreamliner are currently perhaps the two most advanced passenger jets in the world.
They are both at the Paris Air Show, and they both carry GE technologies and materials. The GEnx engines that power the Dreamliner, for example, have fan blades and fan cases engineered from carbon fiber composites. The fixed trailing edge on the Airbus A350 XWB is made from a similar advanced material . In fact, more than a half of that jet’s body is made from composites.
“GE’s contribution to the structure of the A350 XWB plays a major role in the efficiency of the A350 wing fixed trailing edge,” says Mike Bausor, Airbus marketing director for the A350 XWB plane.“The [fixed trailing edge] is an integral part of the wing structure. Built predominantly from composite material, it is one of the most complex, highly loaded parts of the wing that requires utmost precision and mastery in the assembly process, as well as in the design and stress calculation.”
The fixed trailing edge makes the back part of the wing of the Airbus A350 XWB. Image credit: GE Reports/Adam Senatori.
Bausor says that composites are lighter than traditional aluminun alloys and also also extremely resistant. “But carbon fibre composite has other very valuable properties that bring major benefits to airlines,” he says. “This material does not corrode or fatigue. The maintenance tasks related to corrosion or fatigue on the airframe are therefore greatly reduced. The heavy maintenance interval can be extended to 12 years, versus 6 years for conventional airframes, significantly reducing maintenance cost and ensuring continued revenue generation for a much longer period.”
Both planes have been making afternoon flyovers at Paris Air Show this week. Photographer Adam Senatori captured some of the best moments.
Adam Senatori captured the A350 XWB (top) and the bird-like Boeing 787-9 Dreamliner (above) during flyovers at the Paris Air Show this week. Both planes feature GE materials and technologies. Image credits: GE Reports/Adam Senatori
The A350 XWB over Paris. Image credit: GE Reports/Adam Senatori
The Dreamliner in black & white. Image credit: GE Reports/Adam Senatori
Material sciences have long influenced decision-making in the design and engineering of products. From vernacular architecture that sources local materials to the revolutionary introduction of plastics in the mid-20th century, there is no mistake that material properties guide building and manufacturing processes.
What if it also works the other way around? Eli Block (Brown Biology & RISD Industrial Design ’17) is a current student that thinks of material sciences and design as a two-way street. Having taken a few classes with him, I’ve witnessed his diverse range of geekery from alchemy to geology, and it’s awesome.
“I think the capabilities, functionality, and certainly aesthetics of designed objects are always influenced by the materials from which they’re made,” Eli said. “Still, the water can flow in the other direction and design can influence the creation of new materials.”
It’s a great point that man-made and natural materials are no longer as separate as we think. Because we have designed objects that force foreign materials together in new, unique combinations, this may give rise to novel sediments in the future. However, today we understand that this process can often be disruptive to natural processes and ecosystems.
One project that addresses this is the International Genetically Engineered Machines (iGEM) competition, for which Eli teamed up with other students to compete in 2014. Their goal was to create a biologically-produced industrial plastic material that could be used in a number of applications, which they hoped to achieve by producing cellulose acetate (a hard, durable plastic) from cellulose (commonly produced by various bacteria and plants).
“We wanted to be able to produce desirable materials as organisms do without traditional, harsh manufacturing,” Eli said. “And since our team was sponsored by the exobiology department at the NASA Ames Research Center, we were interested to see if it would be possible to produce bioplastic in space without a lot of equipment.”
Because everything is better in space! His team engaged in a complex process to achieve a fairly simple objective, aiming to transfer genes for cellulose acetylation into bacteria that could produce a high volume of bacterial cellulose. From there, they sought a high bioplastic output. Though they encountered hurdles along the way, Eli thought it was interesting to learn and experiment as they went.
Just as biology and design can form a nearly symbiotic relationship, so can geology and design. Ceramics is an age-old practice deeply tied to material properties, from mixing the clay to firing to the right temperature to applying glaze. Eli put his own spin to it when he 3D printed a series of strange, lumpy rocks and cast them in porcelain. These cast bowls are now being used as a canvas for glaze experimentation.
“I wanted to make something that mashed up result and process and randomness, kind of like Earth systems,” Eli said. “I wanted to explore texture and color at the same time that I learned about firing minerals and mixing functional glazes.”
If you’ve ever glazed ceramics, you would agree that it takes experience to understand what colors you’re going to end up with when your work is fired. Eli plans to make use of the wide range of pigments, fluxes, and fillers in the RISD glaze room to explore the possibilities. Next, he’d like to experiment with clay and mix his own blends with his collection of rocks and minerals.
When we’re so tied in the realistic constraints of materials, it’s also helpful to take a step back to be inspired by fictitious materials. Rhino is a 3D modeling and rendering program that can create images of impossible objects, so Eli employed it to create a series of strange artifacts in a number of unrealistic material combinations. Some of the composites included chrome metal with glass, or plastic with porcelain.
“The results were super weird. It’s something I’d like to pursue further.”
Yeah, the results were pretty strange, but millions of years of natural processes have given rise to much stranger creatures and formations. Yet as Eli said and many scientists and designers would agree, “many biological structures are an ideal marriage of material form and function.” So perhaps we can all take some biophilic inspiration and do something a little weird. We might just discover something new.
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Eli Block: Website (http://www.eli-block.com/)