#ελλάδα

The townhall, Chalkida, Greece
#chalkida #townhall #evia #Eviaisland #townhall #christmas #christmaslights #neoclassical #architecture #building #hometown #greece #Ελλάδα #Χαλκίδα #Εύβοια #χριστούγεννα #traveltipsgr (στην τοποθεσία Chalkída, Greece)

Crete, Archaeological Museum of Kissamos:

Λ3239 Kissamos, Health Center. Found and donated by D. Vouterakis 1985. Decorative marble group of Aphrodite and Eros sitting on a rock playing guitar. The composition is iconographically unique. Although Eros is often depicted with a guitar or lyre (on lamps, figurines, mosaics, wall paintings, etc.), the depiction of Aphrodite with musical instruments is rare. It probably decorate an atrium. Date: Second half of 1st century A.D.

Crete, Archaeological Museum of Kissamos:

Λ3210 Kissamos, El. Venizelos Square 1983. Marble statue of Silinos. The statue worked as a fountain with water flowing from the goatskin on his shoulder. Well polished Parian marble (lychnites). Date 1st 02nd century A.D.

Crete, Archaeological Museum of Kissamos:

Λ694 Kissamos, eastern Roman Baths, 1967. Marble statue of a Satyr resting. He leans on a tree trunk, where a pedum for hunting hares in hanging. He wears a panther’s skin and was possibly holding a flute. Under the trunk, a miniature cow is represented. Loose copy of a Hellenistic prototype. Date 2nd century A.D.

Crete, Archaeological Museum of Kissamos:

Λ418, Kissamos, Raisakis plot 2005, Naked marble torso of Aphrodite wearing a diadem. Roman copy of a Hellenistic prototype from the end of 4th century B.C. It belongs to the type of Capitoline Aphrodite (modest Aphrodite).

Crete, Archaeological Museum of Kissamos:

(Λ419) Found in Kissamos, eastern Roman baths, 2005. Marble statue of a young Pan with characteristics of a Satyr. He is holding a hare in his right hand. Roman copy of a Late Hellenistic prototype. Its style is similar to that of the Satyr (694). Date 2nd century A.D 

This statue was found crushed in the Roman baths, possibly from the 365 A.D earthquake, this photo is from the excavations - part of the museum exhibition.

The Earthquake of 365 A.D.

During the night of July 21, 365 A.D. a terrific earthquake of 8.5 Richter magnitude destroyed Kissamos and other Cretan and Mediterranean cities. It triggered a tsunami that reached the Nile delta and is a possible cause of the uplift of Western Crete. This earthquake signalled the decline of the city and the end of the ancient, pagan world in this area.

Finds from the destruction level include coins and ceramics in accord with the chronology of the earthquake, four human skeletons crushed under the ruins, and intense burning on the floors from fires probably caused by fallen oil lamps. The first evidence of survival are outdoor ovens and cooking hearths constructed on top of the destruction debris.

Cyclades, Archaeological Museum of Paros:

Mosaics with a depiction of the labours of Hercules. The mosaics probably belonged to a public building, possibly a gymnasium dating circa 300 A.D. They were discovered in the premises of the Byzantine church Panagia Ekatontapyliani in Parikia, Paros

Crete, Archaeological Museum of Chania:

Triclinium from the House of Dionysos

In the large panel Dionysos is depicted on a panther followed by a satyr. In the border part, the artist’s signature is preserved indicating his provenance; Daphne, a suburb of Antioch, where there was a famous mosaic school at the time. The legend of Dionysos and Ariadne of Naxos is depicted in the best preserved smaller panel. The comic masks allude to the relationship of Dionysos with theatre. 

Found in the town of Chania (ancient Kydonia), near the Market Square in 1977.

The best preserved scene of the same triclinium with Dionysus and Ariadne at Naxos, as well as some decorative details on these two posts 1,2.

Part of the preserved signature: …(from) Daphne made.

Some of the decorative geometric designs.

The scene with the panther.

A scene with actors from the same triclinium.

Crete, Archaelogical Museum of Chania:

Decorative, square from the triclinium of the House of Dionysos.

In the large panel Dionysos is depicted on a panther followed by a satyr. In the border part, the artist’s signature is preserved indicating his provenance; Daphne, a suburb of Antioch, where there was a famous mosaic school at the time. The legend of Dionysos and Ariadne of Naxos is depicted in the best preserved smaller panel. The comic masks allude to the relationship of Dionysos with theatre. Found in the town of Chania (ancient Kydonia), near the Market Square in 1977.

Dated 3rd century A.D.

Detail from another one of the squares.

Crete, Archaelogical Museum of Chania:

Decorative, border details from the triclinium of the House of Dionysos.

In the large panel Dionysos is depicted on a panther followed by a satyr. In the border part, the artist’s signature is preserved indicating his provenance; Daphne, a suburb of Antioch, where there was a famous mosaic school at the time. The legend of Dionysos and Ariadne of Naxos is depicted in the best preserved smaller panel. The comic masks allude to the relationship of Dionysos with theatre.

Dated 3rd century A.D

Found in the town of Chania (ancient Kydonia), near the Market Square in 1977.

Τουαλέτο-trolling

Μπορώ να σε βοηθήσω μέσω τουμπλρ

Αν γίνεις άλλος;

Αυτή η πρόταση δεν είναι.

Δεν έχω να προσθέσω απολύτως τίποτα.

Και OFF

Τον πούστη

Ναι, gege. Αλλά, ρε φίλε, δεν παρα-είναι προσωπικό το θέμα για να το μοιράζεσαι στα ντουβάρια;

Δεν μπορώ να πω ότι πολυ-καταλαβαίνω τι θέλει να πει ο καλλιτέχνης, αλλά κάνει ομοιοκαταληξία οπότε θα ισχύει.

Ποτέ δε ξέρεις

Τι έχει μεγαλύτερη σημασία; Το μήνυμα ή ο τρόπος που επικοινωνείτε,