#poverty
Day 15 of Black History Month and I’m honoring Gordon Parks. He was an American photographer, musician, writer and film director, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s particularly in issues of civil rights, poverty and African-Americans, and in glamour photography.
The 85 richest people in the world are worth as much combined as the poorest 3.5 billion people.
- Oxfam/The Independent
So I haven’t eaten anything except for a bowl of soup broth with an egg in it all day because that’s all I had and now I’m out of food and I’m so fucking hungry.
I hate having to beg online but I’m too fucking poor and my art isn’t selling so I have to do something.
If you can help me afford something to eat tonight and wanna donate my cashapp/venmo is $destincramer98/@destincramer98
Or you could try my PayPal if that works better
Any help would be greatly appreciated
So I haven’t eaten anything except for a bowl of soup broth with an egg in it all day because that’s all I had and now I’m out of food and I’m so fucking hungry.
I hate having to beg online but I’m too fucking poor and my art isn’t selling so I have to do something.
If you can help me afford something to eat tonight and wanna donate my cashapp/venmo is $destincramer98/@destincramer98
Or you could try my PayPal if that works better
Any help would be greatly appreciated
I’m out of groceries again if you can help
I can’t go to the food bank due to allergies they don’t have food for me that I can eat.
I’m selling my art on Etsy @ Destindrawsstore or you can help by donating to my PayPal
Mo Guan shan: When I first met you, I thought you were weird and annoying.
He Tian:
Jian Yi:
Zhan Zhengxi:
He Tian:And?
Mo Guan Shan: AND YOU ARE
Southern Italy, 1960s
I have never been a fan of the word normal, but this is the most disgusting use of it.
“There’s one big difference between the poor and the rich,” Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time. “The rich aren’t evil, as so many of my brothers would tell you. I’ve known rich people – I have played on their yachts – and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid - or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency. No – the big difference between the rich and the poor is that the rich are blithe. They believe nothing can every really be so bad. They are born with the lovely, velvety coating of blitheness – like lanugo, on a baby – and it is never rubbed off by a bill that can’t be paid; a child that can’t be educated; a home that must be left for a hostel, when the rent becomes too much. Their lives are the same for generations. There is no social upheaval that will really affect them. If you’re comfortably middle-class, what’s the worst a government policy could do? Ever? Tax you at 90% and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine – but maybe cheaper – go on holiday – but somewhere nearer – and pay off your mortgage – although maybe later. Consider, now, then, the poor. What’s the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school – with no escape route to a prep. It can have you out of your house and in a B&B by the end of the year. When the middle classes get passionate about politics, they’re arguing about their treats - their tax-breaks and their investments. When the poor get passionate about politics, they’re fighting for their lives. Politics will always mean more to the poor. Always. That’s why we strike and march, and despair when our young say they won’t vote. That’s why the poor are seen as more vital, and animalistic. No classical music for us – no walking around National Trust properties, or buying reclaimed flooring. We don’t have nostalgia. We don’t do yesterday. We can’t bare it. We don’t want to be reminded of our past, because it was awful: dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That’s why the present and the future is for the poor - that’s the place in time for us: surviving now, hoping for better, later. We live now - for our instant, hot, fast treats, to pep us up: sugar, a cigarette, a new fast song on the radio. You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad post-code. It’s a miracle when someone from a bad post-code gets anywhere, son. A miracle they do anything at all.”—
A rant about the divide between the rich and the poor from “How To Build a Girl” by Caitlin Moran(via itsalljustvapourtrails)
“When the rich get passionate about politics, they’re arguing about treats. When the poor get passionate about politics, they are fighting for the lives.”
Boom
(viaseneddism)
HOMILY for Fra Angelico
James 2:14-24. 26; Ps 111; Mark 8:34-9:1
The words of St James, his injunctions about care and love for the poor would have resonated in the heart and actions of today’s Dominican blessed. For although he is renowned as a painter and indeed is regarded as the patron saint of artists, Blessed John of Fiesole’s own epitaph, carved around his tomb in the church of Santa Maria sopra Minerva in the centre of Rome says: “When singing my praise, don’t liken my talents to those of Apelles. Say, rather, that, in the name of Christ, I gave all I had to the poor. The deeds that count on Earth are not the ones that count in Heaven. I, Giovanni, am the flower of Tuscany.” So, it is fitting on his feast day to remember that Blessed John did not want so much to be remembered for his artistic talents as for his charity, his love of the poor, his unseen deeds which honour Christ on earth in the poor and needy, and which thus redound to his glory in heaven. For as Christ warns in the Gospel today: “What gain, then, is it for a man to win the whole world and ruin his life?” No, it is better to strive for treasure and beauty in heaven through good deeds on earth, as St James says.
And yet this is a side of Blessed John that is often neglected: the aspects which account for his sanctity and his reputation in his lifetime that led to him being called Fra Angelico, the angelic friar. It’s often forgotten, even by Dominicans, that Blessed John was a pious layman and professional painter before he joined the Order; that he had joined a Confraternity that believed in physical asceticisms and discipline; that he was deeply influenced by the teachings and writings on social justice and economic reform advanced by the Dominican Archbishop of Florence, St Antoninus; and that in 1420 he joined the Observant branch of the Dominicans at Fiesole, who were engaged in acts of corporal mortification, severe fasting and asceticism, prayer and study by day and throughout the night, and a strong commitment to poverty. Fra Angelico would become the Prior of St Dominic’s Priory in Fiesole, a convent nestled in the secluded Tuscan hills near Florence, where he painted many altarpieces.
In 1439, St Antoninus, who was then Prior of St Mark’s in Florence, asked Fra Angelico to come to Florence and to paint frescoes of the Passion of Christ and of various Mysteries of the Rosary in the rooms of the friars. Whereas earlier theologians and ascetics had dismissed art and beauty as frivolous or a distraction from prayer and study, St Antoninus affirmed the importance of art in moving souls to devotion, and as an aid to prayer, focusing the mind on sacred things, and helping us to contemplate the higher things of God. Undoubtedly, St Antoninus’s view on sacred aesthetics was a great encouragement to Fra Angelico, and the beautiful convent of San Marco in Florence, which is now a museum of Fra Angelico’s art, is a testimony to the power of sacred art to inspire prayer and devotion. Hence, Dominican churches such as this one, which is full of sacred art especially in our Rosary Chapels, follow the insights of St Antoninus and Blessed John, which is that art and beauty lead us to contemplate divine mysteries with greater efficacy.
Thus many of the friars’ rooms in Florence are painted with images of the Cross and Passion of Christ, inviting them to meditate on the love of the suffering Christ. The words of today’s Gospel would have resonated in the minds of the friars who studied and prayed in those cells: “If anyone wants to be a follower of mine, let him renounce himself and take up his cross and follow me”. Indeed Fra Angelico painted many images of the Crucifixion with St Dominic or a friar clinging to the cross.
However, it is Fra Angelico’s depictions of Our Lady, especially his paintings of the Annunciation, which are probably his most luminous works. A divine light suffuses his paintings, which in their beauty and serenity are the fruit of Blessed John’s contemplation; they are painted sermons which endure and continue to inspire us long after the homilies of contemporary preachers have faded from memory. For as Pope St John Paul II said: “Angelico was reported to have said: ‘He who does Christ’s work must stay with Christ always.’ This motto earned him the epithet ‘Blessed Angelico,’ because of the perfect integrity of his life and the almost divine beauty of the images he painted.”
So today, as we honour Blessed John of Fiesole, we recall not only his art but also his words, his teaching, his inspirations, and the beauty of his life – beautiful because of its integrity and authenticity as a Dominican friar preacher; beautiful because he so closely followed and contemplated Christ and Our Lady; and beautiful because his life shone with good works. May he pray for us, that our lives may also reflect the beauty of holiness.
UK is only major economy to put up taxes during cost-of-living crisis, research finds
Direct link to the article:
UK is only major economy to put up taxes during cost-of-living crisis, research finds
The tax rise is for the poorest people not the richest, obviously. Tories can’t be pissing off any of those Russian oligarch friends. Also MPs just got a £2000 pay rise because of course.
MPs handed £2,000 pay rise on same day families are hit with double cost of living blow
You know things are bad if the Telegraph is criticising the government.
In the hood it’s all about stacking paper. Getting that money. Hustling. Yet the black community is overcome with poverty. Why? The hood mentality is all about looking good. If you got the right gear, whipping the right car…you that nigga. It doesn’t matter if you live in ya mom basement or living off ya bm. You are a good parent as long as ya kids rockin them Js. Nevermind that they acting up and bringing home bad grades. Nevermind that you screaming in their face, cussing them out everyday. They got what they wanted for Christmas! The concept of building wealth is not understood among black youth in the hood. They do not realize that their behavior is a direct result of social engineering. TV tells them who to be, what to wear, how to talk, what to care about. White corporations take the money we throw at them for petty material things, and build empires with it. While we lay in the slums of our communities poppin bottles, killing each other and pumping our chests. The loudest one is the weakest one in the room. Go on Facebook(Trenton) and you’ll see a bunch of young black youth screaming to the world how great they are. How wonderful their life is. You’ll see a bunch of poppin off. A bunch of holier than thou mentalities. But what you won’t see is unity. What you don’t see is knowledge of self, dignity, self love. But who cares as long as you are driving that benz, right? You can tell how irrelevant a person feels by how badly they need to be seen. And in the hood, everybody wants to be seen.
Homeless (1890) by Thomas Benjamin Kennington (English, 1856-1916). Bendigo Art Gallery.
undr:
Getty Images. No Man’s Yard, Newington Street, Sneinton, Nottingham, Nottinghamshire, 1910s
For some, poaching is a “second job”
In a 2015 study of admitted poachers in the largest park in Tanzania, 4 out of 5 admitted to poaching for food or income. But not all of them poached due to extreme poverty (in need of food and shelter). For many it was a means of supplemental income. In fact only 8% used poaching as their only source of income. by Conservation and Society
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You may purchase the book here. The book is about 150 pages written to persuade readers to stop debating and talking passed one another, and instead, take action together. I think I indentify common ground that makes this possible. I synthesize the pro-life and pro-choice positions not by taking the better parts of each and fusing them into a new one, but by dissolving both perspectives and inviting everyone to adopt a fresh perspective that, while accounting for the insights of both, goes further in paying much needed attention to the issues surrounding the decision to have an abortion. It’s a short, insightful, and hopefully persuasive read. Thank you in advance to all who purchase a copy!
Because of the shitty state of the welfare system in this country, I have run out of money five days before I get paid because I have to live on disability. Boris Johnson can spend 10 million redecorating his pad but I get to live below the poverty line and act grateful for it. Urgh.
I rely on UC (welfare) to live, and after spending £10,000,000 redecorating his house Boris thinks it’s ok to cut it by £87 a month, when I already live below the poverty line. How is this acceptable?
Literally what the FUCK