Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Emma Perkins & Jane Perkins, Tom Houston/Jane Perkins, Paul Matthews/Emma Perkins, Tim Houston & Tom Houston, Tim Houston & Emma Perkins, Tom Houston & Emma Perkins, Tim Houston & Paul Matthews, Becky Barnes/Tom Houston, Tim Houston & Jane Perkins
Characters: Jane Perkins, Emma Perkins, Tim Houston, Tom Houston, Paul Matthews, Becky Barnes (Black Friday), Douglas “Duke” Keane
Additional Tags: First chapter is Jane-centric, Angst, well well well if it isn’t the consequences of my own actions, Nightmare Time Episode 5: Jane’s a Car, Takes place just after that episode, Basically that episode left me with so many questions, Mostly just ‘what the fuck?’ over and over again, But oddly enough my biggest question was how would Jane react to Emma’s return. Autistic Paul Matthews, Because would I really be me if my fic didn’t have an autistic character?
Summary: Jane looked to the Peanuts clock on Tim’s bedside table. Who on earth would be knocking on the front door at 2am? She wondered, slipping out of Tim’s room. When she pried open the door, it was to see a couple of police officers and a shaggy-haired man stood in front of the door. She felt her breath shorten, a wave of familiarity washing over her. She’d been here before.
In which Jane learns of the consequences of her actions.
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Emma Perkins & Jane Perkins, Tom Houston/Jane Perkins, Paul Matthews/Emma Perkins, Tim Houston & Tom Houston, Tim Houston & Emma Perkins, Tom Houston & Emma Perkins, Tim Houston & Paul Matthews, Becky Barnes/Tom Houston, Tim Houston & Jane Perkins
Characters: Jane Perkins, Emma Perkins, Tim Houston, Tom Houston, Paul Matthews, Becky Barnes (Black Friday), Douglas “Duke” Keane, Bill Woodward, Alice Woodward, Charlotte (The Guy Who Didn’t Like Musicals)
New Tags: Second chapter is Emma-centric, And has a lot of Paulkins, Paul and Emma are bi4bi
Chapter Summary: Emma tugged at Paul’s hand, pulling him through to the dining room. Paul sat on the edge of the dining table.
‘I know when we talked about kids, we said we’d wait a couple of years until we were more settled, but —‘
‘Emma.’ Paul spoke without hesitation, his voice gentle, but firm. He grasped her arms lightly and pulled her in between his legs. He leaned forward to rest his forehead against hers. ‘Of course we’re going to take Tim in.’
I keep saying that I want a Hatchetfield show where they actually “take it back” to Tom and Becky in high school BUTwhat if they take it…forward.
Picture this: Tim Houston (played by ?Dylan Saunders??Jeff Blim?) is in high school and he’s not very popular. Maybe his only friend is his much younger cousin (Emma and Paul’s child). Maybe they are nerdy prudes. Maybe there are 4 bullies that constantly torment Tim. Maybe these 4 beautiful blonde bullies go too far and decide that the nerdy prudes must die?
Or maybe not, I just want another Starkid show to fill the void in my life.
A section of dialgoue from Starkid’s “Forever and Always” that was in the script and the livestream was cut from the final conversation between Emma and Paul, and it significantly changes the context of the rest of their dialogue in that scene. The missing dialogue was in between Paul’s line “and taking his place,” and “I know things aren’t perfect.” Why @the-real-team-starkid?
Warning: This post contains spoilers for Starkid’s “Time Bastard” and “The Witch in the Web.”
InStarship, we learn that in the recent past (less than a generation ago), the robots of earth rebelled against their creators in the Robot Wars. Also, much of the world is under the control of a giant, shady organization: the Galactic League of Extraterrestrial Exploration, who are always making twisted abominations out of everything.
In “Time Bastard,” we see a future where a giant shady corporation is trying to create an army of robot workers. But each of these robots will have human-level sentience, as at least one of them definitely rebels (the Emma Android that replaces the original Emma).
Hence, I claim that Starship is the future of the timeline of Hatchetfield shown in “Forever and Always” and “Time Bastard.” CCRP later reincorporates as the G.L.E.E., and the robots who don’t travel back in time eventually rebel and start the Robot Wars.
For any of this to work, the Lords in Black have to die. In fact, they must die well before the Robot Wars, since the Starship Rangers believed that god was “long dead” 18 years before the events of the musical. Whether they are killed by Webby, Hannah, or some other entity that we don’t know about, I don’t know.
I expect the Hivemind-controlled pod-people from TGWDLM would also agree that “the needs of the many singing and dancing alien pod-people outweigh the needs of the few singing and dancing alien pod-people, or the one singing and dancing alien pod-person.”
Bill: Do you know how long it takes until you start hallucinating from sleep deprivation? Paul: I think- Emma: Seventy-two hours. Paul: …How do you- Emma *staring into empty space over the rim of her coffee cup: There’s a clown behind you.
With NMT2 breaking up Lex and Ethan I vote the community as a whole form a protective wall around Tom and Becky to shield them from the menace that is Nick and Matt
My favourite thing about The Hatchetfield Series is that despite the shows being about Eldritch Deities and Superhumans the first and arguably most beloved show is about
Some guy
His crush
His coworkers who probably should have died before the 4th number
My thoughts have just done 0.025x speed on youtube. I can focus on my artwork without having intrusive thoughts like ‘hey go hit your brother with a pillow while screaming an entire scene from a musical’ (i have done that before, it was the blueshit scene from tgwdlm)
I feel calmer and its strange. I’ve lived my whole life living on hyperspeed. Its so different. I dont know if i like it or not. It really helps my impulsivenessandattention span but it doesnt feel like me
