#miracles

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everentropy:

kedreeva:

mollysynthetic:

tickety-boo-af:

kedreeva:

kedreeva:

Okay, I’m going to tell you a thing about Good Omens, but first you have to listen to a thing about physics, but I promise it’s relevant.

In brief and (hopefully) simple terms (and I know it’s WAY more complex than this but we only need the gist of it), there’s this theory that Time is actually a dimension. You’ve got the zero, first, second, and third dimensions that ordinary creatures like humans perceive, and then on top of that we have the fourth dimension which affects us.

The thing about these sorts of dimensions is that a third dimension creature (like a human) lives in the third dimension but is capable of perceiving the dimensions below their own in at least semi-concrete ways. Picture it like this: The zero dimension is a dot on a piece of paper. The first dimension is the same dot, but viewed from the side, where 1D creatures could see it is actually a line. The second dimension is the same line, but viewed from the a second side, where a 2D creature could see it is actually a square. The third dimension is the same square, but viewed from a third side, where a 3D creature like a human could see it’s actually a cube.

Now, say that I am a 3D creature looking at the 2D square on the piece of paper. I am capable of perceiving that second dimension. I am also capable of affecting that dimension; for instance, if I fold the piece of paper in the middle of where the line is drawn. The 2nd dimension can be affected by the 3rd dimension, even if it can’t really perceive the 3rd dimension the way it perceives its own and lower dimensions.

Thefourth dimension is reckoned to be Time. Third dimension creatures, like humans, can be affected by time, but we can’t really perceive it the way a 4D creature does. We can’t even really guess how a 4D creature sees the world, because where would you even start? It’s a little bit… ineffable, you might say.

Now, Crowley and Aziraphale, in their true forms, should be at least 4D beings, capable of living in the 4th dimension (time) while being able to experience/perceive the dimensions below their own. Now, I would posit that actually these two exist in more than 4 dimensions, I would say (if we’re following String Theory here) that they could exist in up to 7 dimensions (the 7th being the dimension where one can access multiple dimensions, which explains the existence of heaven/hell), but that’s… complicated.

The point is, the POINT issss…. if they are 4D+ beings, then the third dimension - OUR dimension - is to them what a drawing on a paper is to us. Their corporations are, essentially, a 3D representation of themselves the way we might represent ourselves by drawing pictures on a piece of paper. These projections of themselves would be governed by the rules of the third dimension; including the ability (or maybe necessity) to experience time the way we do while they are here (hence why powerful immortal creatures cannot skip around in time while they have corporations).

Anyway, basically what I’m saying is that god wrote a 3D comic strip and put them in it and is now the frustrated equivalent of a writer whose characters just won’t stop doing things without permission dammit. That or, y’know, she fucked off after creating it and they’ve been writing a slow-burn self-insert fancomic ever since while they wait for her to get back.

This would also explain their ability to a) manipulate time the way Crowley stops it several times (consider the way we can manipulate a 3D object), b) travel between heaven and hell and Earth (even though it appears they must do so with the aid of technology like the portal runes or the globe in heaven), c) not be seen by humans at any given time even though they’re in plain sight to the camera (they may be interacting with extra dimensions somehow so as to not be seen), and d) appear to us to teleport (because we may not be able to see their interactions in a fourth dimension).

Now of course you could explain it as “it’s magic” but at the same time, of course it would seem like magic. A square on a piece of paper looking at a cube might assume the cube is doing magic when in fact the cube is just interacting with the third dimension. For example, perhaps a square would see a cube resting on one side as a square. If you were to roll that cube up onto an edge, it would appear (to the square) to become a line. Were you to lift the cube and set it down somewhere else on the square’s paper, the cube might appear (to the square) to have teleported. It would appear to be magic when in fact none of these things have happened; the cube is merely interacting with a dimension the square cannot perceive, the same way angels and demons may appear to be magic but are, potentially, interacting with additional dimensions we cannot see.

Now, you might say that the way Aziraphale and Crowley act (or the actions they take) don’t make sense if they don’t experience time in a linear fashion but I would argue that those actions do make sense. Just because one can perceive time as a dimension does not mean that they can see all time everywhere. Just because we exist in 3 dimensions does not mean we see all 3D objects at once, or that we can see all angles of every object at once or even that we understand, as individuals, every object we ever see (for example, how many sightings have their been of cryptid creatures? How many phenomena in nature have we seen but been unable to explain for a while?).

Imagine that you are standing at the top of the Eiffel Tower. You can see a LOT of 3D objects from there, for sure. But not all of them. You cannot see the Sears Tower in the US. You can see the Sydney Opera House in Australia. You also cannot see inside of all of those 3D objects. You can’t even see the far side of them. You cannot see the individual atoms that make up those objects without using some kind of technology. You also cannot manipulate the tower as a whole; you can move through it, and climb it, take pictures of it, etc, but you, as an individual, cannot pick it up and move it the way you can pick up a small cube, and in fact it would take a lot of inventing things in order for it to be picked up and moved by 3D beings. Even though you and 3D objects are both parts of the third dimension, there are limitations to how you can perceive and interact with one another.

So I would have to suppose that a being which sees in 4D would have similar (if unknown to me) limitations, the most obvious of which is that they may only see time in the space they are currently in. Perhaps there are things they can see but not really manipulate (like wind- you can move a little bit of air but not change a windstorm, or complete timelines may be like the Eiffel Tower; too big to move or affect as an individual without assistance). Maybe there are things which are hazardous to do (like how we can see magma and COULD touch it but it would damage us). There’s also the idea of optical illusion- our ability to perceive things we see can be manipulated by certain things like arrangements of color or placements of shapes (think of the person who took pictures of a giant penny beside large objects, in order to make them look small; they were not, but our knowledge of what a penny is informs our relative knowledge of the size of the car it is beside). Simply being able to perceive and manipulate some aspect of time doesn’t necessarily mean omnipotence or complete control of it, and their abilities would be further hindered by them moving part or all of the consciousness into a 3D body.

I don’t really have a point, I just wanted to talk about this more because I’m excited.

This is delightfully fun to contemplate. Crowley especially seems to have a few extra-sensory abilities, which are hinted at but not explained: 1) he can pause time, 2) he can sense where other ethereal/occult beings are or where their attention is (for example, finding an imperiled Aziraphale, and the body swap “Is anyone looking?”), and 3) in the book he references a future invention to Leonardo DaVinci. These all suggest an ability to at least interact with 4D+ dimensions. And it’s the last one about seeing far into the future that really makes me wonder.

I also wonder how much his interactions with short-term future time help him plan his demonic deeds. There’s imagination that allows humans to plan and create models for what we think the future will look like. But if you could actually see probable futures, it would be much more clear what actions to take. For example, knowing that only a rodent infestation would allow Crowley unfettered access to the mobile network controls. Or just how far reaching the effects would be of Londoners losing cell reception for 45 min. Unfortunately, he often forgets to check on himself in the future vision, so that leads to getting caught up in his own schemes.

And maybe it’s less an ability to sense where Aziraphale is that allows Crowley to swoop in and save him. Maybe he’s also peeking into time to find out what his angel is likely to be up to.

I need to know what the fifth and sixth dimensions are?!

@mollysynthetic

I can answer that! Maybe not simply!! But I will try! We’re going off of superstring theory in this, if you want to look into it on your own.

So, bear with me. You have the 4 space-time dimensions as follows:

  • (0D: a dot, pre-space)
  • 1D is a line (space, y-axis)
  • 2D is a square (space, x-axis)
  • 3D is a cube (space, z-axis)
  • 4D is time (time)

So these, together, are the components of reality, the way cardboard is a component of a box, if that makes sense. They’re subject to physics forces (like gravity), but those forces aren’t a material of the reality, if that makes sense.

Dimensions 5-10 deal in alternate reality.

Consider our reality to be the zero dimension of this new set of dimensions. We are, from everything that we can see, the only point that exists. We are a reality dot.

The fifth dimension is a reality “line.” If you were to turn and look at the dot from a new side, you would see that it has one extra dimension- the fifth dimension. A fifth dimension being would theoretically be able to see its own reality and one other version of their own reality; when you look at a line you can see a line OR if you look at it head on, a dot. So, you could look at your reality, but be able to one slightly different version of it as well.

The sixth dimension is a reality “square.” In this dimension, you are now able to view your own reality, and instead of just the next version of your reality, you can see all other realities that start from your initial dot of reality. This is important: you can ONLY see the realities that begin from the same starting condition as you.

Now, a 6D being should, theoretically, be able to move between those realities, allowing for an approximation of “time travel” at will or “dimension travel” where you could visit alternate realities instead of just seeing them. You couldn’t do this on the 5th dimension because there’s no where to go on a line except the one line. You would likely gain free movement when you add the X-axis dimension.

And since you’ll probably wonder about the rest…. it gets weirder and I’m not sure I can explain them well because they start to include the concept of infinity in ways that are slightly beyond me, so take this with a grain of salt and understand it’s WAY more complex than what I’ve said in any part of this post.

My understanding of 7 and 8 is that they deal in more kinds of alternate realities. Seven I think deals in all alternate realities that belong to YOUR reality, regardless of how they begin. Eight I think deals in alternate realities that are not necessarily your own, but are governed by the same rules as yours (the same kind of physical forces etc, like gravity).

My understanding of 9 and 10 is that 9 deals with infinite alternate realities that may or may not have the same rules of physics as your own, and 10 is basically “everything else, anything goes.”

So when I said earlier that Crowley and Aziraphale may be up to 7D beings in their true forms, I meant that you could choose to think that they, in pure angelic (and possibly full demonic) form, could at least view (if not travel to) any reality that is a version of THEIR reality. Which does beg the question; is this particular reality, with Earth, the only version of their reality in which Earth was created, thus making it important for them to preserve it?

I think future sight might be more like when we try to look into the far distance- the further we go the more difficult it is. Like, you can tell it’s a person wearing red from far away, but that’s it. And it might also be that you can see events directly related to you easier as well. Like how in a crowd you could pick out your friend faster than a stranger from a photograph. It could be Crowley didn’t look into the future but it could also be at that point there were too many fates and looking would have been a waste of time for that event, because he wouldn’t have assumed he needed to…

“The place where light and dark begin to touch is where miracles arise” -Robert A. Johns

“The place where light and dark begin to touch is where miracles arise” -Robert A. Johnson
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#cat #cats #catsofig #catsofinstagram #blackcats #whitecats #witch #wiccan #pagan #witches #familiars #yinyang #lightanddark #shadowwork #healing #miracles #njwitch #babywitch #hedgewitch (at New Jersey)
https://www.instagram.com/p/CaXKAl8O5sL/?utm_medium=tumblr


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it feels like this:

a storm brewing, the salty wind tumbling into your sweat streaked skin as you stand on the edge of the crow’s nest, a scarf wrapped around your throat and your eyes squeezed half close as you look out into the horizon. the boat rocks beneath you, a gentle sway that bucks into a wave crashing over the sides and your heart leaps into your throat as you grip the wood with wet palms.

your fingers slip. you miss. you fall.

it feels like this:

gravity does not work for you. you grip the edges of the bar and there is a whistling in the emptiness of your skull as you swing, the collective breaths of the audience all held in the middle of their throats as they watch, words tucked beneath tongues pressed against teeth as they wait. when the music swells, all you can hear is the flutter of your eyelashes against your cheekbones and you let go, hands uncurling from the bar and for one breathless moment, there is nothing holding you down.

you open your eyes. you breathe. you fly.

it feels like this:

your blood throbs so fast in your veins you think it might be gold flowing under your skin, brilliant ichor glistening in the sun against your temple as you raise your bow, the string catching the edge of broken calluses on your index finger and you hiss out a bitten off curse. the gauntlets bite into the skin on your forearms and the straps of the breastplate are all stained with mud; grains of dirt seep into the hinges and your body groans when you pull your arrow back.

you let go. you watch. you live.

it goes like this:

on christmas morning, you lie awake in bed. sunlight filters in through the window in fits and spurts; the curtain blows out, and you see dustmotes circling the air above you like a cheap angel’s halo. there is a sigh sitting in the base of your throat, just waiting for you to let it out and your fingers reach out for your phone. merry christmas, you think, and consider sending it to the person occupying your thoughts. you open your phone. the message from him is already lying there for you to see.

your heart stops, flutters, and kickstarts with the force of a stampeding parade of elephants.

On a sunny morning on December 18th, 1980, Chief engineer Miguel Dengo and seven crew members set sail to document the dam’s sinkhole of man-made Lake Arenal. It was the most ambitious project in Central America at the time. The boat slipped vertically 54 meters down a sinkhole, crushed on the dam floor, and fired like a bullet into a 400-meter long ditch to the other side of the dam. Miraculously, Captain “Gilligan” and director Carlos Sáenz came out alive.

The Retiring Vampire went with @vidaflorestral to @rest.tinajas in Nuevo Arenal and met Arenal’s veteran resident, Fernando Calderón Laguna, father of the television presenter @vivilutheoriginal, to discover Lake Arenal’s untold stories.

Link to the Article in IG bio on linktree
Top Story on MagZuma.NEWS
Google: retiring vampire lake arenal

{Spanish Version also available and will be published soon on a Local Costa Rican Magazine. Contact for publishing rights}

Drone Video of lake Arenal by @onceaponawave
Strings by @arieldelion

#lakearenal #miracles #viviancalderon #arenal #costarica #lafortuna #miraculous #manuelDengo #dam #manmade (at Lake Arenal, Costa Rica)
https://www.instagram.com/p/CJUwb5ng2rJ/?igshid=19uvzuoikgk47

#lakearenal    #miracles    #viviancalderon    #arenal    #costarica    #lafortuna    #miraculous    #manueldengo    #manmade    
NEW YORK | The pure energy from this waterfall gave me a rush of adrenaline as soon as I caught a gl

NEW YORK | The pure energy from this waterfall gave me a rush of adrenaline as soon as I caught a glimpse of it. Water’s emotional force flows in a way that connects us all and influences us as one. #TravelStyleGlitter #bodylovebritt #waterfall #waterfalls #newyork #cohoesfalls #nature #travel #travelblogger #travelblog #fashionblogger #styleblogger #blogger #plussize #plussizefashion #love #union #miracles #manifestation #roadtrip #roadtripusa #freedom #liberty #mentalhealth #selflove #selfcare #trust #bodypositive #bodypositivity #plur (at Cohoes Falls)
https://www.instagram.com/p/BzZTVAGJE7s/?igshid=1se8i5l6d5lh6


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The vivid stained-glass windows of Saint-Jean de Montmartre in Paris are excellent examples of the rThe vivid stained-glass windows of Saint-Jean de Montmartre in Paris are excellent examples of the rThe vivid stained-glass windows of Saint-Jean de Montmartre in Paris are excellent examples of the rThe vivid stained-glass windows of Saint-Jean de Montmartre in Paris are excellent examples of the rThe vivid stained-glass windows of Saint-Jean de Montmartre in Paris are excellent examples of the rThe vivid stained-glass windows of Saint-Jean de Montmartre in Paris are excellent examples of the rThe vivid stained-glass windows of Saint-Jean de Montmartre in Paris are excellent examples of the r

The vivid stained-glass windows of Saint-Jean de Montmartre in Paris are excellent examples of the renaissance of stained-glass art in the early 20th century.  They were designed by Pascal Blanchard and made by Jac Galland.

Photos by Charles Reeza


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Ask and you shall receive! Knock and the door is opened. Seek and you shall find. ✨✨ ___ What if par

Ask and you shall receive! Knock and the door is opened. Seek and you shall find. ✨✨ ___
What if paradise and heaven is alive here on earth in our hearts? Would you believe it if you were told that the only thing between you and the manifestation of all your dreams is belief? Step into the gushing stream of infinite abundance and release fear doubt and worry. Tune into the vibration of the creative source within and align with your highest truth. Everything and everyone wants you to succeed. And you define what that means. Success can mean happiness. It can mean oneness and connection. It can mean love and prosperity. You make the rules. You choose your path. And from there, open your arms to receive the Blessings pouring forth upon you. Be grateful. Every moment is a miracle if you surrender and stop resisting the flow of the river. Tune in and you will know the answers that you seek are all within you. #believe #miracles
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#Pranashama #yoga #costarica #pachamama #waterfalls #love


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¿Quién dice que los milagros no existen?La cafetería está de bote en bote. Literalmente no cabe un a

¿Quién dice que los milagros no existen?

La cafetería está de bote en bote. Literalmente no cabe un alfiler.
   El local se ha puesto de moda y la gente acude en masa con la esperanza de encontrar una mesa con acceso a un enchufe que le permita disfrutar de conexión a la red.
   Amelia, Matilde y Luisa, no precisan conectador, por esa razón ocupan una mini mesa en el centro del local, sobre la que apenas caben las tres tazas de café que están tomando. A pesar de las apreturas están a gusto, departiendo tranquilamente. Amelia, la más joven, es una persona comprensiva, respetuosa y flexible. Muy viajada, su experiencia en este terreno la convierte en una compañera ideal para una charla agradable. Matilde, con unos años más, pero con una nula mundología, suple esa carencia con una mente clara y una curiosidad inagotable que hace de ella la oyente perfecta. La mayor, Luisa, a caballo entre las otras dos mujeres, es una fuente de inspiración por su conversación culta e inteligente y, al propio tiempo, un oído atento y respetuoso.
   Las tres mujeres charlan animadamente sobre temas diversos.
   –Bueno, en este momento me gustaría encontrar una persona con la que compartir mi vida –confiesa de repente Luisa.
   –Las relaciones no son fáciles. Al menos para mí. Pero, sin duda, me gustaría encontrar a alguien especial –argumenta Amelia.
   –¡Y a mi! –exclama Matilde.
   –He pensado mucho últimamente cómo debería ser mi compañero ideal. Que cualidades debería tener. Quiero un hombre comprensivo, cariñoso, divertido, paciente, sensible, inteligente, culto y atractivo.  Que me hiciera sentir viva de nuevo y con quien pudiera compartir lo bueno y lo malo –dice emocionada Luisa.
   –Lo que tu pides es un milagro –responde Matilde
   –Y ¿porqué no?
   Pocos meses más tarde, Luisa entra en una librería, va, como es costumbre en ella, un poco acelerada y ciega a todo lo que no sea el libro que busca. Inesperadamente tropieza y bracea instintivamente para asirse a algo que evite su caída. Presa de un momento de pánico, siente como unos fuertes brazos la sujetan. Al incorporarse contempla el rostro de su providencial salvador. Unos ojos de mirada cálida y, un punto burlona, la contemplan.
    –Debería usted mirar por donde pisa –le dice con una seductora sonrisa el hombre que acelera el ritmo cardíaco de Luisa.

¿Quien dice que los milagros no existen? Ya lo creo que sí, sólo hay que creer en ellos.

Por Carmen Figueras


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“I am here in this moment,

brave, strong, & blessed.

Miracles are on the horizon,

& good things are already here.

SO MAY IT BE AND SO IT IS.”

Shawn Fontaine

The context of the annual Festival of Dedication of the Temple gives a special meaning to Jesus’ claim [of His divinity in John 10:30]. On this festival of the return of the LORD to his Temple (after its desecration by the Syrian King Antiochus Epiphanes) Jesus is claiming that He Himself is the abode of God. [Indeed,] throughout the Gospel, Jesus has been making His own the institutions of Judaism. At Cana, He takes over the jars of water for Jewish rites of purification, making them the wine of His wedding-feast. Then He goes to Jerusalem and [functionally] replaces the perishable Temple with the Temple which is His Body. He makes the Sabbath His own by working on it as only God may do. He, rather than the manna provided by Moses, is the life-giving Bread from heaven. At Tabernacles, the festival of light and water, He declares that He is the Light of the world and the Source of Living Water. Finally, He will make the Passover His own at the Last Supper, and as the paschal lamb. It is this [record of so acting and speaking with Divinely transmutative religious authority] which gives the context and significance to the claim that ‘I and the Father are one.’ [Tragically, even though] the hostile question of the Jews [sparked] off Jesus’ sayings, [they are still unwilling to accept His unchanging response] and immediately after this passage they take up stones to throw at Him, [only misunderstanding] His claim to be one with the Father as blasphemy [rather than Truth].

Dom Henry Wansbrough; Commentary on John 10:22-30

 The Supremes, Martha and the Vandellas, The Temptations, and Smokey Robinson and the Miracles, all

The Supremes, Martha and the Vandellas, The Temptations, and Smokey Robinson and the Miracles, all in the same picture.


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Had to share this @WeHeartIt

Had to share this @WeHeartIt


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In John 6 we find the miraculous feeding of the five thousand. This is the only miracle of Jesus that all four gospels reported. Furthermore, no other miracle of the Lord Jesus Christ was performed in the presence of so many witnesses, nor did it have so many beneficiaries at the same time. The disciples could only do calculations with their own possibilities, forgetting that the power of Jesus always surpasses all human calculation. So they kept looking to see what they had, and finally all they could find was “five barley loaves and two small fish” that a boy had. This was a ridiculous amount, and as they themselves stated, “What are they among so many?" 

However, although they probably weren’t very aware of it, they did two things that always make it easier for the Lord to start working:
On the one hand, they admitted that they didn’t have a solution to the problem, so they left the door open for the Lord to work.
And on the other hand, they put what little they had into the Lord’s hands.


For more information please read John Chapter 6: https://www.churchofjesuschrist.org/study/scriptures/nt/john/6?lang=eng

The universe is big. It’s vast and complicated and ridiculous. And sometimes, very rarely, impossibl

The universe is big. It’s vast and complicated and ridiculous. And sometimes, very rarely, impossible things just happen and we call them miracles


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I try to find you, who I can’t see
I try to hear you, who I can’t hear
Then I started to see things I couldn’t see, hear things I couldn’t hear
Because after you left, I received a power I didn’t have before

The selfish me, who always knew only myself
The heartless me, who didn’t even know your heart
Even I can’t believe that I changed like this
Your love keeps moving me

Just by thinking about it, I can fill the world up with you
Because each snowflake is your each tear drop
The one thing I can’t do is bring you to me
I wish I didn’t have this useless power anymore

The selfish me, who always only knew myself
The heartless me, who didn’t even know your heart
Even I can’t believe that I changed like this
Your love keeps moving me

I stop time and go back to you
I open your page in my book of memories
I am there inside, I am with you

A very small and weak person, your love
Has changed everything, all of my life, all of the world

I didn’t know how thankful your love was
I thought it would stop once it ended
But every day, I’m fixing myself to want you
I think my love will endlessly continue

I stop time (oh now I will) and go back to you
Again today, I open your page in my book of memories
I am there inside, inside that winter

I try to find you, who I can’t see
I try to hear you, who I can’t hear

What do you wish for? An interesting ad from Weekly World News December 30, 2003.

What do you wish for? An interesting ad from Weekly World News December 30, 2003.


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